First Demo | ||||
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Demo album by | ||||
Released | November 18, 2014 | |||
Recorded | January 1988 | |||
Studio | Inner Ear Studios, Dischord House, Arlington, Virginia | |||
Genre | Post-hardcore | |||
Length | 35:41 | |||
Label | Dischord | |||
Producer | Fugazi, Don Zientara | |||
Fugazi chronology | ||||
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Aggregate scores | |
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Source | Rating |
Metacritic | 79/100 [1] |
Review scores | |
Source | Rating |
The 405 | 8/10 [2] |
Allmusic | [3] |
Clash | 8/10 [4] |
Consequence of Sound | B+ [5] |
Exclaim! | 7/10 [6] |
The Line of Best Fit | 7.5/10 [7] |
musicOMH | [8] |
NME | 7/10 [9] |
OndaRock | 6.5/10 [10] |
Pitchfork Media | 7.6/10 [11] |
First Demo is a demo album from the post-hardcore band Fugazi released on November 18, 2014 through Dischord Records. It was recorded at Don Zientara's Inner Ear Studios in Arlington, VA and the Dischord House in 1988. It was the band's first studio release in over thirteen years, since the release of The Argument in October 2001. First Demo was released on LP, CD and as a digital download.
First Demo was recorded in January 1988 with the band having only performed 10 shows together. The album features the 10 tracks from the original demo tape, including "In Defense of Humans", which was released on 1989's State of the Union compilation, "The Word", originally released on 20 Years of Dischord , as well as an additional track from the session, "Turn Off Your Guns", a song previously never released in its studio form and only available through the Fugazi Live Series. [12]
Some songs recorded during these sessions would later be re-recorded and put out on later releases; all but "Furniture", "The Word", "In Defense of Humans", and "Turn Off Your Guns" would be released on future albums within the following five years. Tracks 1, 6, and 9 would be released on the band's first EP and later 13 Songs, "Merchandise" would be released on Repeater, "Break-In", "Song No. 1", and "Joe No. 1" on 3 Songs (later released with Repeater as Repeater + 3 Songs ). "Furniture" would take the longest to be released, released on the Furniture EP in 2001.
All tracks are written by Fugazi.
No. | Title | Lead vocals | Length |
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1. | "Waiting Room" | MacKaye | 3:10 |
2. | "Merchandise" | MacKaye | 3:07 |
3. | "Furniture" | MacKaye | 4:07 |
4. | "Song No. 1" | MacKaye | 3:00 |
5. | "The Word" | MacKaye | 4:38 |
6. | "Bad Mouth" | MacKaye | 2:54 |
7. | "Break-In" | Picciotto | 1:36 |
8. | "Turn Off Your Guns" | MacKaye | 3:43 |
9. | "And the Same" | MacKaye | 5:08 |
10. | "In Defense of Humans" | MacKaye | 2:47 |
11. | "Joe No. 1" | (instrumental) | 1:41 |
Total length: | 35:41 |
Production
Minor Threat was an American hardcore punk band, formed in 1980 in Washington, D.C., by vocalist Ian MacKaye and drummer Jeff Nelson. MacKaye and Nelson had played in several other bands together, and recruited bassist Brian Baker and guitarist Lyle Preslar to form Minor Threat. They added a fifth member, Steve Hansgen, in 1982, playing bass, while Baker switched to second guitar.
Ian Thomas Garner MacKaye is an American musician. Active since 1979, he is best known as the co-founder and owner of Dischord Records, a Washington, D.C.–based independent record label, and the frontman of hardcore punk band Minor Threat and post-hardcore band Fugazi. MacKaye was also the bassist for the short-lived band the Teen Idles, and frontman for Embrace, and Pailhead, a collaboration with the band Ministry. MacKaye is a member of The Evens, a two-piece indie rock group he formed with his wife Amy Farina in 2001 and in 2018 formed the band Coriky with Farina and his Fugazi band mate Joe Lally.
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Fugazi was an American post-hardcore band formed in Washington, D.C., in 1986. The band consisted of guitarists and vocalists Ian MacKaye and Guy Picciotto, bassist Joe Lally, and drummer Brendan Canty. They were noted for their style-transcending music, DIY ethical stance, manner of business practice, and contempt for the music industry.
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End Hits is the fifth studio album by American post-hardcore band Fugazi, released on April 28, 1998, by Dischord Records. It was recorded at Inner Ear Studios from March 1997 to September 1997 and produced by the band and Don Zientara, and saw the band continuing with and expanding upon the in-studio experimentation of their previous album Red Medicine (1995). Due to the title, rumors began circulating at the time that it was to be their last release.
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Repeater is the full-length debut studio album by the American post-hardcore band Fugazi. It was released on April 19, 1990, as Repeater on LP, and in May 1990 on CD bundled with the 3 Songs EP as Repeater + 3 Songs. It was recorded at Inner Ear Studios in Arlington, Virginia, and produced and engineered by Don Zientara and Ted Niceley.
In on the Kill Taker is the third full-length studio album by the American post-hardcore band Fugazi. It was released on June 30, 1993, through Dischord Records and was recorded at Inner Ear Studios and produced by Ted Niceley and Don Zientara. In on the Kill Taker captured the aggressiveness of the band's earlier releases while displaying a more diverse range of influences.
Red Medicine is the fourth studio album by the American post-hardcore band Fugazi, released on June 12, 1995, by Dischord Records. It is the band's most commercially successful album, peaking at number 126 on the U.S. Billboard 200 and number 18 on the UK Albums Chart.
Margin Walker is the second EP by the American post-hardcore band Fugazi. It was originally released in June 1989 on vinyl and again in the same year on the compilation release 13 Songs along with the debut EP Fugazi. The 12" vinyl went out of print, but was remastered and reissued by Dischord Records in October 2009.
The Evens is the debut album from The Evens, a duo formed by Ian MacKaye on baritone guitar and Amy Farina on drums. Consisting of songs that the pair had been writing since August 2001, the songs would be performed live several times and even demoed before being recorded at Inner Ear Studios with Don Zientara during the summer of 2004. A reaction against what MacKaye had perceived to be the commercialization of rock music driven by the industry's "idea of youth", the album's "post-post-hardcore" sound is more stripped-down, minimal and personal in comparison to his work with Fugazi. The more direct and politically-charged lyrics, penned by both members, deal mainly with "the loss of community and the struggle to recapture it", though some of them feature romantic themes as well.
Furniture is the fourth and most recent EP released by American post-hardcore band Fugazi. It was recorded in January and February 2001, the same time that the band was recording their last album, The Argument, and released in October 2001 on 7" and on CD.
3 Songs is a 7-inch EP by Washington, D.C., post-hardcore band Fugazi. It was originally released in a collectors edition of 2,000 copies by Sub Pop Records as the December 1989 issue of their Singles Club. Dischord Records gave the record wider release one month later with different cover and label art. Later that year Dischord coupled the 3 Songs EP with the LP Repeater to make up the Repeater + 3 Songs CD.
The discography of Fugazi, an American post-hardcore band, consists of six studio albums, four EPs, a compilation album, a soundtrack album, a demo and a series of hundreds of live recordings. All of the band's releases have been published by Dischord Records, the independent record label co-owned and operated by Fugazi singer and guitarist Ian MacKaye.
Don Zientara is an American record producer and musician. He owns and runs Inner Ear Studios in Arlington, Virginia, located just outside Washington D.C., and is most widely known for his production work with Fugazi, Minor Threat and various other Dischord Records artists.
"Waiting Room" is a song by the American post-hardcore band Fugazi. The song was first released as the opening track to their debut EP, and was later compiled on their commercially successful 1989 compilation 13 Songs. Featuring stylistic influences from funk, hip-hop and reggae, the song typifies Fugazi's signature style of post-hardcore and would go on to become one of their most popular and widely covered songs despite never being released as a single.