"Flower" | ||||
---|---|---|---|---|
Single by Sonic Youth | ||||
B-side | "Satan Is Boring" (original 12"), "Halloween" (second 12"), "Rewolf (Special Natas Mix)" (7") | |||
Released | 1985 (original 12"), January 1986 (7", second 12") | |||
Recorded | 1985 | |||
Genre | No wave, noise rock | |||
Length | 5:11 | |||
Label | Blast First (UK), Homestead (US) | |||
Songwriter(s) | Bob Bert, Kim Gordon, Thurston Moore, Lee Ranaldo | |||
Sonic Youth singles chronology | ||||
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"Flower" is a song by American alternative rock band Sonic Youth. It was originally released as a 12" single (listed as "Flower (Use the Word)") in 1985 by UK record label Blast First, with "Satan Is Boring" as the B-side. [1] This version was quickly withdrawn at the band's request. [1] In January 1986, Blast First and the band's American label, Homestead Records, both released "Flower" as a 12" backed by "Halloween"; the first run of the UK edition was on yellow/orange vinyl. [1] [2] Blast First also issued the song as a 7" single in edited form, retitled "Flower (Anti-Fuckword Radio Edit)", with a backwards version, "Rewolf (Special Natas Mix)", on the flipside. [1] [3]
"Flower", "Halloween" and "Satan Is Boring" were all later included on the Geffen Records CD reissue of Sonic Youth's 1985 album Bad Moon Rising . [4] [5]
"Flower" and "Halloween" were recorded and mixed at Radio Tokyo in Venice, California in January 1985. "Satan Is Boring" was a collage of live material recorded at concerts in Rotterdam and Aylesbury in April 1985. [6]
The cover of the January 1986 Blast First 12", a "smudged black-and-white photocopy of a topless model in a downward-gazing pose" taken from a calendar and previously used in Thurston Moore's fanzine Killer, caused a major controversy with Blast First's distributor, Rough Trade Records. [1] In a section on Blast First from his book How Soon Is Now?, Richard King said of the "Flower" cover,
The sleeve was a copy-shop approximation of the kind of sleeves Raymond Pettibon was producing for the SST label in California: illustrations of blank-eyed characters of SoCal suburbia inhabiting empty spaces, both physical and mental, that despite their best efforts, consumerism and sex couldn't fill. What made sense in the context of the American underground, where such signifiers formed part of the bands' running commentary on their surroundings, had an equal resonance with Sonic Youth's connections with the Artforum sensibilities of New York galleries. In the context of Collier Street, it was given short shrift, dismissed as either a piece of New Yorker know-it-all provocation, or the kind of straightforward exploitative misogynist artwork that belonged on a heavy metal album. [7]
In his AllMusic review of Bad Moon Rising, critic Jason Birchmeier noted the inclusion of the "Flower" material, saying, "Similarly morose, these few songs are perhaps even more out-there than the Bad Moon Rising ones, especially 'Halloween', which is a subtle five minutes of creeping guitar tingles accented beautifully by Kim Gordon's whispery hallucinations". [8]
A 2015 reassessment of Bad Moon Rising by Pitchfork's Zoe Camp noted how "Halloween" and "Flower" fit with the album's themes of "sex and power", saying, "On 'Halloween', Gordon struggles to identify just what it is that makes her succumb to a man's wiles, finally theorizing 'it’s the devil in me': the female sex drive, corrupted". [9] Camp also said that "Flower" prefigured the riot grrrl movement of the 1990s, claiming that the song "encapsulated the sex-positive sentiments, as well as the noise, of the forthcoming movement....granted, 'Flower' might scan as slightly hippie-dippy next to Kathleen Hanna’s acerbic prose, but its mangled punk instrumentation and feminist politics set a precedent".
A retrospective on Bad Moon Rising by Sputnikmusic gave the "Flower" tracks a mixed review, opining that "Flower" and "Satan Is Boring" "amount to very little beyond vocals or drumming overtop of thick, layered distortion", but praising "Halloween", saying that Gordon's "whispered vocals create a hallucination that is accentuated perfectly with prickling guitar notes and distant-sounding drums". [10]
"Halloween" was covered by Mudhoney for their split single with Sonic Youth, who covered Mudhoney's "Touch Me I'm Sick". "Touch Me I'm Sick" / "Halloween" was released in December 1988 by Sub Pop. Mudhoney's cover was later included on re-releases of their debut EP Superfuzz Bigmuff . [11] [12]
UK 12" single (Blast First, 1985)
UK 12" single (Blast First, 1986)
US 12" single (Homestead Records, 1986)
UK 7" single (Blast First, 1986)
Sonic Youth was an American rock band based in New York City and formed in 1981. Founding members Thurston Moore, Kim Gordon and Lee Ranaldo remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, rounding out the core line-up. Jim O'Rourke was also a member of the band from 1999 to 2005, and Mark Ibold was a member from 2006 to 2011.
Daydream Nation is the fifth studio album by American alternative rock band Sonic Youth, released on October 18, 1988. The band recorded the album between July and August 1988 at Greene St. Recording in New York City, and it was released by Enigma Records as a double album.
Mudhoney is an American rock band formed in Seattle, Washington, in 1988, following the demise of Green River. Its members are singer and rhythm guitarist Mark Arm, lead guitarist Steve Turner, bassist Guy Maddison and drummer Dan Peters. Original bassist Matt Lukin left the band in 1999.
Sister is the fourth studio album by American alternative rock band Sonic Youth. It was released in June 1987 by SST Records. The album furthered the band's move away from the no wave genre towards more traditional song structures, while maintaining an aggressively experimental approach.
Sonic Youth is the debut EP by American rock band Sonic Youth. It was recorded between December 1981 and January 1982 and released in March 1982 by Glenn Branca's Neutral label. It is the only recording featuring the early Sonic Youth lineup with Richard Edson on drums. Sonic Youth differs stylistically from the band's later work in its greater incorporation of clean guitars, standard tuning, crisp production and a post-punk style.
Mudhoney is the debut studio album by American rock band Mudhoney, released in 1989. It was their first LP after several singles and two EPs.
Confusion Is Sex is the debut studio album by American noise rock band Sonic Youth. It was released in 1983 by Neutral Records. It has been referred to as an important example of the no wave genre. AllMusic called it "lo-fi to the point of tonal drabness, as the instruments seem to ring out in only one tone, that of screechy noise".
EVOL is the third full-length studio album by the American alternative rock band Sonic Youth. Released in May 1986, EVOL was Sonic Youth’s first album on SST Records, and also the first album to feature then-new drummer Steve Shelley who had just replaced Bob Bert.
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The Whitey Album is an album by Ciccone Youth, a side project of Sonic Youth members Steve Shelley, Kim Gordon, Lee Ranaldo and Thurston Moore, featuring contributions from Minutemen/Firehose member Mike Watt and J Mascis of Dinosaur Jr.
Superfuzz Bigmuff is the debut EP and first major release by the Seattle grunge band Mudhoney. It was released on October 20, 1988, through record label Sub Pop. The album was later re-released in 1990 in the form of Superfuzz Bigmuff Plus Early Singles.
Superfuzz Bigmuff Plus Early Singles is a compilation album by the grunge band Mudhoney. The album contains the entire Superfuzz Bigmuff EP, the A-sides and B-sides of 2 singles, and 2 covers from split singles with Sonic Youth and The Dicks. It was released by Sub Pop Records in October 1990. The album is named after the Electro-Harmonix Big Muff Pi and the Univox Super-Fuzz fuzzboxes, which gave the band their signature dirty sound.
The discography of American rock band Sonic Youth comprises 15 studio albums, seven extended plays, three compilation albums, seven video releases, 21 singles, 46 music videos, ten releases in the Sonic Youth Recordings series, eight official bootlegs, and contributions to 16 soundtracks and other compilations.
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"Death Valley '69" is a song by American alternative rock band Sonic Youth and featuring Lydia Lunch. The song was written and sung by Thurston Moore and fellow New York musician Lunch, and recorded by Martin Bisi in 1984. A demo version of the song was released in December 1984 on Iridescence Records. A re-recorded version was released in EP format with different artwork in June 1985; this version was featured on their second studio album, Bad Moon Rising.
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Don't Look Back was a yearly series of concerts in which London-based promoters All Tomorrow's Parties would ask artists and bands to play one of their seminal albums live in its entirety. The season started in London in 2005, and has since spread its wings further each year, appearing from 2006 onwards in America and Europe, and in 2008 onwards in Australia.
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Bad Moon Rising is the second studio album by American rock band Sonic Youth, released on March 29, 1985, by Blast First and Homestead Records. The album is loosely themed around the dark side of America, including references to obsession, insanity, Charles Manson, heavy metal, Satanism, and early European settlers' encounters with Native Americans.