Ian Thomas Garner MacKaye is an American musician. Active since 1979, he is best known as the co-founder and owner of Dischord Records, a Washington, D.C.-based independent record label, and the frontman of hardcore punk band Minor Threat and post-hardcore band Fugazi. MacKaye was also the bassist for the short-lived band the Teen Idles, and frontman for Embrace, and Pailhead, a collaboration with the band Ministry. MacKaye is a member of The Evens, a two-piece indie rock group he formed with his wife Amy Farina in 2001 and in 2018 formed the band Coriky with Farina and his Fugazi band mate Joe Lally.
Fugazi was an American punk rock band formed in Washington, D.C., in 1986. The band consisted of guitarists and vocalists Ian MacKaye and Guy Picciotto, bassist Joe Lally, and drummer Brendan Canty. They were noted for their style-transcending music, DIY ethical stance, manner of business practice, and contempt for the music industry.
Rites of Spring was an American punk rock band from Washington, D.C., formed in late 1983. Along with Embrace, and Beefeater, they were one of the mainstay acts of the 1985 Revolution Summer movement which took place within the Washington, D.C. hardcore punk scene.
Guy Charles Picciotto is an American songwriter, musician, and record producer from Washington, D.C.
The Argument is the sixth and most recent studio album from the post-hardcore band Fugazi released on October 16, 2001, through Dischord Records. It was recorded at Don Zientara's Inner Ear Studios in Arlington, VA and the Dischord House between January and April 2001. It was the band's last release before going on hiatus in 2003, until the release of First Demo over thirteen years later.
Brendan John Canty is an American musician, composer, producer and filmmaker, best known as the drummer for the band Fugazi.
Joseph Francis Lally is an American bassist, vocalist and record label owner, best known for his work with Fugazi.
State of Alert was an American hardcore punk group formed in Washington, D.C., in October 1980, and active till July 1981. S.O.A. was fronted by Henry Rollins, then using his original surname Garfield.
Repeater is the full-length debut studio album by the American post-hardcore band Fugazi. It was released on April 19, 1990, as Repeater on LP, and in May 1990 on CD bundled with the 3 Songs EP as Repeater + 3 Songs. It was recorded at Inner Ear Studios in Arlington, Virginia, and produced and engineered by Don Zientara and Ted Niceley.
Happy Go Licky was an American post-hardcore band formed in the spring of 1987, and which broke up after their final show at Washington, D.C.'s 9:30 Club on New Year's Day in 1988. The group was a short-lived reunion of the renowned D.C. hardcore band Rites of Spring.
Washington, D.C. hardcore, commonly referred to as D.C. hardcore, sometimes styled in writing as harDCore, is the hardcore punk scene of Washington, D.C. Emerging in late 1979, it is considered one of the first and most influential punk scenes in the United States.
One Last Wish was a short-lived post-hardcore band from Washington, D.C. It was formed in May 1986 by members of Rites of Spring, and split up in January 1987.
In on the Kill Taker is the third full-length studio album by the American post-hardcore band Fugazi. It was released on June 30, 1993, through Dischord Records and was recorded at Inner Ear Studios and produced by Ted Niceley and Don Zientara. In on the Kill Taker captured the aggressiveness of the band's earlier releases while displaying a more diverse range of influences.
Instrument is a documentary film directed by Jem Cohen about the band Fugazi. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker.
Jerry Busher is an American drummer and multi-instrumentalist. He is known for his work with Fidelity Jones and Fugazi.
3 Songs is a 7-inch EP by Washington, D.C., post-hardcore band Fugazi. It was originally released in a collectors edition of 2,000 copies by Sub Pop Records as the December 1989 issue of their Singles Club. Dischord Records gave the record wider release one month later with different cover and label art. Later that year Dischord coupled the 3 Songs EP with the LP Repeater to make up the Repeater + 3 Songs CD.
The discography of Fugazi, an American post-hardcore band, consists of six studio albums, four EPs, a compilation album, a soundtrack album, a demo and a series of hundreds of live recordings. All of the band's releases have been published by Dischord Records, the independent record label co-owned and operated by Fugazi singer and guitarist Ian MacKaye.
First Demo is a demo album from the post-hardcore band Fugazi released on November 18, 2014 through Dischord Records. It was recorded at Don Zientara's Inner Ear Studios in Arlington, VA and the Dischord House in 1988. It is the band's first studio release in over thirteen years, since the release of The Argument in October 2001. First Demo was released on LP, CD and Digital Download.
"Waiting Room" is a song by the American post-hardcore band Fugazi. The song was first released as the opening track to their debut EP, and was later compiled on their widely acclaimed and commercially successful compilation 13 Songs. Featuring stylistic influences from funk, hip-hop and reggae, the song typifies Fugazi's signature style of post-hardcore and would go on to become one of their most popular and widely covered songs despite never being released as a single.
Holy Rollers was an American punk band that formed in 1988 in Washington, D.C. The band initially was composed of guitarist/vocalist Marc Lambiotte, bassist/vocalist Joe Aronstamn, and drummer/vocalist Max Micozzi. Band members alternated lead vocals and Holy Rollers were the first D.C. punk band to incorporate three-part harmonies. Music historians and authors Mark Andersen and Mark Jenkins described the band's sound as "kinetic punk-funk" with "passionate, message-driven songs." Holy Rollers were a part of new trend in post-hardcore artistic diversity that developed within the D.C. punk scene of the late 1980s and early 1990s. They released three albums on Dischord Records, an American punk label that Noisey described as "one of the most respected and revered [record labels], punk or otherwise, in the world." As AllMusic declared, "[w]ithout being an arena act or coming off with the aggrandizing air of one, the Holy Rollers still make big music that can inspire and go beyond simple post-hardcore approaches."
