This article needs additional citations for verification .(November 2010) |
"Too Much Blood" | |
---|---|
Single by the Rolling Stones | |
from the album Undercover | |
Released | December 1984 [1] |
Recorded | October–November 1982 |
Studio | Pathé Marconi Studios (Paris), Hit Factory (New York) |
Genre | |
Length | 6:14 (Album version) 12:33 (Dance version) |
Label | Rolling Stones/Virgin |
Songwriter(s) | Jagger/Richards |
Producer(s) | The Glimmer Twins and Chris Kimsey |
Undercover track listing | |
10 tracks
|
"Too Much Blood" is a song by the Rolling Stones featured on their 1983 album Undercover , released as the album's third single in December 1984.
Credited to Mick Jagger and Keith Richards, "Too Much Blood" is largely a Jagger composition. The song is a reflection of the many influences the Stones had during their career in the mid-1980s. Jagger said at the time of its release, "I had made out a very honest burden of mind before everyone had arrived one night. It was just Charlie [Watts] and Bill [Wyman]. And one of our roadies called Jim Barber, he was playing guitar on it too. And I just started playing this riff I had, with this middle part, I didn't have any words to it and then I just suddenly started rapping out these words which are the ones you hear." Barber remarked that "Mick asked me if I could do an 'Andy Summers' on the track." [2]
The song itself deals with the growing depictions of violence in the media at the time and the case of Issei Sagawa, with Jagger saying, "Well there was this scandalous, murderous story in France - it was a true story - about this Japanese guy who murdered this girl and it sort of captured the imagination of the French public, and the Japanese. The Russians wanted to make a movie out of it. So that was the first bit and then I started becoming more light-hearted about it, movies and all. ...it came out as a sort of anti-gratuitous cinema of violence. And it's a kind of anti-violent thing." [2]
Did you ever see The Texas Chain Saw Massacre ? Horrible, wasn't it. You know, people ask me "is it really true where you live in Texas, is that really true what they do around there, people?" I say, "yea, every time I drive through the crossroads, I get scared there's a bloke running round with a fucking chain saw. Oh! Oh! oh No, he's gonna cut off, Oh no. Don't saw off me leg, don't saw off me arm."
Jagger uses a half-hearted rap delivery for some lines, saying at the time, "I'm not a great rapper... It's just made up on the spot as well. It's completely extemporized, as well, most of it. A couple words I cleaned up. I don't mean clean up, just made better sounds. That was just rap off the top of my head. I didn't write it down, even." [2]
Recording took place at Paris' Pathé Marconi Studios and New York City's Hit Factory between October and November 1982. With Jagger on lead vocals, he also performs electric guitars with Barber and Wood. Horns are provided by Chops and percussion by Sly Dunbar.
A dance version of "Too Much Blood," remixed by Arthur Baker, was released as a twelve-inch single in December 1984. Cash Box said that "heavy percussion fills and an almost tribal groove marks this Arthur Baker mix, yet even his bag full of tricks can not turn this fundamentally soul-less tune into a party stopper." [3] A music video, directed by Julien Temple, was produced in support showing the band performing the song as well as Richards and guitarist Ron Wood chasing Jagger with chainsaws. The trio also appear, without chainsaws but still in character, on the record sleeve for the single. The video opens with an excerpt from the first movement of the String Quartet Number 3 by Béla Bartók. "Too Much Blood" has never been performed live by the Stones and appears on no compilations albums.
Sir Michael Philip Jagger is an English singer, songwriter, actor, filmmaker, and dancer. He is the front man and one of the founder members of the rock band the Rolling Stones. Jagger has written most of the band's songs alongside lead guitarist Keith Richards; their songwriting partnership is one of the most successful in history, and they continue to collaborate musically. His career has spanned over six decades, and he has been widely described as one of the most popular and influential front men in the history of rock music. His distinctive voice and energetic live performances, along with Richards' guitar style, have been the Rolling Stones' trademark throughout the band's career. Jagger gained notoriety for his romantic involvements and illicit drug use, and has often been portrayed as a countercultural figure.
Keith Richards is an English musician, songwriter, singer and recording producer who is an original member, guitarist, secondary vocalist, and co-principal songwriter of the Rolling Stones. His songwriting partnership with the band's lead vocalist Mick Jagger is one of the most successful in history. His career spans over six decades, and his guitar playing style has been a trademark of the Rolling Stones throughout the band's career. Richards gained press notoriety for his romantic involvements and illicit drug use, and he was often portrayed as a countercultural figure. First professionally known as Keith Richard, by the early 1970s he had fully asserted his given name.
"Street Fighting Man" is a song by the English rock band the Rolling Stones, written by the songwriting team of Mick Jagger and Keith Richards. Considered one of the band's most popular and most controversial songs, it features Indian instrumentation contributed by Brian Jones, which has led to it being characterized as a raga rock song. It also features controversial and ambiguous lyrics about armed revolution. In the United States, it was released as a single in August 1968, while it was not released in the United Kingdom until four months later on the Beggars Banquet album, where it opened side two. The B-side of the American single featured "No Expectations", considered one of the final Stones tracks in which founding member Jones played a significant role in its construction.
"Sympathy for the Devil" is a song by English rock band the Rolling Stones. The song was written by Mick Jagger and credited to the Jagger–Richards partnership. It is the opening track on the band's 1968 album Beggars Banquet. The song has received critical acclaim and features on Rolling Stone's 500 Greatest Songs of All Time list.
Undercover is the 17th British and 19th American studio album by English rock band the Rolling Stones, released on 7 November 1983 by Rolling Stones Records. The band would move the label to Columbia Records for its follow-up, 1986's Dirty Work.
Metamorphosis is the third compilation album of the Rolling Stones music released by former manager Allen Klein's ABKCO Records after the band's departure from Decca and Klein. Released in 1975, Metamorphosis centres on outtakes and alternate versions of well-known songs recorded from 1964 to 1970.
A Bigger Bang was a worldwide concert tour by the Rolling Stones which took place between August 2005 and August 2007, in support of their album A Bigger Bang. At the time, it was the highest grossing tour of all time, earning $558,255,524. It has since been surpassed by U2's 2009–11 U2 360 Tour, placing second as of 2019. The tour was chronicled on the video release The Biggest Bang, compiling full performances, several recordings from shows and documentaries. Notable concerts on the tour included a two-night stand in the autumn of 2006 at the Beacon Theatre filmed by Martin Scorsese for Shine a Light, and their half-time performance at Super Bowl XL.
"Can't You Hear Me Knocking" is a track by English rock band the Rolling Stones from their 1971 album Sticky Fingers. The track is over seven minutes long, and begins with a Keith Richards open-G tuned guitar intro. The main song lasts for two minutes and 43 seconds, after which it transforms into an extended improvisational jam. The entire track was captured in one take, with the jam being a happy accident; the band had assumed the tape machine had been stopped, and were surprised to find the entire session had been captured. Originally they were going to end the song before the jam started, but were so pleased with the jam that they decided to keep it in. Besides the regular Rolling Stones members Mick Jagger (vocals), Keith Richards (guitar), Mick Taylor (guitar), Charlie Watts (drums) and Bill Wyman (bass), the track also features conga player Rocky Dijon, saxophonist Bobby Keys, organist Billy Preston and additional percussion by producer Jimmy Miller.
"Midnight Rambler" is a song by English rock band The Rolling Stones, released on their 1969 album Let It Bleed. The song is a loose biography of Albert DeSalvo, who confessed to being the Boston Strangler.
"Waiting on a Friend" is a song by the English rock band the Rolling Stones from their 1981 album Tattoo You. Written by Mick Jagger and Keith Richards and released as the album's second single, it reached No. 13 on the Billboard Hot 100 singles chart in the US.
The Rolling Stones' Tour of Europe '76 was a concert tour of Europe that took place in Spring 1976.
Jagger–Richards is the songwriting partnership between English musicians Mick Jagger and Keith Richards, founder members of rock band the Rolling Stones. They are one of the most successful songwriting partnerships in history. In addition to Jagger and Richards' songwriting partnership, they have also produced or co-produced numerous Rolling Stones albums under the pseudonym the Glimmer Twins.
"When the Whip Comes Down" is a song by the English rock and roll band the Rolling Stones from their 1978 album Some Girls.
"Don't Stop" is a single by rock band the Rolling Stones featured on their 2002 compilation album Forty Licks.
"Rough Justice" is a song by the English rock band the Rolling Stones that was released as a double A-side single with "Streets of Love" from their 2005 album A Bigger Bang. It is the opening track from the album. The single was released on 22 August 2005, prior to the album.
"Stupid Girl" is a song recorded by the English rock band the Rolling Stones. Written by Mick Jagger and Keith Richards, the song featured on the band's 1966 album Aftermath. It was also issued as the B-side of the U.S. "Paint It Black" single.
"Hey Negrita" is a song by English rock band the Rolling Stones that appeared on their 1976 album Black and Blue.
"Send It to Me" is a song by English rock and roll band the Rolling Stones featured on the 1980 album Emotional Rescue.
"Neighbours" is a song recorded by the English rock band the Rolling Stones. Written by Mick Jagger and Keith Richards, it is an uptempo song featuring a saxophone part played by Sonny Rollins. The song was released 24 August 1981 by Rolling Stones Records and included as the sixth track on the band's 1981 studio album Tattoo You.
"I Just Want to See His Face" is a song by English rock band the Rolling Stones featured on their 1972 release Exile on Main St. It is credited to Mick Jagger and Keith Richards.