| Haft Amahraspand Yasht | |
|---|---|
| First page of the Haft Amahraspand Yasht in Darmesteter's French translation [1] | |
| Information | |
| Religion | Zoroastrianism |
| Language | Avestan |
| Period | Avestan period |
| Verses | 15 |
The Haft Amahraspand Yasht or Haf-tan Yasht is the second Yasht of the Yasht collection. It is named after and dedicated to the Amesha Spentas. [2]
Haft Amahraspand is a compound term of Middle Persian haft, with the meaning seven, [3] and amahraspand, the Middle Persian term for the Amesha Spenta. [4] It therefore means the seven Amesha Spentas. The hymn is also known as Haf-tan Yasht or Haptan Yasht meaning Yasht of the Seven. [5]
Within the Yasht collection of 21 Yashts, the Haft Amahraspand Yasht is the second hymn. Overall, the literary quality of the Yasht is considered inferior. [6] It is performed on the first seven days of the month, which are dedicated to the Amesha Spenta. [7]
There are a number of features which set it apart from the other Yashts. First, while most Yashts are dedicated to a single divinity, the Haft Amahraspand Yasht, as well as the Frawardin Yasht, is dedicated to several divinities. [8] Furthermore, unlike most other Yashts, it is not derived from the Bagan yasht, but must have been drawn from another source. [9] Finally, the text does not follow the metrical pattern and the division into Kardas as most other Yashts. [10]
According to Darmesteter, the Haft Amahraspand Yasht can be divided into three main parts. The first part consists of stanzas 1–5, [11] whereas the seond part consists of stanzas 6–10. [12] Both parts praise the Amesha Spantas using somewhat different formulas. According to Darmesteter, these two parts are drawn from the Sih-rozag, [13] whereas Lommel considers them to be mere adaptation of the typical opening formulas of the Yashts. [14] The last part, comprising stanzas 11–15, is considered to contain the only verses original to the Yasht. [15] They are, however, written in a particularly defective Avestan, indicating them to be a late composition. [16]