Master-Dik | ||||
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EP by | ||||
Released | November 4, 1987 (US) January 22, 1988 (UK) | |||
Studio |
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Genre | ||||
Length | 19:22 | |||
Label | SST, Blast First | |||
Sonic Youth chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [4] |
Blurt | [5] |
Robert Christgau | C+ [6] |
The Rolling Stone Album Guide | [7] |
Master-Dik is the third EP by American alternative rock band Sonic Youth. It was released on November 4, 1987, in the United States by record label SST, [8] and on January 22, 1988, in the United Kingdom by label Blast First. [9]
Inspired by New York City hip hop from the late 1980s, the title song used a drum machine, sampled Kiss, and name-dropped Ciccone Youth, a name under which Sonic Youth had released a single in 1986 and would use again for an album in 1988. The B-sides comprised several interview snippets, parody and/or cover songs that pay tribute to and/or mention the Ramones, the Jesus and Mary Chain, the Beatles, Sun Ra, Max Roach, Sonny Sharrock, George Benson, and Ringo Starr, plus short-form sound collages, field recordings, musique concrète, and human beatboxing. [10] Dinosaur Jr.'s J. Mascis plays guitar on "Beat on the Brat".
Master-Dik's liner notes reprinted a rant by Ben Weasel from the November 1987 issue of the fanzine Maximumrocknroll . In the article, Weasel criticized Sonic Youth, Hüsker Dü and several other indie rock bands from the 1980s for eschewing punk rock for a boring classic rock sound. [11] Etchings on the vinyl's inner groove read "Ciccone death rock dream tinkle" on one side, and "Humpy pumpy psychoacoustik frenzy" on the other. [12] When it was originally released, the album sleeve bore a sticker reading "Not as good as Atomizer , so don't get your hopes up, cheese!" The same sticker had originally appeared on Big Black's 1987 EP Headache , and referred to that band's previous album.
All tracks are written by Sonic Youth, except the Beatles cover "Ticket to Ride", written by Lennon-McCartney, and the Ramones cover "Beat on the Brat", written by Joey Ramone
No. | Title | Length |
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1. | "Master-Dik" | 5:01 |
No. | Title | Length |
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1. | "Beat on the Brat" (Ramones cover) | 2:31 |
2. | "Under the Influence of the Jesus and Mary Chain" (recorded live on Suisse Radio) | 0:43 |
3. | "Ticket to Ride / Master-Dik (Version) / Introducing the Stars" | 3:14 |
4. | "Ringo / He's on Fire / Florida Oil Drums / Westminster Chimes" | 1:40 |
5. | "Chinese Jam" | 1:11 |
6. | "Vibrato / Guitar Lick / Funky Fresh" | 2:24 |
7. | "Our Backyard" | 2:17 |
8. | "Traffik" | 0:05 |
Sonic Youth was an American rock band based in New York City and formed in 1981. Founding members Kim Gordon, Thurston Moore and Lee Ranaldo remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, rounding out the core line-up. Jim O'Rourke was also a member of the band from 1999 to 2005, and Mark Ibold was a member from 2006 to 2011.
Daydream Nation is the fifth studio album by American alternative rock band Sonic Youth, released on October 18, 1988. The band recorded the album between July and August 1988 at Greene St. Recording in New York City, and it was released by Enigma Records as a double album.
Ramones is the debut studio album by the American punk rock band Ramones, released on April 23, 1976, by Sire Records. After Hit Parader editor Lisa Robinson saw the band at a gig in New York City, she wrote several articles about the group and asked Danny Fields to be their manager. Fields agreed and convinced Craig Leon to produce Ramones, and the band recorded a demo for prospective record labels. Leon persuaded Sire president Seymour Stein to listen to the band perform, and he later offered the band a recording contract. The Ramones began recording in January 1976, needing only seven days and $6,400 to record the album.
Experimental Jet Set, Trash and No Star is the eighth studio album by American experimental rock band Sonic Youth, released on May 10, 1994, by DGC Records. It was produced by Butch Vig and recorded at Sear Sound studio in New York City, the same studio where the band's 1987 album Sister was recorded. Unlike its predecessor Dirty, Experimental Jet Set features a more low-key approach and references the band's earlier work on the independent record label SST Records. The album contains quieter and more relaxed songs that deal with personal and political topics.
Psychic Hearts is the debut solo studio album by former Sonic Youth member Thurston Moore released in 1995 through Geffen Records. The album was remastered and reissued in 2006. The two-record vinyl version of the reissue contains bonus tracks on the fourth album side where on the original vinyl release the fourth side had a drawing by cover artist Rita Ackermann etched directly into the vinyl.
A Thousand Leaves is the tenth studio album by American rock band Sonic Youth, released on CD and cassette on May 12, 1998, by DGC Records. A double-LP vinyl issue had been released three weeks earlier on My So Called Records. It was the band's first album recorded at their own studio in Lower Manhattan, which was built with the money they had made at the 1995 Lollapalooza festival. Since the band had an unlimited amount of time to work in their studio, the album features numerous lengthy and improvisational tracks that were developed unevenly. The highly experimental extended plays Anagrama, Slaapkamers met slagroom, and Invito al ĉielo were recorded simultaneously with the album.
"Flower" is a song by American alternative rock band Sonic Youth. It was originally released as a 12" single in 1985 by UK record label Blast First, with "Satan Is Boring" as the B-side. This version was quickly withdrawn at the band's request. In January 1986, Blast First and the band's American label, Homestead Records, both released "Flower" as a 12" backed by "Halloween"; the first run of the UK edition was on yellow/orange vinyl. Blast First also issued the song as a 7" single in edited form, retitled "Flower ", with a backwards version, "Rewolf ", on the flipside.
Sister is the fourth studio album by American alternative rock band Sonic Youth, released in June 1987 on SST Records. The album continued the band's move away from the no wave movement towards more traditional alternative rock song structures, while maintaining an experimental approach.
Sonic Youth is the debut EP by American rock band Sonic Youth. It was recorded between December 1981 and January 1982 and released in March 1982 by Glenn Branca's Neutral label. It is the only recording featuring the early Sonic Youth lineup with Richard Edson on drums. Sonic Youth differs stylistically from the band's later work in its greater incorporation of clean guitars, standard tuning, crisp production and a post-punk style.
EVOL is the third full-length studio album by the American alternative rock band Sonic Youth. Released in May 1986, EVOL was Sonic Youth’s first album on SST Records, and also the first album to feature then-new drummer Steve Shelley who had just replaced Bob Bert.
SYR4: Goodbye 20th Century is an album by American alternative rock band Sonic Youth. It is a double album of versions of pieces by avant-garde composers, performed by Sonic Youth and collaborators.
NYC Ghosts & Flowers is the eleventh studio album by American rock band Sonic Youth, released on May 16, 2000 by DGC Records. The highly experimental album is considered to be a reaction to the theft of the band's instruments in July 1999, when several irreplaceable guitars and effects pedals were stolen. NYC Ghosts & Flowers was the first album since Bad Moon Rising in which the band used prepared guitar.
You're Living All Over Me is the second studio album by American alternative rock band Dinosaur Jr. It was released on December 14, 1987, through SST Records.
The Whitey Album is an album by Ciccone Youth, a side project of Sonic Youth members Steve Shelley, Kim Gordon, Lee Ranaldo and Thurston Moore, featuring contributions from Minutemen/Firehose member Mike Watt and J Mascis of Dinosaur Jr.
SYR2: Slaapkamers met slagroom is an EP by American alternative rock band Sonic Youth. It was released on 12" vinyl on September 2, 1997, and was the second in a series of experimental and mostly instrumental releases issued on the band's own SYR label.
Rather Ripped is the fourteenth studio album by American rock band Sonic Youth, released on June 13, 2006, by Geffen Records. It was the band's first album following the departure of multi-instrumentalist Jim O'Rourke, who had joined as a fifth member in 1999. Unlike its immediate predecessors, the album was produced by John Agnello and recorded at Sear Sound in New York City, the same studio where the band's 1994 album, Experimental Jet Set, Trash and No Star, was recorded. It also completed Sonic Youth's contract with Geffen, which released the band's previous eight records.
The discography of American rock band Sonic Youth comprises 15 studio albums, seven extended plays, three compilation albums, seven video releases, 21 singles, 46 music videos, ten releases in the Sonic Youth Recordings series, eight official bootlegs, and contributions to 16 soundtracks and other compilations.
Hold That Tiger is a live album by American alternative rock band Sonic Youth, recorded at the Cabaret Metro in Chicago on October 14, 1987. It featured songs from the album Sister. It was released on vinyl in 1991, with a CD release in 1998. Apparently, the actual tape of the live recording was sped up to fit vinyl, but was not slowed down again for the CD release.
SYR7: J'Accuse Ted Hughes is the seventh release in American group Sonic Youth's SYR series. It was released only on vinyl—the first in the series to receive no compact disc release—and featured two songs: "J'Accuse Ted Hughes", and "Agnès B. Musique". It consists of an improvised piece performed live during the band's April 8, 2000 performance at the first All Tomorrow's Parties festival, followed by an unused soundtrack for an Agnes B. fashion show.
Goo is the sixth full-length studio album by American alternative rock band Sonic Youth, released on June 26, 1990, by DGC Records. For this album, the band sought to expand upon its trademark alternating guitar arrangements and the layered sound of their previous album Daydream Nation (1988) with songwriting that was more topical than past works, exploring themes of female empowerment and pop culture. Coming off the success of Daydream Nation, Nick Sansano returned to engineer Goo, but veteran producer Ron Saint Germain was chosen by Sonic Youth to finish mixing the album following Sansano's dismissal.