Washing Machine | ||||
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Studio album by | ||||
Released | September 26, 1995 | |||
Recorded | January – May 1995 | |||
Studio | Easley Studios (Memphis, Tennessee) Mott and Greene Street Studios (New York City) | |||
Genre | ||||
Length | 68:17 | |||
Label | DGC | |||
Producer | Sonic Youth, John Siket | |||
Sonic Youth chronology | ||||
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Sonic Youth studio album chronology | ||||
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Singles from Washing Machine | ||||
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Music video | ||||
"The Diamond Sea" on YouTube | ||||
Music video | ||||
"Little Trouble Girl" on YouTube |
Washing Machine is the ninth studio album by the American experimental rock band Sonic Youth,released on September 26,1995,by DGC Records. It was recorded at Easley Studios in Memphis,Tennessee,and produced by the band and John Siket,who also engineered the band's previous two albums. The album features more open-ended pieces than its predecessors and contains some of the band's longest songs,including the 20-minute ballad "The Diamond Sea",which is the lengthiest track to feature on any of Sonic Youth's studio albums.
Released shortly after the band concluded their stint headlining the 1995 Lollapalooza music festival,Washing Machine reached No. 58 on the US Billboard 200 chart and No. 39 on the UK Albums Chart. Two songs from the album,"The Diamond Sea" and "Little Trouble Girl",were released as singles. The album received generally positive reviews from music critics,who praised the band for exploring new challenges as well as the guitar playing of band members Thurston Moore and Lee Ranaldo. It was ranked No. 18 in The Village Voice 's 1995 Pazz &Jop critics' poll.
Washing Machine is the follow-up to Sonic Youth's 1994 DGC album Experimental Jet Set,Trash and No Star . [1] After Experimental Jet Set,the band decided to take a hiatus from performing live and concentrated on numerous side projects. Band member Kim Gordon played with Julia Cafritz of Pussy Galore in Free Kitten,drummer Steve Shelley performed with Jad Fair in Mosquito,guitarist Lee Ranaldo played with free jazz drummer William Hooker and singer and guitarist Thurston Moore released his first solo album, Psychic Hearts . [1] Moore and Gordon also had their first child,Coco. According to Moore,their daughter had provided a different perspective for the band:"I'm more focused and level-headed. There's a sublime awareness factor of your spiritual place in the world. I feel more at ease with myself ... Babies are little Buddhas. They're completely great". [1]
Unlike previous Sonic Youth albums,Washing Machine was recorded at Easley Studios in Memphis,where some indie rock bands like Pavement,Guided by Voices and Grifters had previously recorded albums. [1] Moore remarked that the atmosphere in Memphis helped them disconnect from the people who were constantly following the band. [1] He also felt that Washing Machine was conceived and recorded like some of the band's first albums,stating that it "hearkens back to records like Sister where we'd write a bunch of songs,go into the studio for a month,put them down,then go on the road and play them for a year. By the end of the year they'd mutate into something much more excited". [1] Gordon credited Memphis for its relaxed atmosphere and cited the album as one of her favorites. [2]
The song "The Diamond Sea" is notable for its 19:35 duration. [1] Moore explained the length of some of the album's songs:"We all have different aesthetics as to how songs should work. I generally push for a lot of abandon while some people in the group are more interested in truncating things. If I was the leader as much as people say I am,every song would be 20 minutes long". [1] The unlisted ninth track,officially called "Becuz Coda",was originally part of the song "Becuz", [3] but the record label felt they needed to cut the seven-and-a-half-minute track to make the album's opening more accessible. [2] The album was produced by Sonic Youth and John Siket,who also engineered the band's previous two albums. [4] Audio mixing took place at Greene Street Studios in New York City in June 1995. [2]
Unlike Experimental Jet Set,which was described as difficult and claustrophobic,Washing Machine is considerably more open-ended and contains some of the band's longest songs. [1] Excluding Sonic Youth Recordings releases,the final track,"The Diamond Sea",is the lengthiest track on any Sonic Youth album. [2] The song was edited down to 5:15 for release as a single,which also included an alternative 25-minute version as an additional track. [5] Washing Machine is the band's first album on which Gordon almost exclusively played guitar instead of bass,resulting in a three-guitar and drums lineup. [4] Trouser Press remarked that the album contains musical references to the Shangri-Las and the Byrds and described its style as "[veering] between trance-guitar experiments and more concise statements." [6] Entertainment Weekly described it thus:"These songs unfold over even-tempered rhythms and guitars that linger rather than attack. A splatter of distortion may enter,but the effect is mostly languid and wonderfully hypnotic". [7]
Although Gordon's lyrics on Experimental Jet Set addressed gender roles and stereotypes,her contributions to Washing Machine were considered more feminine and girl-oriented. [8] Tom Moon of Rolling Stone noted,"The title track is an odd,earnest love song;'Panty Lies' is a playground taunt blown to absurd extremes;and '[Little] Trouble Girl',the Spector sendup,is a dramatic,earnest coming-of-age story". [8] The latter was described by David Browne of Entertainment Weekly as "a teen-pregnancy lullaby" and features vocals by Gordon and Kim Deal (of Pixies and the Breeders) along with other musicians. [2] [7] Gordon felt that Deal had an ideal voice for the melodic part and explained that the song was about "wanting to be seen for who you really are,being able to express those parts of yourself that aren't 'good girl' but that are just as real and true". [9] Ranaldo contributed to two songs,"Saucer-Like" and "Skip Tracer". The latter was co-written with Ranaldo's wife Leah Singer and inspired by a performance that the couple attended of riot grrrl duo Mecca Normal. The song alludes to the band's special relationship with the major labels. [4]
The track "Junkie's Promise",sung by Moore,was described as a "heroin vignette". [4] Although it was originally interpreted as a tribute to Kurt Cobain of Nirvana,Moore explained that the song is only about the emotional relationship between friends,with one of them being a drug addict. According to him,"Any individual involved with drug addiction will lie to his friends for the self-serving need. It's the cruelest truth of the situation. Kurt may fit this profile and he was surely in my mind as I wrote but the song is not a specific dedication to him". [4] Other songs such as "Becuz" and "No Queen Blues" were built upon "numb grooves with slivers of melody,power,and gorgeously crafted noise". [1] "The Diamond Sea" was described as a "Neil Young-esque ballad billowing into an epic noise excursion". [4] Retrospectively, Pitchfork described it as "the most Sonic Youth song you can imagine" due to its calculated yet unstructured notes,noise,and occasional and aggressive guitar whir. [10]
The album cover consists of a cropped Polaroid photograph of two unidentified fans taken at a Sonic Youth show in Amherst,Massachusetts,in April 1995,during a short tour undertaken while the album was still in production. [11] The fans are depicted wearing T-shirts that were sold as merchandise during that tour;early in 1995,the band was toying with the idea of changing their name to Washing Machine. [11] Visible on the shirt on the left are signatures by Thalia Zedek and Chris Brokaw of the tour's opening band Come. [2] The photo was taken by Gordon,who believed it could be used as the album cover. [9] The band liked the shot,but the record label did not want to use it without permission from the fans. [11] Because the band did not have any way to contact them,their faces had to be cropped out. [9]
Washing Machine was released on vinyl,CD and cassette formats on September 26,1995,by DGC,shortly after the group concluded their stint headlining the 1995 Lollapalooza music festival. [2] During the festival,the band previewed some tracks from the album in addition to playing several songs from Daydream Nation , Dirty ,and Experimental Jet Set. [12] In Germany,the record was also released with a bonus disc containing four live songs that were recorded in Paris on September 12,1995. [2] Upon release,Washing Machine reached No. 58 on the US Billboard 200 chart and No. 39 on the UK Albums Chart. [13] [14] The album also charted in several other countries,including Australia,New Zealand,The Netherlands and Belgium. [15] [16] [17] [18] Two singles and music videos for "The Diamond Sea" and "Little Trouble Girl" were released in 1995 and 1996 respectively. [19] [20] As of 2005,the album had sold 159,000 copies in the US according to Nielsen SoundScan. [21]
Review scores | |
---|---|
Source | Rating |
AllMusic | [22] |
Chicago Tribune | [23] |
Entertainment Weekly | A− [7] |
The Guardian | [24] |
Los Angeles Times | [25] |
NME | 8/10 [26] |
Pitchfork | 8.5/10 [10] |
Rolling Stone | [8] |
Spin | 6/10 [27] |
The Village Voice | A− [28] |
Washing Machine received generally positive reviews from music critics. Stephen Thomas Erlewine of AllMusic opined that the album is "easily [the band's] most adventurous,challenging and best record since Daydream Nation ... Not only are the songs more immediate than most of the material on their earlier records,the sound here is warm and open,making Washing Machine their most mature and welcoming record to date ... Washing Machine encompasses everything that made Sonic Youth innovators,and shows that they can continue to grow,finding new paths inside their signature sound". [22] Similarly,Peter Margasak of CMJ New Music Monthly described the album as a "powerful consolidation of the band's accomplishments,but a distillation that looks forwards". [1] He also highlighted the song "The Diamond Sea" as the album's centerpiece,stating that it was one of Moore's "most ambitious excursions into pure sonic colors,textures,and tension". [1]
Writing for Rolling Stone,Tom Moon called Washing Machine "a sardonic,wise-ass,indulgent and totally captivating album",declaring that it was "anti-hook" and "disavows (and sometimes mocks) the conventional post-Nirvana wisdom". [8] He highlighted Ranaldo and Moore's guitar interplay on every track,commenting that "they've developed an attack that is astonishingly intricate and jazzlike in its extreme flexibility". [8] Prominent music critic Robert Christgau also praised the album and compared some songs favorably to the Grateful Dead and the Fleetwoods. [28] Los Angeles Times writer Lorraine Ali stated that the album "finds Sonic Youth taking no radical new steps but instead holding onto its original groundbreaking formula and watching the big pop world come to it". [25] In contrast,Entertainment Weekly's Browne felt that the band explored new challenges and wrote that Washing Machine was their "most audacious step yet". [7]
In a mixed review, Spin editor Erik Davis criticized the album for its aimless structure,stating that each of the band's members "wanders off in a different direction", [27] but highly praised "The Diamond Sea",calling it "a gorgeous tapestry buried in Washing Machine's uneven load". [27] He added that the band "drifts into a beautiful ambient sea glittering with overtones. Then a metallic storm brews on the horizon,before a string of four riveting notes unleashes a festival of Hendrix necromancy ... It's easy to make guitar noise harsh and grating—but Sonic Youth can make it glow. It's easy to use noise as an orgasmic peak—but Sonic Youth can make it plateau,restraining their distortion only to intensify its monstrous serenity". [27] He also said that the song showed that Sonic Youth "may get better the farther out they go", [27] while NME magazine remarked that it was probably the band's best song. [26] Washing Machine was ranked No. 18 in The Village Voice's 1995 Pazz &Jop critics' poll. [29] Similarly,NME editors placed the album at No. 31 on their albums of the year list. [30]
All tracks are written by Sonic Youth unless otherwise noted
No. | Title | Vocals | Length |
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1. | "Becuz" | Gordon | 4:43 |
2. | "Junkie's Promise" | Moore | 4:02 |
3. | "Saucer-Like" | Ranaldo | 4:25 |
4. | "Washing Machine" | Gordon | 9:33 |
5. | "Unwind" | Moore | 6:02 |
6. | "Little Trouble Girl" | Gordon, Kim Deal | 4:29 |
7. | "No Queen Blues" | Moore | 4:35 |
8. | "Panty Lies" | Gordon | 4:15 |
9. | "Becuz Coda" (untitled on the packaging) | 2:49 | |
10. | "Skip Tracer" (additional lyrics by Leah Singer) | Ranaldo | 3:48 |
11. | "The Diamond Sea" | Moore | 19:35 |
Total length: | 68:17 |
Credits are adapted from the album's liner notes. [31]
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Album
Chart (1995) | Peak |
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Australian Albums Chart | 34 [15] |
Belgian Albums Chart | 38 [18] |
Dutch Albums Chart | 91 [17] |
New Zealand Albums Chart | 41 [16] |
UK Albums Chart | 39 [14] |
US Billboard 200 | 58 [13] |
Singles
Song | Chart (1996) | Peak |
---|---|---|
"Little Trouble Girl" | UK Singles Chart | 81 [14] |
Sonic Youth was an American rock band based in New York City and formed in 1981. Founding members Kim Gordon, Thurston Moore and Lee Ranaldo remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, rounding out the core line-up. Jim O'Rourke was also a member of the band from 1999 to 2005, and Mark Ibold was a member from 2006 to 2011.
Thurston Joseph Moore is an American guitarist, singer and songwriter best known as a member of the rock band Sonic Youth. He has also participated in many solo and group collaborations outside Sonic Youth, as well as running the Ecstatic Peace! record label. Moore was ranked 34th in Rolling Stone's 2004 edition of the "100 Greatest Guitarists of All Time".
Kim Althea Gordon is an American musician, singer, songwriter, and rapper best known as the bassist, guitarist, and vocalist of alternative rock band Sonic Youth. Born in Rochester, New York, she was raised in Los Angeles, California, where her father was a professor at the University of California, Los Angeles. After graduating from Los Angeles's Otis College of Art and Design, she moved to New York City to begin an art career. There, she formed Sonic Youth with Thurston Moore in 1981. She and Moore married in 1984, and the band released a total of six albums on independent labels before the end of the 1980s. It then released nine studio albums on the label DGC Records, beginning with Goo in 1990. Gordon was also a founding member of the musical project Free Kitten, which she formed with Julia Cafritz in 1993.
Lee Mark Ranaldo is an American guitarist, singer and songwriter, best known as a co-founder of the rock band Sonic Youth. In 2004, Rolling Stone ranked Ranaldo at number 33 on its "Greatest Guitarists of All Time" list. In May 2012, Spin published a staff-selected top 100 guitarist list, ranking Ranaldo and his Sonic Youth bandmate Thurston Moore together at number 1.
Daydream Nation is the fifth studio album by American alternative rock band Sonic Youth, released on October 18, 1988. The band recorded the album between July and August 1988 at Greene St. Recording in New York City, and it was released by Enigma Records as a double album.
Experimental Jet Set, Trash and No Star is the eighth studio album by American experimental rock band Sonic Youth, released on May 10, 1994, by DGC Records. It was produced by Butch Vig and recorded at Sear Sound studio in New York City, the same studio where the band's 1987 album Sister was recorded. Unlike its predecessor Dirty, Experimental Jet Set features a more low-key approach and references the band's earlier work on the independent record label SST Records. The album contains quieter and more relaxed songs that deal with personal and political topics.
A Thousand Leaves is the tenth studio album by American rock band Sonic Youth, released on CD and cassette on May 12, 1998, by DGC Records. A double-LP vinyl issue had been released three weeks earlier on My So Called Records. It was the band's first album recorded at their own studio in Lower Manhattan, which was built with the money they had made at the 1995 Lollapalooza festival. Since the band had an unlimited amount of time to work in their studio, the album features numerous lengthy and improvisational tracks that were developed unevenly. The highly experimental extended plays Anagrama, Slaapkamers met slagroom, and Invito al ĉielo were recorded simultaneously with the album.
Dirty is the seventh full-length studio album and second double album by American rock band Sonic Youth, released on July 21, 1992, by DGC Records. The band recorded and co-produced the album with Butch Vig in early 1992 at the Magic Shop recording studios. The sound on Dirty was inspired by the popularity of grunge music at the time, and has been described by Billboard magazine as experimental rock.
Sister is the fourth studio album by American alternative rock band Sonic Youth, released on SST Records on June 1. 1987. The album continued the band's move away from the no wave movement towards more traditional alternative rock song structures, while maintaining an experimental approach.
Sonic Youth is the debut EP by American rock band Sonic Youth. It was recorded between December 1981 and January 1982 and released in March 1982 by Glenn Branca's Neutral label. It is the only recording featuring the early Sonic Youth lineup with Richard Edson on drums. Sonic Youth differs stylistically from the band's later work in its greater incorporation of clean guitars, standard tuning, crisp production and a post-punk style.
Confusion Is Sex is the debut studio album by American noise rock band Sonic Youth. It was released in 1983 by Neutral Records. It has been referred to as an important example of the no wave genre. AllMusic called it "lo-fi to the point of tonal drabness, as the instruments seem to ring out in only one tone, that of screechy noise".
EVOL is the third full-length studio album by the American alternative rock band Sonic Youth. Released in May 1986, EVOL was Sonic Youth’s first album on SST Records, and also the first album to feature then-new drummer Steve Shelley who had just replaced Bob Bert.
NYC Ghosts & Flowers is the eleventh studio album by American rock band Sonic Youth, released on May 16, 2000 by DGC Records. The highly experimental album is considered to be a reaction to the theft of the band's instruments in July 1999, when several irreplaceable guitars and effects pedals were stolen. NYC Ghosts & Flowers was the first album since Bad Moon Rising in which the band used prepared guitar.
Kill Yr Idols is an EP by American alternative rock band Sonic Youth. It was released in October 1983, originally only in Germany, by record label Zensor.
Rather Ripped is the fourteenth studio album by American rock band Sonic Youth, released on June 13, 2006, by Geffen Records. It was the band's first album following the departure of multi-instrumentalist Jim O'Rourke, who had joined as a fifth member in 1999. Unlike its immediate predecessors, the album was produced by John Agnello and recorded at Sear Sound in New York City, the same studio where the band's 1994 album, Experimental Jet Set, Trash and No Star, was recorded. It also completed Sonic Youth's contract with Geffen, which released the band's previous eight records.
"Bull in the Heather" is a song by American alternative rock band Sonic Youth from their eighth studio album, Experimental Jet Set, Trash and No Star (1994). It was released to radio as the lead single from the album on April 19, 1994, by Geffen Records. The song was written collectively by Sonic Youth, and production was done by Butch Vig. According to band member Kim Gordon, the song is about "using passiveness as a form of rebellion."
Corporate Ghost is a Sonic Youth DVD released by DGC in 2004. It is a collection of their music videos from 1990 to 2002.
Bad Moon Rising is the second studio album by American rock band Sonic Youth, released on March 29, 1985, by Blast First and Homestead Records. The album is loosely themed around the dark side of America, including references to obsession, insanity, Charles Manson, heavy metal, Satanism, and early European settlers' encounters with Native Americans.
The Eternal is the fifteenth and final studio album by American alternative rock band Sonic Youth, released on June 9, 2009, by Matador Records, their first and only on that label. It was their first studio album in three years, making it the band's longest delay between studio albums.
Goo is the sixth full-length studio album by American alternative rock band Sonic Youth, released on June 26, 1990, by DGC Records. For this album, the band sought to expand upon its trademark alternating guitar arrangements and the layered sound of their previous album Daydream Nation (1988) with songwriting that was more topical than past works, exploring themes of female empowerment and pop culture. Coming off the success of Daydream Nation, Nick Sansano returned to engineer Goo, but veteran producer Ron Saint Germain was chosen by Sonic Youth to finish mixing the album following Sansano's dismissal.