Love You Live | ||||
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Live album by | ||||
Released | 23 September 1977 | |||
Recorded | 17 June 1975: Maple Leaf Gardens, Toronto 9 July 1975: Inglewood Forum, Los Angeles 27 May 1976: Earls Court, London 5–7 June 1976: Les Abattoirs, Paris 4 or 5 March 1977: El Mocambo Tavern, Toronto | |||
Genre | Hard rock | |||
Length | 83:12 | |||
Label | Rolling Stones/Atlantic | |||
Producer | Mick Jagger/Keith Richards | |||
The Rolling Stones chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Christgau's Record Guide | C+ [2] |
MusicHound Rock | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
The Village Voice | C+ [5] |
Love You Live is a double live album by the Rolling Stones, released in 1977. It is drawn from Tour of the Americas shows in the US in the summer of 1975, Tour of Europe shows in 1976 and performances from the El Mocambo nightclub concert venue in Toronto in 1977. It is the band's third official full-length live release and is dedicated to the memory of audio engineer Keith Harwood, who died in a car accident shortly before the album's release. It is also the band's first live album with Ronnie Wood.
Love You Live was overdubbed and mixed from late May to mid-June 1977. Released in September 1977, the album was well received and managed to reach No. 3 in the UK and No. 5 in the US, where it went gold.
The album artwork was prepared by Andy Warhol. The hand-drawn titles across the front were added by Mick Jagger, to Warhol's dismay. [6]
Love You Live was The Rolling Stones' final album whereby Rolling Stones Records was internationally distributed by Warner Music. The band's next several albums were distributed through EMI worldwide, while they remained with Warner in North America only.
In addition to the songs recorded during the 1975–1976 tour, the Stones decided to add four tracks taken from performances at Toronto's El Mocambo Club on 4 and 5 March 1977. The intention had been to play a set of the sort of classic blues and R&B covers that sealed the band's reputation when they performed regularly at the Crawdaddy Club in 1963. However, Keith Richards arrived late for scheduled rehearsals as he and his girlfriend, Anita Pallenberg, had been arrested for possession and trafficking of illicit drugs in Richards' Toronto hotel room.
Despite these legal troubles, the shows themselves went well enough, though the versions that appear on album are heavily overdubbed with new guitar tracks and backing vocals by Richards and/or Ronnie Wood. Jagger overdubbed the harmonica of "Mannish Boy" as well. Only "Around and Around" is untouched. April Wine opened for the Stones, who appeared on the bill under the name "The Cockroaches", so the majority in attendance thought they were attending an April Wine concert. April Wine also recorded their live album Live at the El Mocambo at these same concerts.
Jagger and Richards sharply disagreed on the selection of tracks to include on the album. In his autobiography Richards recalled: "Collaboration was giving way to struggle and disagreement. It's a two-disc album, and the result is that one disc is Mick's and the other was mine." Another factor from the same biography that may have influenced the recording/overdubbing was the passing of Keith's son Tara. As he recalls: "I was in Paris, with Marlon, on tour when I got the news that our little son Tara, aged just over two months, had been found dead in his cot. I got the phone call as I was getting ready to do the show. And it's a "Sorry to tell you... ," which hits you like a gunshot. And "No doubt you're going to want to cancel the show". And I thought about it for a few seconds and I said, of course we're not cancelling. It would be the worst possible thing because there was nowhere else to go. What am I going to do, drive back to Switzerland and find out what didn't happen? It's happened already. It's done. Or sit there and mope and go bananas and get into, what? Why?" [7]
In 1998, Love You Live was remastered and reissued by Virgin Records, and in 2009, was re-released with an updated remastering by Universal Records. In 2011 it was released on a single SHM-SACD by Universal Music Enterprises Japan.
All songs by Mick Jagger and Keith Richards, except where noted.
Side one
Jagger's remark after 'Happy' is 'do the horrendous to that if you can', taken from The Hague show, May 30, 1976. It refers to a dance Keith Richards and Ron Wood performed backstage where they would be lying on their backs with legs up in the air.
Side two
Side three
Side four
The Rolling Stones
Additional personnel
Technical
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Italy | — | 150,000 [20] |
United Kingdom (BPI) [21] | Gold | 100,000^ |
United States (RIAA) [22] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
The Rolling Stones are an English rock band formed in London in 1962. Active for over six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the band pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, guitarist Keith Richards, multi-instrumentalist Brian Jones, bassist Bill Wyman, and drummer Charlie Watts. During their early years, Jones was the primary leader. Andrew Loog Oldham became their manager in 1963 and encouraged them to write their own songs. The Jagger–Richards partnership soon became the band's primary songwriting and creative force.
Keith Richards is an English musician, songwriter, singer and record producer who is an original member, guitarist, secondary vocalist, and co-principal songwriter of the Rolling Stones. His songwriting partnership with the band's lead vocalist Mick Jagger is one of the most successful in history. His career spans over six decades, and his guitar playing style has been a trademark of the Rolling Stones throughout the band's career. Richards gained press notoriety for his romantic involvements and illicit drug use, and he was often portrayed as a countercultural figure. First professionally known as Keith Richard, by the early 1970s he had fully asserted his family name.
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