Heatwave (festival)

Last updated
Heatwave
Heatwave-poster.jpg
Heatwave promotional poster
Genre Electronic music, new wave, rock
DatesAugust 23, 1980
Location(s) Toronto at Mosport Park, north of Bowmanville, Ontario
Years active1980
Attendance85,000+

Heatwave was a rock festival held on August 23, 1980 at Mosport Park north of Bowmanville, Ontario, Canada. The slogans used to promote the show were variously the "Punk Woodstock", the "New Wave Woodstock", or "The 1980s Big Beat Rock and Roll Party". The festival was noteworthy because of the importance of the headliner bands that played and the timing in the evolution of new wave music, and the size of the crowd.

Contents

History

The festival was noteworthy because of the importance of the headliner bands that played and the timing in the evolution of new wave music, and from the size of the crowd. Tickets were $20 ($25 at the gate). 85,000 people attended but at 5 pm Dan Aykroyd, in character as Elwood Blues, during a live radio interview from backstage with friend and festival promoter John Brower, asked Brower if he could invite everyone listening to come out and be on his guest list. Brower immediately agreed and within 90 minutes another 15,000 people poured into the park swelling the crowd to almost 100,000 just as Talking Heads took the stage as the sun set. The crowd inched forward to accommodate the "guests" and a sense of wonder swept over everyone as no one other than Brower and Aykroyd and the radio audience was aware of the last minute free invitation. [1] Scandal plagued the event with accusations tossed back and forth between the backers and park management, the latter claiming to have thrown away all the ticket stubs as "no one told them to keep them". The event reportedly lost a million dollars. [2]

Despite the fact that no rights agreements were signed, the entire concert was recorded professionally. The tapes surfaced sometime later that year and were secured by Brower after being turned over by the studio whose recording truck had been on location to record Teenage Head, the band. In the mid 1990s the tapes were handed over to Canadian independent record executive Jan Haust by Brower to ensure their professional restoration and safe keeping. 102 of those tracks, by the five most famous of the bands, were acquired by Wolfgangs, which also holds the rights to Bill "Wolfgang" Graham's archive; by 2017 they were posted on its website. [3] A video recording of a portion of the set played by The Kings has also been released. [4]

At the time of the festival, a new wave/punk festival seemed a novel idea to many, especially as many of these bands typically played at night, in clubs—not outdoors in the hot summer sunlight. Rock magazine CREEM published an overview of Heatwave from that point of view, using a few words of parody in comparison to Woodstock.

It may bear further verification, but some remember The Ramones as being initially announced for the festival.[ citation needed ]

Groups

The groups were:

The Clash were originally booked, and were on the poster, but cancelled [5] or, by another story, were held up at the border due to customs.

A partial order of appearance was: Teenage Head (opened at 11:00 am), [1] The Rumour, Rockpile, Holly and the Italians, Pretenders, B-52's, Talking Heads (sunset), Elvis Costello, and the Kings (midnight). [6]

Teenage Head set list

The reviewer saw "two scraggly guys playing guitar and bass, and a crop-haired singer in long-tailed livery coat and eyeliner. ... good ol' head-banging ramalama punk rock. A large and vocal following cheers them on, and they play with confidence, as if they belong up front of all those people." [1] A year or so later, Teenage Head's live album had a picture from their Heatwave set on the cover. [7] Their set included "Wild One" (from the Frantic City album). [7]

  1. Top Down
  2. Wild One
  3. Picture My Face
  4. Some Kinda Fun
  5. Little Boxes (Alimony)
  6. Fist to Face (Everybody's Growin' Old)
  7. Let's Shake
  8. Lucy Potato
  9. Brand New Cadillac
  10. You're Tearing Me Apart
  11. Somethin' Else
  12. Kissin' The Carpet
  13. Disgusteen
  14. C'mon Everybody

The Pretenders set list

The Pretenders played a full set [8] [9] at Heatwave photo and ticket.

  1. Precious
  2. The Adultress
  3. Kid
  4. Space Invader
  5. Private Life
  6. Brass in Pocket
  7. Stop Your Sobbing
  8. The Wait
  9. Louie Louie
  10. Porcelain
  11. Tattooed Love Boys
  12. Up the Neck
  13. Audience
  14. Mystery Achievement

The B-52's set list

Performing the strongest material from their first album and debuting much of the Wild Planet material before the largest live audience they had experienced up to this point. [10]

  1. Planet Claire
  2. 6060-842
  3. Devil In My Car
  4. 52 Girls
  5. Quiche Lorraine
  6. Dirty Back Road
  7. Lava
  8. Give Me Back My Man
  9. Strobe Light
  10. Private Idaho
  11. Runnin' Around
  12. Rock Lobster
  13. Dance This Mess Around
  14. Party Out of Bounds

Talking Heads set list

The band that toured for the Remain in Light album, including Adrian Belew, performed for the first time at Heatwave as the sun was setting. Their segment began with the four original members plus Belew, and then, as the songs progressed, they added musicians and vocalists, including Nona Hendryx (vocals), Busta Jones, Steve Scales, Dolette McDonald, and Bernie Worrell (keyboards). [11]

  1. Psycho Killer
  2. Warning Sign
  3. Stay Hungry
  4. Cities
  5. I Zimbra
  6. Once in a Lifetime
  7. Houses in Motion
  8. Born Under Punches (The Heat Goes On)
  9. Crosseyed and Painless
  10. Life During Wartime
  11. Take Me to the River [12]

[13]

Elvis Costello set list

The Heatwave festival was the only 1980 live concert in North America by Elvis Costello and the Attractions.

  1. Shot With His Own Gun (sometimes listed as "How does it Feel"), accompanied only by Steve on piano *
  2. Accidents Will Happen
  3. The Beat
  4. Temptation
  5. (What's So Funny 'Bout) Peace, Love, and Understanding
  6. Mystery Dance
  7. Green Shirt
  8. You'll Never Be a Man
  9. (I Don't Want to Go to) Chelsea
  10. Secondary Modern
  11. Pump It Up
  12. Lover's Walk
  13. Less Than Zero
  14. Big Tears
  15. High Fidelity *
  16. Lipstick Vogue *
  17. Radio Radio
  18. I Can't Stand Up for Falling Down
  19. Alison
  20. Clubland
  21. Oliver's Army
  22. Watching the Detectives
  23. You Belong to Me *

Recorded and available as a two LP disk album. "Sounds like an audience recording..." [14] [15] [16] [17]


* may not be on all albums and order may be different

The Kings

Their set started about midnight, and they played an hour long show which included "This Beat Goes On/Switchin' to Glide". [7]

  1. Borrowing Time
  2. Don't Let Me Know
  3. Run Shoes Running
  4. My Habit
  5. This Beat Goes On/Switchin' to Glide
  6. Partyitis
  7. California Girls
  8. One Day Off
  9. Go Away

See also

Related Research Articles

<span class="mw-page-title-main">Elvis Costello</span> English singer-songwriter (born 1954)

Declan Patrick MacManus, known professionally as Elvis Costello, is an English singer, songwriter, record producer, author and television presenter. Music critics consider Costello to be one of the most gifted and versatile songwriters of his generation. His first album, My Aim Is True (1977), is widely regarded as one of the best debut albums in popular music history. The album spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave music genre. From late 1977 through early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979) sold more than 400,000 copies in Britain. He has had more modest commercial success in the US but has earned much praise among music critics. From 1977 through the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.

Pub rock is a subgenre of rock music that emerged in the early to mid-1970s in the United Kingdom. A back-to-basics movement, which incorporated roots rock, pub rock was a reaction against the expensively-recorded and produced progressive rock and flashy glam rock scenes at the time. Although short-lived, pub rock was played live in small traditional venues like pubs and clubs. Since major labels showed no interest in pub rock groups, pub bands sought out independent record labels such as Stiff Records. Indie labels used relatively inexpensive recording processes, so they had a much lower break-even point for a record than a major label.

<span class="mw-page-title-main">Nick Lowe</span> British singer, songwriter and producer (born 1949)

Nicholas Drain Lowe is an English singer-songwriter, musician and producer. A noted figure in pub rock, power pop and new wave, Lowe has recorded a string of well-reviewed solo albums. Along with being a vocalist, Lowe plays guitar, bass guitar, piano and harmonica.

<i>My Aim Is True</i> 1977 studio album by Elvis Costello

My Aim Is True is the debut studio album by English singer-songwriter Elvis Costello, originally released in the United Kingdom on 22 July 1977 through Stiff Records. Produced by Stiff artist and musician Nick Lowe, the album was recorded from late 1976 to early 1977 over six four-hour studio sessions at Pathway Studios in Islington, London. The backing band was California-based country rock act Clover, who were uncredited on the original release due to contractual difficulties. At the time performing as D.P. Costello, Costello changed his name to Elvis after Elvis Presley at the suggestion of the label, and adjusted his image to match the rising punk rock movement.

<span class="mw-page-title-main">Eddie and the Hot Rods</span> British pub rock band

Eddie and the Hot Rods are a pub rock band from Essex founded in 1975. They are best known for their 1977 UK top ten hit "Do Anything You Wanna Do", released under the shortened name Rods. The group broke up in 1985, but reformed in 1996. Singer Barrie Masters was the only constant member until his death in 2019. The band continue to tour, fronted these days by their former bassist, Ian 'Dipster' Dean.

<span class="mw-page-title-main">Rap rock</span> Music genre combining hip hop and rock

Rap rock is a music genre that developed from the early to mid-1980s, when hip hop DJs incorporated rock records into their routines and rappers began incorporating original and sampled rock instrumentation into hip hop music. Rap rock is considered to be rock music in which lyrics are rapped, rather than sung. The genre achieved its greatest success in the late 1990s and early 2000s.

Rock music in New Zealand, also known as Kiwi rock music and New Zealand rock music, rose to prominence first in 1955 with Johnny Cooper's cover version of Bill Haley's hit song "Rock Around the Clock". This was followed by Johnny Devlin, sometimes nicknamed New Zealand's Elvis Presley, and his cover of "Lawdy Miss Clawdy". The 1960s saw Max Merritt and the Meteors and Ray Columbus & the Invaders achieve success. In the 1970s and early 1980s the innovative Split Enz had success internationally as well as nationally, with member Neil Finn later continuing with Crowded House. Other influential bands in the 1970s were Th' Dudes, Dragon and Hello Sailor. The early 1980s saw the development of the indie rock "Dunedin sound", typified by Dunedin bands such as The Clean, Straitjacket Fits and The Chills, recorded by the Flying Nun record label of Christchurch. New Zealand's foremost hard rock band Shihad started their long career in 1988. Since 2018 this title is now undoubtedly held by New Zealand Māori metal band Alien Weaponry who have achieved huge success in Europe and the USA.

<span class="mw-page-title-main">The Attractions</span> UK musical group

The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve (keyboards), Bruce Thomas, and Pete Thomas (drums). They also released one album as an independent entity, without Costello, in 1980.

<span class="mw-page-title-main">The Kings</span> Canadian rock band formed 1977

The Kings are a Canadian rock band formed in 1977 in Oakville, Ontario. They are best known for their 1980 song "This Beat Goes On/Switchin' To Glide", which was a hit in the United States and Canada.

<span class="mw-page-title-main">Rockpile</span> British rock and roll band

Rockpile was a British rock and roll band of the late 1970s and early 1980s, noted for their strong pub rock, rockabilly and power pop influences, and as a foundational influence on new wave. The band consisted of Dave Edmunds, Nick Lowe, Billy Bremner and Terry Williams (drums).

<i>Concerts for the People of Kampuchea</i> (album) 1981 live album by Various Artists

Concerts for the People of Kampuchea is a double album credited to Various Artists and released in March 1981. It contains live performances by Wings, the Who, Queen, Elvis Costello, Pretenders, the Clash, the Specials and other artists from the Concerts for the People of Kampuchea, held at London's Hammersmith Odeon in December 1979 to raise money for the victims of war-torn Cambodia. The event was organised by Paul McCartney and Kurt Waldheim.

<i>Concert for Kampuchea</i> 1980 film by Keith McMillan

The Concert for Kampuchea is a musical film from the best of the Concerts for the People of Kampuchea. The film was directed by Keith McMillan and was 4 nights of concerts in Hammersmith Odeon to raise money for Cambodia. The event was organized by Paul McCartney and Kurt Waldheim, and it involved well-established artists such as McCartney, The Who and Queen as well as younger punk and new wave acts like The Clash and The Pretenders. The film finishes with the presentation of Wings' Rockestra. Filmed in 1979, Concert for Kampuchea did not receive American theatrical distribution until it was picked up by Miramax in 1988.

<i>Brutal Youth</i> 1994 studio album by Elvis Costello

Brutal Youth is an album by Elvis Costello, released in 1994. This album contains the first recordings Costello made with his band the Attractions since Blood and Chocolate (1986). About half the album features a band consisting of Costello (guitar), Steve Nieve (keyboards) and Pete Thomas (drums) with Nick Lowe on bass. Costello himself plays bass on two tracks, and the complete Attractions line-up appears with Costello on tracks 3, 4, 6, 9 and 10.

<span class="mw-page-title-main">Elvis Costello discography</span>

The discography of the English singer-songwriter Elvis Costello includes 32 studio albums, 6 live albums, 16 compilation albums, 6 tribute albums, 2 extended plays, 62 singles and 4 box sets. This page distinguishes between United States and United Kingdom release dates and record labels. Of note are the reissue series, Costello's back catalogue having undergone reissue three times by three different companies.

<span class="mw-page-title-main">Billy Bremner (musician)</span> Musical artist

William Murray Bremner is a Scottish guitarist, best known for his work in the band Rockpile and on many of Nick Lowe and Dave Edmunds' albums. He has also played with The Pretenders, Shakin' Stevens, Carlene Carter and The Coal Porters, as well as issuing four solo albums.

Concerts for the People of Kampuchea was a series of concerts featuring Wings, Queen, The Clash, The Pretenders, The Who, Elvis Costello, and many more artists which took place at the Hammersmith Odeon in London during December 1979 to raise money for the victims of war-torn Cambodia. The event was organised by Paul McCartney and Kurt Waldheim, and it involved artists such as McCartney and The Who as well as punk acts like The Clash and the Pretenders. The last of the concerts was the last concert of Wings. An album and EP were released in 1981, and the best of the concerts were released as a film, Concert for Kampuchea.

Kingswood Music Theatre was a 15,000-seat amphitheatre located at Canada's Wonderland in Vaughan, Ontario. Kingswood was open from May to September. The facility opened in 1983. The last concert was in September 2011.

Canada Jam was a rock festival concert held at Mosport Park in Bowmanville, Ontario Canada, about 100 kilometres east of Toronto, on August 26, 1978. The festival was produced by Sandy Feldman and Leonard Stogel, who produced California Jam and California Jam II, and was sponsored by Carling O'Keefe. It attracted over 110,000 fans, making it the largest paying rock event in Canadian history at that time. The Molson Canadian Rocks for Toronto a.k.a. "SARSfest" featuring the Rolling Stones and AC/DC eclipsed that mark with an audience of 450,000 people on July 30, 2003.

<span class="mw-page-title-main">(The Angels Wanna Wear My) Red Shoes</span> 1977 single by Elvis Costello

"(The Angels Wanna Wear My) Red Shoes" is a song written and recorded by Elvis Costello for his 1977 debut album My Aim Is True. Written by Costello on a train ride to Liverpool in 1976, the song features lyrics, according to Costello, about "romantic disappointment". The song features Byrds-inspired music with an intro contributed by John McFee of Costello's then-backing band Clover.

<i>21½ Minutes in Berlin/23 Minutes in Brussels</i> 1978 live album by Suicide

21½ Minutes in Berlin/23 Minutes in Brussels is a live performance album by Suicide, released in 1978 by Red Star Records. The B-side of the album is infamous for the audience's raucous revulsion toward the duo's performance, providing "some indication of the public's reaction to this confrontational duo in their heyday". 23 Minutes in Brussels remained largely unheard until its release in 1998 with the reissue of the band's self-titled debut album. 21½ Minutes in Berlin remains out of print.

References

  1. 1 2 3 http://www.angelfire.com/rock/teenagehead/ShortArticles.htm from Trouser Press #56, Nov. 1980.
  2. Losses: http://philbrodieband.com/music_trivia-yesterdays_august.htm
  3. "Heatwave Festival, a Wolfgang's playlist".
  4. Archived at Ghostarchive and the Wayback Machine : The Kings: Live At Heatwave Complete. YouTube .
  5. The Clash: https://groups.google.com/group/alt.music.canada/browse_thread/thread/58839384b5ce7c93
  6. Partial order: https://groups.google.com/group/alt.fan.elvis-costello/browse_thread/thread/f465d5b3e6222f22
  7. 1 2 3 "iPod Forums at iProng: Voice of the iPod Generation :: View topic - Did anyone attend either of these 80s music festivals". Archived from the original on 2007-10-08. Retrieved 2006-11-27.
  8. The Pretenders: soundboard cassette recording
  9. The Pretenders: http://zombtracker.the-zomb.com/details.php?id=10685
  10. "Home". wolfgangsvault.com.
  11. Talking Heads: https://groups.google.com/group/alt.fan.elvis-costello/browse_thread/thread/8c9880a55665dfec
  12. Remain in Love, Talking Heads, Tom Tom Club, Tina. by Chris Frantz
  13. Talking Heads set list: http://www.tradeu2.com/setlistsotherart/talking_heads_heatwave_festival_.htm
  14. Elvis Costello: ECHWC82380
  15. Elvis Costello: 74 minutes soundboard recording, also
  16. Elvis Costello: 74:59 audience recording
  17. Elvis Costello: back cover Archived 2006-11-18 at the Wayback Machine