"Jumpin' Jack Flash" is a song by the English rock band the Rolling Stones, released as a non-album single in 1968. Called "supernatural Delta blues by way of Swinging London" by Rolling Stone magazine, the song was perceived by some as the band's return to their blues roots after the baroque pop and psychedelia heard on their preceding albums Aftermath (1966), Between the Buttons (1967) and especially Their Satanic Majesties Request (1967). One of the group's most popular and recognisable songs, it has been featured in films and covered by numerous performers, notably Thelma Houston, Aretha Franklin, Tina Turner, Peter Frampton, Johnny Winter, Leon Russell and Alex Chilton. To date, it is the band's most-performed song; they have played it over 1,100 times in concert.
Ian Andrew Robert Stewart was a British keyboardist and co-founder of the Rolling Stones. He was removed from the lineup in May 1963 at the request of manager Andrew Loog Oldham who felt he did not fit the band's image. He remained as road manager and pianist for over two decades until his death, and was posthumously inducted into the Rock and Roll Hall of Fame along with the rest of the band in 1989.
Let It Bleed is a studio album by the English rock band the Rolling Stones, released on 28 November 1969 by London Records in the United States and on 5 December 1969 by Decca Records in the United Kingdom. Released during the band's 1969 American Tour, it is the follow-up to Beggars Banquet (1968), and like that album is a return to the group's more blues-oriented approach that was prominent in the pre-Aftermath (1966) period of their career. Additional sounds on the album draw influence from gospel, country blues and country rock.
Nanker Phelge was a collective pseudonym used between 1963 and 1965 for several Rolling Stones group compositions. According to manager Andrew Loog Oldham the 'Nanker Phelge' credit was mostly used for tracks where the origin lay in blues standards from the 1950's they heard when visiting the Chess studios in Chicago. It also enabled Oldham to benefit from writing credits.
Between the Buttons is the fifth British and seventh American studio album by the English rock band the Rolling Stones, released on 20 January 1967 in the UK and on 10 February in the US. Reflecting the band's brief foray into psychedelia and baroque pop balladry during the era, the album is among their most eclectic works; multi-instrumentalist Brian Jones frequently abandoned his guitar during the sessions in favor of instruments such as organ, marimba, dulcimer, vibraphone and kazoo. Keyboard contributions came from two session players: former Rolling Stones member Ian Stewart and frequent contributor Jack Nitzsche. Between the Buttons would be the last album produced by Andrew Loog Oldham, who had to this point acted as the band's manager and produced all of their albums.
Out of Our Heads is a 1965 album by the English rock band the Rolling Stones, released in two editions with different covers and track listings. In the US, London Records released it on 30 July 1965 as the band's fourth American album, while Decca Records released its UK edition on 24 September 1965 as the third British album.
December's Children (And Everybody's) is the fifth American studio album by the English rock band the Rolling Stones, released in December 1965. It is primarily compiled from different released tracks from across the band's recording career up to that point, including the UK version of Out of Our Heads. Bassist Bill Wyman quotes Jagger in 1968 calling the record "[not] an album, it's just a collection of songs." Accordingly, it is only briefly detailed in Wyman's otherwise exhaustive book Rolling with the Stones. It features their then-recent transatlantic hit single "Get Off of My Cloud", as well as their own remake of Marianne Faithfull's Jagger/Richards-penned hit "As Tears Go By", which was released as the album's second single in the US.
The Rolling Stones is the debut studio album by the English rock band the Rolling Stones, released by Decca Records in the UK on 17 April 1964. The American edition of the LP, with a slightly different track list, came out on London Records on 29 May 1964, subtitled England's Newest Hit Makers, which later became its official title.
12 × 5 is the second American studio album by the English rock band the Rolling Stones, released in 1964 following the success of their American debut The Rolling Stones . It is an expanded version of the EP Five by Five, which had followed their debut album in the UK.
The Rolling Stones No. 2 is the second studio album by the English rock band the Rolling Stones, released in 1965 following the success of their 1964 debut album The Rolling Stones. It contains three compositions from the still-developing Mick Jagger/Keith Richards songwriting team, with all the other songs being covers of American R&B and rock and roll numbers, similar to the first album.
"I Wanna Be Your Man" is a Lennon–McCartney-penned song first recorded and released as a single by the Rolling Stones, and then recorded by the Beatles for their second studio album With the Beatles. The song was primarily written by Paul McCartney, and finished by McCartney with John Lennon in the corner of a Richmond, London club while Mick Jagger and Keith Richards were talking.
Five by Five is the second EP by the Rolling Stones and was released in 1964. Captured during a prolific spurt of recording activity at Chess Studios in Chicago that June, Five by Five was released that August in the UK shortly after their debut album, The Rolling Stones, had appeared. The title of Five by Five is a play on words—five tracks recorded by the five members of the band.
Got Live If You Want It! is a six-song extended play (EP) release by the Rolling Stones featuring live recordings from 1965. The title is a pun on the swamp blues song "I Got Love If You Want It" by Slim Harpo; the Stones recorded his "I'm a King Bee" for their 1964 debut album. Got Live If You Want It! reached number one in the UK and was the group's last EP.
Metamorphosis is the third compilation album of the Rolling Stones music released by former manager Allen Klein's ABKCO Records after the band's departure from Decca and Klein. Released in 1975, Metamorphosis centres on outtakes and alternate versions of well-known songs recorded from 1964 to 1970.
Big Hits (High Tide and Green Grass) is the first compilation album by the Rolling Stones. With different cover art and track listings, it was released on 28 March 1966, on London Records in the US and on 4 November 1966, by Decca Records in the UK.
"Goin' Home" is a song recorded by the English rock band the Rolling Stones. Written by Mick Jagger and Keith Richards, it was the longest popular music song at the time, coming in at 11 minutes and 35 seconds, and was the first extended rock improvisation released by a major recording act. It was included as the sixth track on side one of the United Kingdom version and the fifth track on side two of the American version of the band's 1966 studio album Aftermath.
I've Got My Own Album to Do is the first solo album by English rock musician Ronnie Wood, released in September 1974. An all-star project recorded outside of his activities with the Faces, it reached number 27 on the UK's NME chart. The album title was thought to be a dig at Rod Stewart, who appeared to be more committed to his solo career than working with the Faces. Wood has said that the title originated from contributors such as George Harrison and Mick Jagger "nagging me to let them go home" and finish their own projects. The album was recorded at The Wick, Wood's house in Richmond, south-west London.
"Little by Little" is a song by the Rolling Stones recorded on 4 February 1964. Decca Records released it as the B-side to their version of "Not Fade Away" on 21 February 1964. The title stems from an identically titled track by Junior Wells and Earl Hooker, with the rhythmic similarity to "Shame, Shame, Shame" by Jimmy Reed, a song which was released the previous year. Reed was not credited for the song, however, Phil Spector was given co-credit with "Nanker Phelge". The song is also included on their April 1964 debut album The Rolling Stones.
"Tell Me (You're Coming Back)" is a song by the English rock band the Rolling Stones, featured on their 1964 self-titled album (subtitled and often called England's Newest Hit Makers in the US). It became the first A-side single written by Jagger/Richards to be released, although not in the United Kingdom. The single reached number 24 in the United States (becoming their first top 40 hit there) and the top 40 in several other countries.
"Come On" is a song written and first released by Chuck Berry in 1961. It has been recorded in many versions by many bands since its release, most notably the Rolling Stones. "Come On" failed to chart in the US Top 100, but the B-side, "Go Go Go", reached number 38 on the UK Singles Chart.
