"Factory Girl" | |
---|---|
Song by the Rolling Stones | |
from the album Beggars Banquet | |
Released | 6 December 1968 |
Genre | Folk rock |
Length | 2:08 |
Label | ABKCO |
Songwriter(s) | Jagger/Richards |
Producer(s) | Jimmy Miller |
"Factory Girl" is a song by the Rolling Stones which appears on their 1968 album Beggars Banquet .
It is very similar to an Appalachian folk tune, especially due to its minimal arrangement, featuring Mick Jagger on vocals, Keith Richards on acoustic guitar, Rocky Dijon on conga drums, Ric Grech of Family on fiddle/violin, Dave Mason on Mandolin and Charlie Watts on tabla. [1] [2] [3]
On his performance, Watts said in 2003, "On 'Factory Girl', I was doing something you shouldn't do, which is playing the tabla with sticks instead of trying to get that sound using your hand, which Indian tabla players do, though it's an extremely difficult technique and painful if you're not trained." [4]
The song is composed of lyrics musing on the singer's relationship with a young woman, all while he is waiting for her to come out to meet him;
Waiting for a girl who's got curlers in her hair
Waiting for a girl, she has no money anywhere
We get buses everywhere, waiting for a factory girl
Richards said of the song in 2003, "To me 'Factory Girl' felt something like 'Molly Malone', an Irish jig; one of those ancient Celtic things that emerge from time to time, or an Appalachian song. In those days I would just come up and play something, sitting around the room. I still do that today. If Mick gets interested I'll carry on working on it; if he doesn't look interested, I'll drop it, leave it and say, 'I'll work on it and maybe introduce it later.'" [5]
Jagger countered, saying, "The country songs, like 'Factory Girl' or 'Dear Doctor' on Beggars Banquet were really pastiche. There's a sense of humour in country music anyway, a way of looking at life in a humorous kind of way - and I think we were just acknowledging that element of the music. The 'country' songs we recorded later, like "Dead Flowers" on Sticky Fingers or "Far Away Eyes" on Some Girls are slightly different. The actual music is played completely straight, but it's me who's not going legit with the whole thing, because I think I'm a blues singer not a country singer." [5]
Jim Beviglia ranked "Factory Girl" the 163rd best Rolling Stones song in Counting Down the Rolling Stones: Their 100 Finest Songs. [6] Paste commented, "The Rolling Stones did an impressive job stepping outside their usual rockers to create this folk number" and ranked it 29th in its Top 50 Rolling Stones songs. [7] Rolling Stone ranked it 91st in its countdown of the band's top 100 songs, calling it an "oddity that feels like a country song yet incorporates tablas, mandolins and a fiddle solo." [8]
The song has been performed live in 1990, 1997 and 2013. A live recording from the Steel Wheels/Urban Jungle Tour made its way onto the 1991 live album Flashpoint . The song was also featured during the 1997 Bridges to Babylon Tour It was played in Los Angeles on 3 May 2013 and then a version of the song with different lyrics called "Glastonbury Girl" was performed at the Glastonbury festival on 29 June 2013.[ citation needed ]
The Rolling Stones are an English rock band formed in London in 1962. Active for over six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the band pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, guitarist Keith Richards, multi-instrumentalist Brian Jones, bassist Bill Wyman, and drummer Charlie Watts. During their early years, Jones was the primary leader. Andrew Loog Oldham became their manager in 1963 and encouraged them to write their own songs. The Jagger–Richards partnership soon became the band's primary songwriting and creative force.
Sir Michael Philip Jagger is an English musician. He is best known as the lead singer and one of the founder members of the Rolling Stones. Jagger has co-written most of the band's songs with lead guitarist Keith Richards; their songwriting partnership is one of the most successful in rock music history. His career has spanned over six decades, and he has been widely described as one of the most popular and influential front men in the history of rock music. His distinctive voice and energetic live performances, along with Richards' guitar style, have been the Rolling Stones' trademark throughout the band's career. Early in his career, Jagger gained notoriety for his romantic involvements and illicit drug use, and has often been portrayed as a countercultural figure.
Charles Robert Watts was an English musician who was the drummer of the Rolling Stones from 1963 until his death in 2021.
Beggars Banquet is the seventh studio album by the English rock band the Rolling Stones, released on 6 December 1968 by Decca Records in the United Kingdom and by London Records in the United States. It was the first Rolling Stones album produced by Jimmy Miller, whose production work formed a key aspect of the group's sound throughout the late 1960s and early 1970s.
"You Can't Always Get What You Want" is a song by the English rock band the Rolling Stones from their 1969 album Let It Bleed. Written by Mick Jagger and Keith Richards, it was named as the 100th greatest song of all time by Rolling Stone magazine in its 2004 list of the "500 Greatest Songs of All Time" before dropping a place the following year.
Metamorphosis is the third compilation album of the Rolling Stones music released by former manager Allen Klein's ABKCO Records after the band's departure from Decca and Klein. Released in 1975, Metamorphosis centres on outtakes and alternate versions of well-known songs recorded from 1964 to 1970.
"No Expectations" is a song by English rock band the Rolling Stones featured on their 1968 album Beggars Banquet. It was first released as the B-side of the "Street Fighting Man" single in August 1968. The song was recorded in May 1968. Brian Jones' acoustic slide guitar on the recording represents one of his last major contributions before leaving the band.
"Can't You Hear Me Knocking" is a song by English rock band the Rolling Stones from their 1971 album Sticky Fingers. The track is over seven minutes long, and begins with a Keith Richards open-G tuned guitar intro. The main song lasts for two minutes and 43 seconds, after which it transforms into an extended improvisational jam. The entire track was captured in one take, with the jam being a happy accident; the band had assumed the tape machine had been stopped, and were surprised to find the entire session had been captured. Originally they were going to end the song before the jam started, but were so pleased with the jam that they decided to keep it in. Besides the regular Rolling Stones members Mick Jagger (vocals), Keith Richards, Mick Taylor (guitar), Charlie Watts (drums) and Bill Wyman (bass), the track also features conga player Rocky Dijon, saxophonist Bobby Keys, organist Billy Preston and additional percussion by producer Jimmy Miller.
"Midnight Rambler" is a song by English rock band The Rolling Stones, released on their 1969 album Let It Bleed. The song is a loose biography of Albert DeSalvo, who confessed to being the Boston Strangler.
"Waiting on a Friend" is a song by the English rock band the Rolling Stones from their 1981 album Tattoo You. Written by Mick Jagger and Keith Richards and released as the album's second single, it reached No. 13 on the Billboard Hot 100 singles chart in the US.
"Salt of the Earth" is the final song from English rock band the Rolling Stones album Beggars Banquet (1968). Written by Mick Jagger and Keith Richards, the song includes an opening lead vocal by Richards. It is the second official track by the group to feature him on lead vocal.
"Stray Cat Blues" is the eighth song on the Rolling Stones' album Beggars Banquet. It was written by Mick Jagger and Keith Richards and produced by Jimmy Miller. Miller's production of the song is very representative of his style, featuring a very prominent hi hat beat, droning piano performed by Nicky Hopkins, a mellotron performed by Brian Jones, all electric guitars performed by Richards and vocals from Jagger kept even in the mix. According to Mick Jagger, the song was inspired by "Heroin" by the Velvet Underground, with the intros of both songs being particularly similar.
"Far Away Eyes" is the sixth track from the English rock band the Rolling Stones' 1978 album, Some Girls. It was released, as the B-side of the single "Miss You", on Rolling Stones Records, on 9 June 1978. Rolling Stone magazine made it the 73rd song on their list of 100 Greatest Rolling Stone's Songs.
The Rolling Stones' 1971 UK Tour was a brief concert tour of England and Scotland that took place over three weeks in March 1971.
"The Spider and the Fly" is a song by English rock band the Rolling Stones, recorded in May 1965 and first released on the US version of their 1965 album Out of Our Heads. In the UK, it was released as the B-side to "(I Can't Get No) Satisfaction". In 1971, the song was released on an album for the first time in the UK on the Decca Records compilation Stone Age.
"Jigsaw Puzzle" is a song by English rock band the Rolling Stones, featured on their 1968 album Beggars Banquet.
"Slave" is a song by the English rock band the Rolling Stones from their 1981 album Tattoo You.
Some Girls: Live in Texas '78 is a live concert film by the Rolling Stones released in 2011. This live performance was recorded and filmed in 16 mm during one show at the Will Rogers Auditorium in Fort Worth, Texas on 18 July 1978, during their US Tour 1978 in support of their album Some Girls. The concert film was released on DVD/Blu-ray Disc, combo and on 18 November 2011. Initially the CD was exclusive to the combo sets, but got a stand-alone release in June 2017.
"I Am Waiting" is a song recorded by the English rock band the Rolling Stones. It was written by Mick Jagger and Keith Richards and released on the band's 1966 studio album Aftermath.
"Scarlet" is a song by English rock band the Rolling Stones featuring guitarist Jimmy Page. The song was released through Polydor as a single from the reissue of the 1973 album Goats Head Soup on 22 July 2020.
...percussionist Rocky Dijon on conga drums, and Traffic's Rik Grech and Dave Mason on violin and mandolin
Dave Mason...played the mandolin on this song. Ric Grech was brought in to play fiddle on this track
Mandolin: Dave Mason Violin/Fiddle: Rik Grech Congas: Rocky Dijon