Fugazi | ||||
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EP by | ||||
Released | November 1988 | |||
Recorded | June 1988 at Inner Ear Studios | |||
Genre | ||||
Length | 23:06 | |||
Label | Dischord (030) | |||
Producer | Ted Niceley, Fugazi | |||
Fugazi chronology | ||||
|
Review scores | |
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Source | Rating |
Allmusic | [1] |
MusicHound Rock | [2] |
OndaRock | 7.5/10 [3] |
Punknews.org | [4] |
Spin Alternative Record Guide | 9/10 [5] |
The Virgin Encyclopedia of Heavy Rock | [6] |
Fugazi, also known as the EP 7 Songs, [7] is the debut release by the American post-hardcore band Fugazi. As with subsequent release Margin Walker , Guy Picciotto did not contribute guitar to this record; all guitar was performed by Ian MacKaye. It was originally recorded in June 1988 and released in November 1988 on vinyl and again in 1989 on the compilation release 13 Songs along with the following EP Margin Walker . The photo used for the album cover was taken on June 30, 1988 at Maxwell's in Hoboken, New Jersey.
The release features "Waiting Room" which is often seen as the band's most well-known song, notorious for "the attention-getting drop into silence that occurs at the 22-second mark," as well as for its "relentless ska/reggae-inflected drive", [8] and "Suggestion", a "Meters-meets-Ruts thrust." [8]
The band's entry in the Trouser Press record guide, written by Ian McCaleb, Ira Robbins and Mike Fournier, calls the EP an "impressive debut" which "blends a classic DC-core sensibility with a mature, objective outlook and crisply produced mid-tempo songs that are dynamic, aggressive and accessible." They write that MacKaye and Picciotto "trade raw emotionalism for an introspective, almost poetic vision, using abstractions in strongly structured compositions like “Bulldog Front” and “Give Me the Cure,” a contemplation on death." [9] Andy Kellman of AllMusic calls the EP "excellent". [7]
In 2018, Pitchfork ranked the EP at #45 on their list of "The 200 Best Albums of the 1980s", with Evan Rytlewski writing that while the band "would go on to release hours of the most inventive post-hardcore ever, [...] they never recorded anything else so instantly gratifying." [10]
According to Kim Thayil of Soundgarden, the band would regularly listen to cassettes of the Fugazi EP and Nirvana's Bleach whilst on tour. [11] Walter Shcreifels of Quicksand, in a feature for Revolver, ranked it the best post-hardcore album of all time and called it "ground zero for whatever's great about the genre." [12] The Get Up Kids singer and guitarist Jim Suptic has described the first time he listened to the EP as a "a clouds-parting moment" and has stated that the album is responsible for his interest in hardcore and punk rock. [13]
"Waiting Room" has been covered by a wide range of musicians since the EP's release. Tropical Fuck Storm covered "Burning" live. [14] Prong covered "Give Me the Cure". [15] Pearl Jam covered "Suggestion" in various concerts in the early 1990s, usually as a tag to another song or an improvised jam. [16] The track was also covered by Jonah Matranga [17] and Taina Asili (in collaboration with the Nuyorican hip-hop/punk band Ricanstruction). [18]
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Waiting Room" | MacKaye | 2:53 |
2. | "Bulldog Front" | Picciotto | 2:53 |
3. | "Bad Mouth" | MacKaye | 2:35 |
4. | "Burning" | Picciotto | 2:39 |
5. | "Give Me the Cure" | Picciotto | 2:58 |
6. | "Suggestion" | MacKaye | 4:44 |
7. | "Glue Man" | Picciotto | 4:23 |
Ian Thomas Garner MacKaye is an American musician. Active since 1979, he is best known as the co-founder and owner of Dischord Records, a Washington, D.C.–based independent record label, and the frontman of hardcore punk band Minor Threat and post-hardcore band Fugazi. MacKaye was also the bassist for the short-lived band the Teen Idles, and frontman for Embrace, and Pailhead, a collaboration with the band Ministry. MacKaye is a member of The Evens, a two-piece indie rock group he formed with his wife Amy Farina in 2001 and in 2018 formed the band Coriky with Farina and his Fugazi band mate Joe Lally.
Minor Threat is a compilation album by American hardcore punk band Minor Threat, released in March 1984 through Dischord Records. The compilation consisted of the group's first and second extended plays, Minor Threat and In My Eyes. The 1984 Minor Threat LP featured the same cover as the 1981 Minor Threat EP, depicting vocalist Ian MacKaye's younger brother Alec. The image has been imitated by punk bands such as Rancid on their album ...And Out Come the Wolves and in the Major Threat ad campaign by Nike.
Fugazi was an American post-hardcore band formed in Washington, D.C., in 1986. The band consisted of guitarists and vocalists Ian MacKaye and Guy Picciotto, bassist Joe Lally, and drummer Brendan Canty. They were noted for their style-transcending music, DIY ethical stance, manner of business practice, and contempt for the music industry.
13 Songs is a compilation album by the American post-hardcore band Fugazi, released on September 1, 1989 by Dischord Records. The album consists of all the songs from the band's first two EPs, Fugazi and Margin Walker.
Rites of Spring was an American punk rock band from Washington, D.C., formed in late 1983. Along with Embrace, and Beefeater, they were one of the mainstay acts of the 1985 Revolution Summer movement which took place within the Washington, D.C. hardcore punk scene.
The Argument is the sixth and final studio album from the post-hardcore band Fugazi released on October 16, 2001, through Dischord Records. It was recorded at Don Zientara's Inner Ear Studios in Arlington, VA and the Dischord House between January and April 2001. It was the band's last release before going on hiatus in 2003, until the release of First Demo over thirteen years later.
End Hits is the fifth studio album by American post-hardcore band Fugazi, released on April 28, 1998, by Dischord Records. It was recorded at Inner Ear Studios from March 1997 to September 1997 and produced by the band and Don Zientara, and saw the band continuing with and expanding upon the in-studio experimentation of their previous album Red Medicine (1995). Due to the title, rumors began circulating at the time that it was to be their last release.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.
State of Alert was an American hardcore punk group formed in Washington, D.C., in October 1980, and active until July 1981. S.O.A. was fronted by Henry Rollins, then using his original surname Garfield.
Repeater is the full-length debut studio album by the American post-hardcore band Fugazi. It was released on April 19, 1990, as Repeater on LP, and in May 1990 on CD bundled with the 3 Songs EP as Repeater + 3 Songs. It was recorded at Inner Ear Studios in Arlington, Virginia, and produced and engineered by Don Zientara and Ted Niceley.
Steady Diet of Nothing is the second studio album by American post-hardcore band Fugazi, released in July 1991 by Dischord Records. Although a persistent rumor alleges that the title is an allusion to a quote by the late American stand-up comedian Bill Hicks, the album title predates the Hicks quote by several years and was actually thought up by bassist Joe Lally.
Pailhead was a short-lived side project of Al Jourgensen of Ministry that featured Dischord Records founder and former Minor Threat frontman Ian MacKaye on vocals. The band's sound was a combination of industrial beats and hardcore punk, presaging what Ministry would later do with Jello Biafra in another side project, Lard.
Washington, D.C., hardcore, commonly referred to as D.C. hardcore, sometimes styled in writing as harDCore, is the hardcore punk scene of Washington, D.C. Emerging in late 1979, it is considered one of the first and most influential punk scenes in the United States.
Quicksand is an American post-hardcore band from New York City, founded in 1990. Their debut self-titled EP was followed by two major-label albums, Slip (1993) and Manic Compression (1995). Quicksand's sound has been compared to that of post-hardcore bands Fugazi and Helmet. The band supported their releases with extensive touring but fell short of the mainstream success anticipated by their labels. These factors and internal stress led them to separate first in 1995 and again in 1999 following a failed year-and-a-half reunion. In June 2012, Quicksand reunited for a special one-night performance and since has been playing additional live shows. The band's third album, Interiors, was released on November 10, 2017, and it was followed four years later by their latest album Distant Populations (2021).
In on the Kill Taker is the third full-length studio album by the American post-hardcore band Fugazi. It was released on June 30, 1993, through Dischord Records and was recorded at Inner Ear Studios and produced by Ted Niceley and Don Zientara. In on the Kill Taker captured the aggressiveness of the band's earlier releases while displaying a more diverse range of influences.
Red Medicine is the fourth studio album by the American post-hardcore band Fugazi, released on June 12, 1995, by Dischord Records. It is the band's most commercially successful album, peaking at number 126 on the U.S. Billboard 200 and number 18 on the UK Albums Chart.
Margin Walker is the second EP by the American post-hardcore band Fugazi. It was originally released in June 1989 on vinyl and again in the same year on the compilation release 13 Songs along with the debut EP Fugazi. The 12" vinyl went out of print, but was remastered and reissued by Dischord Records in October 2009.
3 Songs is a 7-inch EP by Washington, D.C., post-hardcore band Fugazi. It was originally released in a collectors edition of 2,000 copies by Sub Pop Records as the December 1989 issue of their Singles Club. Dischord Records gave the record wider release one month later with different cover and label art. Later that year Dischord coupled the 3 Songs EP with the LP Repeater to make up the Repeater + 3 Songs CD.
The discography of Fugazi, an American post-hardcore band, consists of six studio albums, four EPs, a compilation album, a soundtrack album, a demo and a series of hundreds of live recordings. All of the band's releases have been published by Dischord Records, the independent record label co-owned and operated by Fugazi singer and guitarist Ian MacKaye.
"Waiting Room" is a song by the American post-hardcore band Fugazi. The song was first released as the opening track to their debut EP, and was later compiled on their commercially successful 1989 compilation 13 Songs. Featuring stylistic influences from funk, hip-hop and reggae, the song typifies Fugazi's signature style of post-hardcore and would go on to become one of their most popular and widely covered songs despite never being released as a single.
The first song comes on, and, I swear to God, it was a clouds-parting moment. It never really happened since then. I can physically remember thinking, 'I didn't know music could sound like this.' It completely changed my life. That's how I got into hardcore music, punk rock, indie rock…
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