A Thousand Leaves | ||||
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Studio album by | ||||
Released | May 12, 1998 [CD], April 21, 1998 [vinyl] | |||
Studio | Echo Canyon (New York City) | |||
Genre | ||||
Length | 73:36 | |||
Label | DGC | |||
Producer |
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Sonic Youth chronology | ||||
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Sonic Youth studio album chronology | ||||
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Singles from A Thousand Leaves | ||||
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A Thousand Leaves is the tenth studio album by American rock band Sonic Youth,released on CD and cassette on May 12,1998,by DGC Records. A double-LP vinyl issue had been released three weeks earlier (April 21,1998) on My So Called Records. It was the band's first album recorded at their own studio in Lower Manhattan,which was built with the money they had made at the 1995 Lollapalooza festival. Since the band had an unlimited amount of time to work in their studio,the album features numerous lengthy and improvisational tracks that were developed unevenly. The highly experimental extended plays Anagrama , Slaapkamers met slagroom ,and Invito al ĉielo were recorded simultaneously with the album.
A Thousand Leaves reached number 85 on the US Billboard 200 and number 38 on the UK Albums Chart. It received generally favorable reviews from critics,who praised the lengthy,quiet guitar interplay between band members Thurston Moore and Lee Ranaldo. However,some criticized the forced vocal delivery of member Kim Gordon and found several tracks to be unnecessarily long and poorly constructed. The song "Sunday" was released as a single with a music video directed by Harmony Korine and starring American actor Macaulay Culkin.
A Thousand Leaves is the follow-up to Sonic Youth's 1995 album Washing Machine ,which was released shortly after the band concluded their stint headlining the 1995 Lollapalooza music festival. [1] With the money they had made at the festival,the band decided to build a recording studio,called Echo Canyon,on Murray Street in Lower Manhattan. [1] [2] The span of nearly three years between Washing Machine and A Thousand Leaves also represented the longest gap between studio albums in Sonic Youth's career at the time. Singer and guitarist Thurston Moore explained that the band needed a break,noting that they had been touring non-stop for 16 years. He said,"We're having children,we're getting older,let's just cool out a little bit and build this workshop,and go that way,work that route." [3] In their new studio,the band began writing new songs from extended improvisations in rehearsal. [3] Several instrumental jams were released as extended plays through the band's own record label,Sonic Youth Recordings,and distributed by Smells Like Records,an independent record label previously formed by drummer Steve Shelley. [3] These include Anagrama , Slaapkamers met slagroom and Invito al ĉielo . [3]
Since A Thousand Leaves was the first Sonic Youth album that was recorded in their own studio,the band had more time and freedom to work on it. [3] As a result,the songs evolved unevenly and were recorded from an early stage of development. [4] According to guitarist Lee Ranaldo,the album is "a reflection of where we were at the time. We weren't into making anything concise. We were just playing what we felt like playing. We really didn't feel like what we needed to be doing was producing another record like Goo ." [1] The 11-minute song "Hits of Sunshine (For Allen Ginsberg)" was initially intended to be released on one of the EPs as an instrumental track,but it was ultimately included on the album with vocals. [3] The album was co-produced by the band and Confusion Is Sex producer Wharton Tiers and mastered by Greg Calbi at Masterdisk in New York City. [5]
Musically,A Thousand Leaves was considered more expansive and relaxed than previous Sonic Youth albums,with less feedback and more guitar playing and improvisation. [3] [6] According to David Browne,the record explored post-rock sounds that were "subtler" and "quirkier" than most mainstream rock at the time. [1] The title of the album was inspired by Walt Whitman's Leaves of Grass . [7] According to Moore,"The same way he improvises with images and words,we improvise with sounds and notes". [7] He also attributed the style of the album to the fact that the band was getting older,commenting,"You also become much involved with your thoughts about life experience in general. Having children is incredible in that way." [3] The song "Snare,Girl" explored these topics. [1] The longest song on the album,"Hits of Sunshine (For Allen Ginsberg)",referenced American poet Allen Ginsberg and contains an instrumental interlude that was described as "a subtle,drawn-out passage of Morse code guitar lines and lazy afternoon with wah-wah pedal licks—bliss in slow motion." [1]
Like previous Sonic Youth albums,A Thousand Leaves also contains songs that deal with gender roles and stereotypes. [8] The song "Female Mechanic Now on Duty",sung by band member Kim Gordon,was a reaction to how journalists categorize female musicians. [9] It was inspired by Meredith Brooks's hit "Bitch". [1] Similarly,in "The Ineffable Me",Gordon expressed her opposition to such limitations. [9] The song "Karen Koltrane",sung by Ranaldo,is about a lover from his college days who had "a far less extraordinary adulthood" than he had first thought, [1] while "Hoarfrost",which was originally titled "Woodland Ode",was inspired when Ranaldo and his wife Leah Singer went for a walk in the snow during a visit they made to Singer's parents in Winnipeg,Manitoba,Canada. [1] The track "Sunday" is generally considered the album's most accessible song. [10] [11] It was originally recorded for Richard Linklater's 1997 film SubUrbia ,but was later re-recorded for A Thousand Leaves. [1]
A Thousand Leaves was released on vinyl,CD,and cassette formats on May 12,1998,by DGC Records. [12] The album cover features an artwork by artist Marnie Weber,which depicts a hamster and Weber herself at age 12 sporting animal horns. [13] According to Moore,the image is a reference to the Unlimited Edition compilation album by German experimental rock band Can. [4] Originally,the album was titled Mille Feuille (French for A Thousand Leaves) and was intended to feature an image of Moore holding a pastry as the cover art. [1] To promote the album,a radio edit version of "Sunday" was released as a single to modern rock,college,and public radio in April 1998. [3] The band also supported the album with a tour across the US and Canada from May to June 1998. [14]
Upon release,A Thousand Leaves reached No. 85 on the US Billboard 200 and No. 38 on the UK Albums Chart. [15] [16] The album also charted in other countries,including France,Belgium,Sweden and Norway. [17] [18] [19] [20] The single "Sunday" reached No. 72 in the UK Singles Chart and was eventually released on vinyl and CD on July 14,1998,containing a Nirvana cover,"Moist Vagina",as one of its B-sides. [16] [21] A music video directed by Harmony Korine and starring Macaulay Culkin was made for the single. [22] The band chose Korine due to his work on the films Kids (1995) and Gummo (1997),the first of which featured several young actors who previously appeared in the music video for the band's 1993 single "Sugar Kane",including American actress ChloëSevigny. [22] As of July 1999,the album had sold 54,000 copies in the U.S. according to Nielsen SoundScan. [23] And as of 2005,the album had sold 66,000 copies. [24]
Review scores | |
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Source | Rating |
AllMusic | [6] |
Encyclopedia of Popular Music | [25] |
Entertainment Weekly | C+ [10] |
The Guardian | [26] |
Los Angeles Times | [11] |
NME | 9/10 [27] |
Pitchfork | 7.1/10 (1998) [28] 7.6/10 (2019) [29] |
Rolling Stone | [30] |
Spin | 7/10 [8] |
The Village Voice | A+ [31] |
A Thousand Leaves was well received by critics,some of whom regarded it as one of Sonic Youth's best albums yet. [32] Writing for AllMusic,Stephen Thomas Erlewine described the album as "the band's most challenging and satisfying record in years" and praised its quiet guitars and unpredictable twists,which kept the lengthy songs captivating. [6] Pitchfork editor Brent DiCrescenzo cited "Hits of Sunshine (For Allen Ginsberg)" as the album's centerpiece and highlighted the album's jamming,improvising,and guitar interplay between Moore and Ranaldo. [28] David Stubbs of Spin criticized Gordon's weak singing and forced guitar playing on "Contre le sexisme","Female Mechanic Now on Duty",and "The Ineffable Me",but nevertheless judged the "continually inventive fretboard effects" of Moore and Ranaldo,which "[sparkle] gold-plating adornments that cut open and irritate [the album] at every turn." [8]
Other reviews were less enthusiastic. Sara Scribner from Los Angeles Times said that A Thousand Leaves was a monotonous "experimental,psychedelic record" that felt "like a passionless,less thoughtful shadow of [the band's] former self". [11] J.D. Considine of Entertainment Weekly stated similar cons,calling the record "the sort of thing that gives art rock a bad name." [10] Ben Ratliff of Rolling Stone found the songs to be unnecessarily long and sluggish,commenting that the album "really does sound like a demo —eleven songs waiting for better organization and clichéremoval". [30] Similarly,Stephen Thompson of The A.V. Club felt that the album rarely contained fully formed songs and that the band should start "completing its ideas before recording them for posterity." [33] Orlando Weekly criticized Gordon's "contrived and annoying" vocal delivery,saying that many songs are "merely lengthy feedback collages with pasted-on vocals and gobs of art-school pretension",but also admitted that the album contains some "hidden gems" like "Sunday" and "Wildflower Soul". [34]
In a very positive review for The Village Voice ,Robert Christgau called A Thousand Leaves a mature and beautiful record,commenting:"It's the music of a daydream nation old enough to treasure whatever time it finds on its hands. Where a decade ago [Sonic Youth] plunged and plodded,drunk on the forward notion of the van they were stuck in,here they wander at will,dazzled by sunshine,greenery,hoarfrost and machines that go squish in the night." [31] Although the album was not ranked in the Top 40 of The Village Voice's Pazz &Jop critics' poll for 1998,Christgau,the poll's creator,placed it at No. 3 in his own "Dean's List". [35] [36] He would later name it one of the 10 best records of the 1990s. [37] Similarly,the editors of NME placed the album at No. 40 in their year-end top 50 list. [38] The Wire named the album its record of the year in its year-end critics' poll. [39]
All tracks are written by Sonic Youth.
No. | Title | Lyrics | Vocals | Length |
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1. | "Contre le sexisme" | Gordon | Gordon | 3:55 |
2. | "Sunday" | Moore | Moore | 4:52 |
3. | "Female Mechanic Now on Duty" | Gordon | Gordon | 7:43 |
4. | "Wildflower Soul" | Moore | Moore, Gordon (background vocals) | 9:04 |
5. | "Hoarfrost" | Ranaldo | Ranaldo | 5:01 |
6. | "French Tickler" | Gordon | Gordon | 4:52 |
7. | "Hits of Sunshine (For Allen Ginsberg)" | Moore | Moore | 11:05 |
8. | "Karen Koltrane" | Ranaldo | Ranaldo, Moore (background vocals) | 9:20 |
9. | "The Ineffable Me" | Moore | Gordon | 5:21 |
10. | "Snare, Girl" | Moore | Moore | 6:38 |
11. | "Heather Angel" | Gordon | Gordon | 6:09 |
Total length: | 73:36 |
Credits are adapted from the album's liner notes. [5]
Sonic Youth
Technical
Album
Chart (1998) | Peak position |
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Australian Albums (ARIA) [40] | 66 |
Belgian Albums Chart [18] | 28 |
French Albums Chart [17] | 32 |
German Albums (Offizielle Top 100) [41] | 84 |
Norwegian Albums Chart [20] | 37 |
Swedish Albums Chart [19] | 43 |
UK Albums Chart [16] | 38 |
US Billboard 200 [15] | 85 |
Singles
Song | Chart (1998) | Peak |
---|---|---|
"Sunday" | UK Singles Chart | 72 [16] |
Sonic Youth was an American rock band based in New York City, formed in 1981. Founding members Thurston Moore, Kim Gordon and Lee Ranaldo remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, rounding out the core line-up. Jim O'Rourke was also a member of the band from 1999 to 2005, and Mark Ibold was a member from 2006 to 2011.
Thurston Joseph Moore is an American guitarist, singer and songwriter best known as a member of the rock band Sonic Youth. He has also participated in many solo and group collaborations outside Sonic Youth, as well as running the Ecstatic Peace! record label. Moore was ranked 34th in Rolling Stone's 2004 edition of the "100 Greatest Guitarists of All Time".
Kim Althea Gordon is an American musician, singer and songwriter, best known as the bassist, guitarist, and vocalist of alternative rock band Sonic Youth. Born in Rochester, New York, she was raised in Los Angeles, California, where her father was a professor at the University of California, Los Angeles. After graduating from Los Angeles's Otis College of Art and Design, she moved to New York City to begin an art career. There, she formed Sonic Youth with Thurston Moore in 1981. She and Moore married in 1984, and the band released a total of six albums on independent labels before the end of the 1980s. They would subsequently release nine studio albums on the major label DGC Records, beginning with Goo in 1990. Gordon was also a founding member of the musical project Free Kitten, which she formed with Julia Cafritz in 1993.
Lee Mark Ranaldo is an American guitarist, singer and songwriter, best known as a co-founder of the rock band Sonic Youth. In 2004, Rolling Stone ranked Ranaldo at number 33 on its "Greatest Guitarists of All Time" list. In May 2012, Spin published a staff-selected top 100 guitarist list, ranking Ranaldo and his Sonic Youth bandmate Thurston Moore together at number 1.
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Dirty is the seventh full-length studio album and second double album by American rock band Sonic Youth, released on July 21, 1992, by DGC Records. The band recorded and co-produced the album with Butch Vig in early 1992 at the Magic Shop studios. The sound on Dirty was inspired by the popularity of grunge music at the time, and has been described by Billboard magazine as avant-rock. Some songs on the album mark the first appearance of three guitars in a few Sonic Youth songs.
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SYR3: Invito al ĉielo is an album by American alternative rock band Sonic Youth. It was released on March 2, 1998, and was the third in a series of experimental releases issued on the band's own SYR label. SYR3 marked the beginning of the band's collaborations with producer and musician Jim O'Rourke; his continuing work with the group after SYR3 resulted in O'Rourke becoming an official member of Sonic Youth by 2002's Murray Street.
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Bad Moon Rising is the second studio album by American rock band Sonic Youth, released on March 29, 1985, by Blast First and Homestead Records. The album is loosely themed around the dark side of America, including references to obsession, insanity, Charles Manson, heavy metal, Satanism, and early European settlers' encounters with Native Americans.
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