Experimental Jet Set, Trash and No Star | ||||
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Studio album by | ||||
Released | May 10, 1994 | |||
Recorded | Late 1993 | |||
Studio | Sear Sound, New York City | |||
Genre | Noise rock | |||
Length | 50:10 | |||
Label | DGC | |||
Producer | Butch Vig, Sonic Youth | |||
Sonic Youth chronology | ||||
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Sonic Youth studio album chronology | ||||
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Singles from Experimental Jet Set,Trash and No Star | ||||
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Experimental Jet Set,Trash and No Star is the eighth studio album by American experimental rock band Sonic Youth,released on May 10,1994,by DGC Records. It was produced by Butch Vig and recorded at Sear Sound studio in New York City,the same studio where the band's 1987 album Sister was recorded. Unlike its predecessor Dirty ,Experimental Jet Set features a more low-key approach and references the band's earlier work on the independent record label SST Records. The album contains quieter and more relaxed songs that deal with personal and political topics.
Upon release,Experimental Jet Set reached No. 34 on the US Billboard Top 200 chart and No. 10 on the UK Albums Chart. It was the band's highest peak on the US charts until their 2009 album The Eternal reached No. 18. The song "Bull in the Heather" was released as a single and as a music video featuring Kathleen Hanna of Bikini Kill. The album received generally favorable reviews from music critics,who highlighted the band's ability to create both noise and melody. However,some felt that the album's anti-commercial style was difficult to appreciate.
Experimental Jet Set,Trash and No Star is the follow-up to Sonic Youth's 1992 album Dirty ,which was released by DGC in the wake of Nirvana's breakthrough into the mainstream. [1] Dirty became one of the band's most commercially successful albums,selling around 500,000 copies worldwide as of May 1994. [2] The album also reached No. 83 on the US Billboard Top 200 chart and No. 6 on the UK Albums Chart. [3] [4] After Dirty,Sonic Youth decided to step away from major-label alternative rock acts,which singer and guitarist Thurston Moore thought the media associated the band with. [2] Touring with indie rock bands like Pavement,Sebadoh,and Royal Trux inspired Sonic Youth to write a quieter and more subtle album. [5]
Like its predecessor,Experimental Jet Set was produced by the band and alternative rock veteran Butch Vig. According to the band,"The idea this time was to cut as much of it live as we could,and not labor over polishing and overdubbing in the usual big-rock manner." [6] Similarly,guitarist Lee Ranaldo explained that the band wanted to achieve a more lo-fi approach:"None of [Experimental Jet set's] music was labored,some of it was done in people's bedrooms,even. [... We wanted] to write the songs and record them simply and basically." [7] Additionally,the band ordered Vig to refrain from his desire to apply a buzz remover to several tracks. [8] The album was engineered by John Siket and recorded at Sear Sound studio in New York City,the same studio where the band's 1987 album Sister was recorded. [5] The band claimed that the album was recorded over the master tapes of Sister to save costs, [9] and it is possible to hear some parts of Sister during quiet sections of the final recording. [10] The album was recorded on a two-inch 16-track analog tape recorder through antiquated equipment. [5]
Unlike Dirty,which features a loud and "dense blast of noise",Experimental Jet Set was considered warmer and more relaxed. [11] Singer and bassist Kim Gordon described the sound of the album as "art-core" and Bradley Bambarger of Billboard noted that the album references the band's earlier work on the independent record label SST Records,stating that it features "a sparse,bracingly dichotomous work of 'quiet noise' that,with its wayward tonalities and laconic grooves,speaks to the future while thinking of the past." [7] [12] In fact,the song "Screaming Skull" is about the band's nostalgia for their days on SST Records,which is mentioned frequently throughout the song. It also references fellow bands Hüsker Dü and The Lemonheads. [6] The song was inspired by a conversation Moore had with film director Dave Markey about the SST Superstore,a shop located on Sunset Strip which supplies SST records and skateboard-related products. [11]
Most of the lyrics on Experimental Jet Set deal with political and personal topics. [2] Gordon explained that the song "Bull in the Heather" is about "using passiveness as a form of rebellion—like,I'm not going to participate in your male-dominated culture,so I'm just going to be passive." [2] Similarly,the song "Androgynous Mind" addresses traditional gender roles,while "Self-Obsessed and Sexxee" is an observation on an anonymous riot grrrl. [6] Moore explained that the latter is not about Courtney Love of Hole or Kathleen Hanna of Bikini Kill;it is about "being attracted to somebody who's obviously out of control with self-obsession in the high-profile alternative-rock world." [6] The track "Quest for the Cup" deals with a person who desires more than it is needed. [13] The opening track,"Winner's Blues",alludes to the pressure of fame and has been described as an acoustic and sad lullaby. [11] [14] The song was originally intended to be an outtake designated for the compilation DGC Rarities Vol. 1 ,but the band ultimately decided to include it in the album at the last minute during the mixing sessions. [6] Another outtake,"Compilation Blues",was instead included on the compilation. [5]
Experimental Jet Set was also the first Sonic Youth album to feature a hidden track on the CD release;just over a minute after the closing track "Sweet Shine" finishes,there is 1:30 of "bonus noise" featuring a looped speech of a Japanese gas attendant. [5] Unlike on previous Sonic Youth albums,Ranaldo did not write or sing any songs because he did not like how his compositions were treated and assembled for Dirty and its predecessor Goo . [8] David Browne,author of Goodbye 20th Century:A Biography of Sonic Youth,remarked that "a sense of ambivalence and impermanence hung over [Experimental Jet Set],even down to the cover",which "for the first time since Sonic Youth in 1982,featured their faces instead of a piece of art." [8]
To promote the album,the song "Bull in the Heather" was released as a single in April 1994. [15] The single features an outtake,"Razor Blade",which was recorded at the same sessions as "Winner's Blues" and "Compilation Blues",and an alternate version of "Doctor's Orders" as B-sides. [15] The song reached No. 13 on the US Modern Rock Tracks and No. 24 on the UK Singles Chart. [3] [4] The track "Self-Obsessed and Sexxee" was intended to be the second single from the album. A promo CD was issued,but plans for a regular release were eventually canceled. The remaining copies were sold off through the Sonic Death fan club magazine. The CD includes the same B-sides as "Bull in the Heather". [16] A music video featuring Kathleen Hanna was made for "Bull in the Heather" under the direction of Tamra Davis. [7] [17]
Experimental Jet Set,Trash and No Star was released on May 10,1994,by DGC,which also released the band's previous two albums. [7] The album peaked at No. 34 on the US Billboard Top 200 chart and No. 10 on the UK Albums Chart. [3] [4] It was the band's highest position on the US charts until their 2009 album The Eternal reached No. 18. [3] The album also charted in several other countries,including Australia,New Zealand,The Netherlands and Sweden. [18] [19] [20] [21] The band did not support the album with a tour due to Gordon's advanced pregnancy at the time. [2] As of 2005,the album had sold 246,000 copies in the US according to Nielsen SoundScan. [22]
Review scores | |
---|---|
Source | Rating |
AllMusic | [23] |
Blender | [24] |
Chicago Tribune | [25] |
Christgau's Consumer Guide | A [26] |
Entertainment Weekly | B [14] |
Los Angeles Times | [27] |
Pitchfork | 6.8/10 [28] |
Rolling Stone | [12] |
The Rolling Stone Album Guide | [29] |
The Village Voice | A− [30] |
Experimental Jet Set,Trash and No Star received generally favorable reviews from music critics. Barbara O'Dair of Rolling Stone felt that the album was "quietly confident;more ambitious and weirder than Dirty". [12] However,she remarked that the band "saved their integrity at the expense of quality;with a little more grease,their grit might get across better." [12] Lorraine Ali,writing for the Los Angeles Times ,praised Gordon's dynamic singing and the guitar playing for giving the album a sleepy and dreamy mood,concluding that Sonic Youth "transcends the confining roles of pretentious art-rock band or palatable alternative group,and instead offers a penetrating album that's all its own." [27] Billboard also praised the album,saying that it offered both noise and melody that "cohabitate exceedingly well". [31]
In a mixed review,AllMusic reviewer Jason Birchmeier criticized Experimental Jet Set for its stripped-down sound,saying that the album only contains "odd lyrics and unique guitar nuance." [23] Similarly,Evelyn McDonnell of Entertainment Weekly noted that the songs "never quite emerge from the sketch stage" and that newcomers may find it difficult to appreciate. [14] In contrast, Alternative Press highlighted the album's anti-commercial aesthetic,claiming that "It doesn't get much cooler than this". [32] The Advocate criticized the album and the band for not taking risks,concluding:"Sonic Youth is stuck repeating the same experience. And this time around,the songs don't stick." [33] Mike Rubin,writing for Spin ,described Experimental Jet Set as a "low-key,mellow affair",but highlighted the guitar playing and the audio feedback on some songs. [9]
In a positive review for The Village Voice ,Robert Christgau highlighted the band's ability to create unexpected noises,which he described as "marks of flesh-and-blood creatures thinking and feeling things neither you nor they have ever thought or felt before. If they can't quite put those things into words,that's what unexpected noises are for." [30] Unlike previous Sonic Youth albums,Experimental Jet Set was not ranked in the Top 40 of The Village Voice's Pazz &Jop critics' poll for 1994,but Christgau placed it at No. 3 in his own "Dean's List". [34] [35] In a retrospective review for About.com,90s rock expert Melissa Bobbitt wrote:"Though it might not be as universally celebrated as 1988's Daydream Nation or Dirty,this record represented the triumphant rise of the Alternative Nation and its progressive nature." [6] In 2014, Guitar World placed Experimental Jet Set,Trash and No Star at No. 44 in their "Superunknown:50 Iconic Albums That Defined 1994" list. [36]
All tracks are written by Sonic Youth unless otherwise noted
No. | Title | Vocals | Length |
---|---|---|---|
1. | "Winner's Blues" | Moore | 2:07 |
2. | "Bull in the Heather" | Gordon | 3:04 |
3. | "Starfield Road" | Moore | 2:15 |
4. | "Skink" | Gordon | 4:12 |
5. | "Screaming Skull" (additional lyrics by Dave Markey) | Moore | 2:38 |
6. | "Self-Obsessed and Sexxee" | Moore | 4:30 |
7. | "Bone" | Gordon | 3:57 |
8. | "Androgynous Mind" | Moore | 3:30 |
9. | "Quest for the Cup" | Gordon | 2:30 |
10. | "Waist" | Moore | 2:49 |
11. | "Doctor's Orders" | Gordon | 4:20 |
12. | "Tokyo Eye" | Moore | 3:55 |
13. | "In the Mind of the Bourgeois Reader" | Moore | 2:33 |
14. | "Sweet Shine" (contains hidden track of "bonus noise" at 6:25) | Gordon | 7:50 |
Total length: | 50:10 |
Credits are adapted from the album's liner notes. [37]
Sonic Youth
Design
| Technical
|
Album
Chart (1994) | Peak |
---|---|
Australian Albums Chart | 25 [18] |
Dutch Albums Chart | 65 [20] |
German Albums (Offizielle Top 100) [38] | 87 |
New Zealand Albums Chart | 16 [19] |
Swedish Albums Chart | 27 [21] |
UK Albums Chart | 10 [4] |
US Billboard 200 | 34 [3] |
Singles
Song | Chart (1994) | Peak |
---|---|---|
"Bull in the Heather" | UK Singles Chart | 24 [4] |
US Modern Rock Tracks | 13 [3] |
Sonic Youth was an American rock band formed in New York City in 1981. Founding members Kim Gordon, Thurston Moore and Lee Ranaldo remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, rounding out the core line-up. Jim O'Rourke was also a member of the band from 1999 to 2005, and Mark Ibold was a member from 2006 to 2011.
Thurston Joseph Moore is an American guitarist, singer and songwriter best known as a member of the rock band Sonic Youth. He has also participated in many solo and group collaborations outside Sonic Youth, as well as running the Ecstatic Peace! record label. Moore was ranked 34th in Rolling Stone's 2004 edition of the "100 Greatest Guitarists of All Time".
Kim Althea Gordon is an American musician, singer, songwriter, and rapper best known as the bassist, guitarist, and vocalist of alternative rock band Sonic Youth. Born in Rochester, New York, she was raised in Los Angeles, California, where her father was a professor at the University of California, Los Angeles. After graduating from Los Angeles's Otis College of Art and Design, she moved to New York City to begin an art career. There, she formed Sonic Youth with Thurston Moore in 1981. She and Moore married in 1984, and the band released a total of six albums on independent labels before the end of the 1980s. It then released nine studio albums on the label DGC Records, beginning with Goo in 1990. Gordon was also a founding member of the musical project Free Kitten, which she formed with Julia Cafritz in 1993.
Daydream Nation is the fifth studio album by American alternative rock band Sonic Youth, released on October 18, 1988. The band recorded the album between July and August 1988 at Greene St. Recording in New York City, and it was released by Enigma Records as a double album.
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Dirty is the seventh full-length studio album and second double album by American rock band Sonic Youth, released on July 21, 1992, by DGC Records. The band recorded and co-produced the album with Butch Vig in early 1992 at the Magic Shop recording studios. The sound on Dirty was inspired by the popularity of grunge music at the time, and has been described by Billboard magazine as experimental rock.
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Sonic Youth is the debut EP by American rock band Sonic Youth. It was recorded between December 1981 and January 1982 and released in March 1982 by Glenn Branca's Neutral label. It is the only recording featuring the early Sonic Youth lineup with Richard Edson on drums. Sonic Youth differs stylistically from the band's later work in its greater incorporation of clean guitars, standard tuning, crisp production and a post-punk style.
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The discography of American rock band Sonic Youth comprises 15 studio albums, seven extended plays, three compilation albums, seven video releases, 21 singles, 46 music videos, ten releases in the Sonic Youth Recordings series, eight official bootlegs, and contributions to 16 soundtracks and other compilations.
"Bull in the Heather" is a song by American alternative rock band Sonic Youth from their eighth studio album, Experimental Jet Set, Trash and No Star (1994). It was released to radio as the lead single from the album on April 19, 1994, by Geffen Records. The song was written collectively by Sonic Youth, and production was done by Butch Vig. According to band member Kim Gordon, the song is about "using passiveness as a form of rebellion."
Corporate Ghost is a Sonic Youth DVD released by DGC in 2004. It is a collection of their music videos from 1990 to 2002.
"Kool Thing" is a song by American rock band Sonic Youth, released in June 1990 in the United States and September 1990 in Europe, as the first single from their sixth studio album Goo. The song was inspired by an interview bassist/singer Kim Gordon conducted with LL Cool J for Spin. Although he is never mentioned by name, the song's lyrics contain several references to LL Cool J. Gordon's lyrics make reference to several of the rapper's works, including the single "I Can't Live Without My Radio" and the album Walking with a Panther. She also repeats the line "I don't think so", which appears in LL Cool J's "Going Back to Cali". Chuck D also contributed spoken vocals to the song.
"100%" is a song by American rock band Sonic Youth from their seventh studio album Dirty (1992). It was released as the lead single from the album in July 1992, by DGC. Written by Sonic Youth, the song discusses the murder of Joe Cole, a friend of the band who was killed in an armed robbery on December 19, 1991.
Master-Dik is the third EP by American alternative rock band Sonic Youth. It was released on November 4, 1987, in the United States by record label SST, and on January 22, 1988, in the United Kingdom by label Blast First.
DGC Rarities Vol. 1 is a rarities album compiled by DGC Records and released in 1994. The songs featured on this album are all B-sides, demos, covers and other rarities recorded by bands on the label. Despite the implications of the title, plans for other volumes were shelved.
Goo is the sixth full-length studio album by American alternative rock band Sonic Youth, released on June 26, 1990, by DGC Records. For this album, the band sought to expand upon its trademark alternating guitar arrangements and the layered sound of their previous album Daydream Nation (1988) with songwriting that was more topical than past works, exploring themes of female empowerment and pop culture. Coming off the success of Daydream Nation, Nick Sansano returned to engineer Goo, but veteran producer Ron Saint Germain was chosen by Sonic Youth to finish mixing the album following Sansano's dismissal.