Gee Baby, Ain't I Good to You | ||||
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Studio album by Harry Edison | ||||
Released | 1958 | |||
Recorded | March 5 & 30, 1957 | |||
Studio | Los Angeles, CA | |||
Genre | Jazz | |||
Length | 41:42 | |||
Label | Verve MG V-8211 | |||
Producer | Norman Granz | |||
Harry Edison chronology | ||||
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Gee Baby, Ain't I Good to You is an album by trumpeter Harry "Sweets" Edison which was recorded in 1957 and released on the Verve label. [1] [2]
Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra.
Verve Records, also known as The Verve Music Group, founded in 1956 by Norman Granz, is home to the world's largest jazz catalogue and includes recordings by artists such as Ella Fitzgerald, Nina Simone, Stan Getz and Billie Holiday, among others. It absorbed the catalogues of Granz's earlier labels, Clef Records, founded in 1946, Norgran Records, founded in 1953, and material previously licensed to Mercury Records.
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Allmusic |
All compositions by Harry Edison except where noted.
A trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group contains the instruments with the highest register in the brass family. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC; they began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips, producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century they have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.
Benjamin Francis Webster was an American jazz tenor saxophonist. He is considered one of the three most important "swing tenors" along with Coleman Hawkins and Lester Young. Known affectionately as "The Brute" or "Frog", he had a tough, raspy, and brutal tone on stomps, yet on ballads he played with warmth and sentiment. He was indebted to alto saxophonist Johnny Hodges, who, he said, taught him to play his instrument.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
Ella and Louis Again is a 1957 studio album by Ella Fitzgerald and Louis Armstrong. It is the "sequel" to their 1956 album, Ella and Louis; in contrast to their previous collaboration, this album does not only feature duets. It was reissued in 2006 on a 2 CD-set as Verve 0602517036918.
Jazz at Santa Monica '72 is a 1972 live album by the American jazz singer Ella Fitzgerald, recorded at the Santa Monica Civic Auditorium accompanied by a jazz trio led by the pianist Tommy Flanagan, and the Count Basie Orchestra.
Oscar Peterson and Harry Edison is a 1974 album by Oscar Peterson, accompanied by Harry "Sweets" Edison.
Songs for Distingué Lovers is an album by jazz singer Billie Holiday released in 1957 on Verve Records. It was originally available in both mono, catalogue number MGV 8257, and stereo, catalog number MGVS 6021. It was recorded at Capitol Studios in Los Angeles from January 3 to January 9, 1957, and produced by Norman Granz.
All or Nothing at All is a studio album by Billie Holiday, recorded in 1956 and 1957 and released by Verve Records in 1958.
Body and Soul is a studio album made by jazz singer Billie Holiday, released in 1957. In their 1957 review of the album, Saturday Review wrote:
With changes in her voice which bring Miss Holiday's singing closer to recitative has come an occasional timidity about altering a melody where before there was boldness. But she remains one of the best jazz singers, not only for her unique sound and attack, but for her straightforward, honest, musical communication."
Krupa and Rich is a 1956 studio album by jazz drummers Gene Krupa and Buddy Rich on Norman Granz' Clef Records label. Krupa and Rich play on two different tracks each and play together only on "Bernie's Tune". Krupa and Rich would record again for Verve Records, their album Burnin' Beat was released in 1962.
Blue Hour is a collaboration album by jazz saxophonist Stanley Turrentine and The Three Sounds recorded for the Blue Note label and performed by Turrentine with Gene Harris, Andrew Simpkins and Bill Dowdy. The album was reissued in 2000 with an additional disc of unreleased recordings, as Blue Hour: The Complete Sessions.
Studio Sessions 1957 & 1962 is the seventh volume of The Private Collection a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
Reunion with Chet Baker is an album recorded in 1957 by saxophonist Gerry Mulligan's Quartet with trumpeter Chet Baker which was originally released on the World Pacific label. It was also Chet's first recording in New York where he relocated.
Everyday I Have the Blues is an album by singer Joe Williams with Count Basie and His Orchestra featuring tracks recorded in 1959 which was originally released on the Roulette label.
The Brilliant Bellson Sound is an album by American jazz drummer Louis Bellson featuring performances recorded in 1959 for the Verve label.
King of the Tenors is an album by American jazz saxophonist Ben Webster featuring tracks recorded in 1953 for the Norgran label and originally released as The Consummate Artistry of Ben Webster. The album was re-issued in 1957 on Verve Records as King of the Tenors, and has been released with that title ever since. Webster is accompanied by The Oscar Peterson Trio, and, on several tracks, by Benny Carter and Harry "Sweets" Edison.
A Swinging Introduction to Jimmy Knepper is an album led by trombonist Jimmy Knepper which was recorded in 1957 and originally released on the Bethlehem label. The album was rereleased in 1977 as Idol of the Flies.
Harry Edison Swings Buck Clayton, subtitled (And Vice Versa), is an album by trumpeters Harry Edison, and Buck Clayton which was recorded in 1958 and released on the Verve label.
The Swinger is an album by trumpeter Harry Edison which was recorded in 1958 and released on the Verve label.
Mr. Swing is an album by trumpeter Harry Edison which was recorded in 1958 at the same session that produced The Swinger and released on the Verve label in 1960.
Bridging a Gap is an album by vocalist Mark Murphy which was recorded in 1972 and released on the Muse label.
Some Blues is an album by jazz pianist Jay McShann recorded in 1990 and 1992 and released on the Chiaroscuro label in 1993.