Hokey Pokey

Last updated
People doing the Hokey Cokey at an annual "Wartime Weekend" in the United Kingdom Pickering War Weekend (10254453475).jpg
People doing the Hokey Cokey at an annual "Wartime Weekend" in the United Kingdom

The Hokey Pokey (also known as Hokey Cokey in the United Kingdom, Ireland, some parts of Australia, and the Caribbean) [1] is a participation dance with a distinctive accompanying tune and lyric structure. It is well-known in English-speaking countries. It originates in a British folk dance, with variants attested as early as 1826.[ citation needed ] The song and accompanying dance peaked in popularity as a music hall song and novelty dance in the mid-1940s in the UK. The song became a chart hit twice in the 1980s. The first UK hit was by The Snowmen, which peaked at UK No. 18 in 1981.

Contents

Origins and meaning

Despite several claims of a recent invention, numerous variants of the song exist with similar dances and lyrics dating back to the 19th century. One of the earlier variants, with a very similar dance to the modern one, is found in Robert Chambers' Popular Rhymes of Scotland from 1842. [2] The words there are given as:

Fal de ral la, fal de ral la:
Hinkumbooby, round about;
Right hands in, and left hands out,
Hinkumbooby, round about;
Fal de ral la, fal de ral la. [3]

A later variant of this song is the Shakers' song "Hinkum-Booby", which had more similar lyrics to the modern song and was published in Edward Deming Andrews' A gift to be simple in 1940: (page 42). [4]

A song rendered ("with appropriate gestures") by two sisters from Canterbury, England, United Kingdom, while on a visit in 1857 to Bridgewater, New Hampshire, United States, starts as an "English/Scottish ditty" in this way:

I put my right hand in,
I put my right hand out,
In out, in out.
shake it all about.

As the song continues, the "left hand" is put in, then the "right foot", then the "left foot", then "my whole head" . . . [I]t does not seem to have been much used in Shaker societies.

A version known as "Ugly Mug" is described in 1872: [5]

I put my right hand in
I put my right hand out
I give my right hand, shake, shake, shake, and turn myself about

A version from c. 1891 from the town of Golspie, Scotland, was published by Edward W. B. Nicholson:

Hilli ballu ballai!
  Hilli ballu ballight!
Hilli ballu ballai!
  Upon a Saturday night.

Put all your right feet out,
  Put all your left feet in,
Turn them a little, a little,
  And turn yourselves about. [6]

In the 1892 book, English Folk-Rhymes, a version of the song originating from Sheffield, England, is given:

Can you dance looby, looby,
  Can you dance looby, looby,
Can you dance looby, looby,
  All on a Friday night?
You put your right foot in;
  And then you take it out,
And wag it, and wag it, and wag it,
  Then turn and turn about.

Here we go, Looby Loo.
Here we go, Looby light.
Here we go, Looby Loo.
All on a Saturday night. [7]

Some early versions of this song thus show a marked resemblance to the modern song Looby (or Loopty) Loo, and the songs have been described as having a common origin. [8]

In the book Charming Talks about People and Places, published around 1900, [9] there is a song with music entitled "Turn The Right Hand In" (page 163). It has nine verses, which run as: "Turn the right hand in, turn the right hand out, give your hands a very good shake, and turn your body around". Additional verses include v2. left hand...; v3. both hands...; v4. right foot...; v5. left foot...; v6. both feet...; v7. right cheek...; v8. left cheek...; and, v9. both cheeks... The tune is not the same as the later popular version of the Hokey Cokey, but the last verse of the lyrics is more similar as it states to "turn your body around". No author, composer or lyricist was credited there.

In recent times various other claims about the origins of the song have arisen, but they are all contradicted by the evidence of the publication history. One of these accounts tells that in 1940, [10] during The Blitz in the Second World War, when Nazi Germany was bombarding London, a Canadian officer suggested to Al Tabor, a British bandleader of the 1920s–1940s, that he could write a party song with moves similar to "Under the Spreading Chestnut Tree". The inspiration for the song's title that resulted, "The Hokey Pokey", supposedly came from an ice cream vendor whom Tabor had heard as a boy, calling out "Hokey Pokey penny a lump. Have a lick make you jump". A well-known lyricist/songwriter/music publisher of the time, Jimmy Kennedy, reneged on a financial agreement to promote and publish it, and finally Tabor settled out of court, giving up all rights to the number.

In 2008, an Anglican cleric, Canon Matthew Damon, provost of Wakefield Cathedral, West Yorkshire, claimed that the dance movements were a parody of the traditional Catholic Latin Mass. [11] Up until the reforms of Vatican II, the priest performed his movements facing the altar rather than the congregation, who could not hear the words very well, nor understand the Latin, nor clearly see his movements. At one point the priest would say "Hoc est corpus meum", Latin for "This is My body" (a phrase that has also been suggested as the origin of the similar-sounding stereotypical magician's phrase "hocus-pocus"). That theory led Scottish politician Michael Matheson in 2008 to urge police action "against individuals who use it [the song and dance] to taunt Catholics". Matheson's claim was deemed ridiculous by fans from both sides of the Old Firm (the rival Glasgow football teams Celtic and Rangers) and calls were made on fans' forums for both sides to join together to sing the song on 27 December 2008 at Ibrox Stadium. [12] Close relatives of Jimmy Kennedy and Al Tabor have publicly stated their recollections of the origin and meaning of Hokey Cokey, and have denied its connection to the Mass or to an imitation of it. [13] [14] Relatives' accounts differ, but they all agree on the fact that the song existed and was published decades before its supposed composition in the 1940s.

Dance across the world

Australia

In Australia, the dance may be called the "hokey pokey" or the "hokey cokey." [15] It was a hit for Johnny Chester & The Chessmen in 1961. [16]

Denmark

Mostly performed in the British style of the dance, it is known as the "boogie woogie" (pronounced /ˌbʊɡˈwʊɡ/ ). [17]

Germany

Performed mainly in the carnival in a variation of the British style of the dance, it is known as "Rucki-Zucki".

Mexico

Released as a commercial recording by Tatiana (singer) as "Hockey-Pockey". [18]

New Zealand

In the North Island, the dance is usually known as the "hokey tokey", [19] [20] or the "hokey cokey" because hokey pokey is the usual term for honeycomb toffee. [21] In the South Island it's just The Hokey Pokey.

United Kingdom

Known as the "hokey cokey" or the "hokey kokey", the song and accompanying dance peaked in popularity as a music hall song and novelty dance in the mid-1940s in Britain.

There is a claim of authorship by the British/Irish songwriter Jimmy Kennedy, responsible for the lyrics to popular songs such as the wartime "We're Going to Hang out the Washing on the Siegfried Line" and the children's song "Teddy Bears' Picnic". Sheet music copyrighted in 1942 and published by Campbell Connelly & Co Ltd, agents for Kennedy Music Co Ltd, styles the song as "the Cokey Cokey". [22]

In the 1973 Thames Television documentary, May I Have the Pleasure?, about the Hammersmith Palais de Danse, Lou Preager comments on how his was the first band to record the 'Okey Cokey'.

EMI Gold released a Monsta Mash CD featuring the "Monsta Hokey Cokey" written and produced by Steve Deakin-Davies of "The Ambition Company".

The song was used by comedian Bill Bailey during his "Part Troll" tour, however, it was reworked by Bailey into a style of the German electronic group Kraftwerk, including quasi-German lyrics and Kraftwerk's signature robotic dance moves. [23]

The comedy act Ida Barr, a fictional East End pensioner who mashes up music hall songs with rap numbers, almost always finishes her shows with the hokey cokey, performed over a thumping RnB backing. Ida Barr is performed by a British comedian Christopher Green.

United States and Canada

Known as the "hokey pokey", it became popular in the US in the 1950s. Its originator in the US is debatable:

In 1953, Ray Anthony's big band recording of the song turned it into a nationwide sensation. The distinctive vocal was by singer Jo Ann Greer, who simultaneously sang with the Les Brown band and dubbed the singing voices for such film stars as Rita Hayworth, Kim Novak, June Allyson, and Esther Williams. (She also charted with Anthony later the same year with the song "Wild Horses".)

In 1978, Mike Stanglin produced a "skating version" of the Hokey Pokey, for use in skating rinks. [26] [27]

Dance moves

British and Irish style of dance

The instruction set goes as follows:

You put your [left arm] in,
Your [left arm] out:
In, out, In, out
Shake it all about.
You do the hokey cokey,
And you turn around.
That's what it's all about!

On "You do the hokey cokey", each participant joins their right and left hands at the fingertips to make a chevron and rocks the chevron from side to side. After that the participants separately, but in time with the others, turn around (usually clockwise when viewed from above – novices may go in the opposite direction to the main group, but this adds more hilarity to this joyous, novelty dance). The hands are either still joined together or moved as in a jogging motion – dependent on local tradition or individual choice.

Each instruction set is followed by a chorus, entirely different from other parts of the world. There is either a caller, within or outside the group, or the instructions are called by the whole group – which can add to the confusion and is laughed off as part of the dance's charm and amusement.

Whoa, the hokey cokey
Whoa, the hokey cokey
Whoa, the hokey cokey
Knees bend, arms stretch,
Rah, rah, rah!

The first three lines of this chorus are sometimes rendered 'Whoa, the hokey cokey', with the 'whoa' lasting three beats instead of two. It can also be said "Whoa, the hokey cokey cokey".

For this chorus, all participants stand in a circle and hold hands: on each "Whoa" they raise their joined hands in the air and run in toward the centre of the circle, and on "...the hokey cokey" they run backwards out again. This instruction and chorus are repeated for the other limb, then for the upper right, and then the upper left arm. Either the upper or lower limbs may start first, and either left or right, depending on local tradition, or by random choice on the night. On the penultimate line they bend their knees then stretch their arms, as indicated, and on "Rah, rah, rah!" they either clap in time or raise their arms above their heads and push upwards in time. Sometimes each subsequent verse and chorus is a little faster and louder, with the ultimate aim of making people chaotically run into each other in gleeful abandon. There is a final instruction set with "you put your whole self in, etc", cramming the centre of the dance floor.

Often, the final chorus is sung twice, the second time even faster and the song ends with the joyous chant, 'aye tiddly aye tie, brown bread!'.

American and Australian style of dance

The dance follows the instructions given in the lyrics of the song, which may be prompted by a bandleader, a participant, or a recording. A sample instruction sequence would be:

You put your [right leg] in,
You put your [right leg] out;
You put your [right leg] in,
And you shake it all about.
You do the hokey pokey,
And you turn (yourself) around.
That's what it's all about!

Participants stand in a circle. On "in" they put the appropriate body part in the circle, and on "out" they put it out of the circle. On "And you shake it all about", the body part is shaken three times (on "shake", "all", and "-bout", respectively). Throughout "You do the hokey pokey, / And you turn yourself around", the participants spin in a complete circle with the arms raised at 90° angles and the index fingers pointed up, shaking their arms up and down and their hips side to side seven times (on "do", "hoke-", "poke-", "and", "turn", "-self", and "-round" respectively). For the final "That's what it's all about", the participants clap with their hands out once on "that's" and "what" each, clap under the knee with the leg lifted up on "all", clap behind the back on "a-", and finally one more clap with the arms out on "-bout".

The body parts usually included are, in order, "right foot", "left foot", "right hand", "left hand", "head", "buttocks" (or "backside"), fingers, toes, hair, lips, tongue and "whole self"; the body parts "right elbow", "left elbow", "right hip", and "left hip" are often included as well.

In Australia, the song has a chorus similar to the British version in melody, but does not involve running into the centre of the circle; unlike in the UK, the Australian version of the dance is not necessarily performed in a circle.

Woah, the hokey pokey,
Woah, the hokey pokey,
Woah, the hokey pokey.
That's what it's all about!

On each "pokey", the participants again raise the arms at 90° angles with the index fingers pointed up, shaking their arms up and down and their hips side to side five times.

In the United States, Sony/ATV Music Publishing controls some of the publishing rights to the "hokey pokey." [28]

Advertising

Comedy and humor

Music

(Alphabetical by group)

Sports

Television

You put your left boot in
You take your left boot out
You do a lot of shouting
And you shake your fist about
You light a little smokey
And you burn down the town
That's what it's all about
Heil!
Aah, Himmler Himmler Himmler—

Film

Video games

Related Research Articles

The bunny hop is a novelty dance created at Balboa High School in San Francisco in 1952.

Larry LaPrise at one point held the U.S. copyright for the "Hokey Pokey" song.

<span class="mw-page-title-main">Jimmy Kennedy</span> Irish songwriter (1902–1984)

James Kennedy was an Irish songwriter. He was predominantly a lyricist, putting words to existing music such as "Teddy Bears' Picnic" and "My Prayer" or co-writing with composers like Michael Carr, Wilhelm Grosz and Nat Simon. In a career spanning more than fifty years, he wrote some 2000 songs, of which over 200 became worldwide hits and about 50 are popular music classics.

<span class="mw-page-title-main">What'd I Say</span> 1959 single by Ray Charles

"What'd I Say" is an American rhythm and blues song by Ray Charles, released in 1959. As a single divided into two parts, it was one of the first soul songs. The composition was improvised one evening late in 1958 when Charles, his orchestra, and backup singers had played their entire set list at a show and still had time left; the response from many audiences was so enthusiastic that Charles announced to his producer that he was going to record it.

Dance song may refer to:

The Hokey Pokey (worldwide) or its original name Hockey Cokey (UK) is an old British folk song.

<i>Sunnyvista</i> 1979 studio album by Richard and Linda Thompson

Sunnyvista is the fifth album by Richard and Linda Thompson, released in 1979, by Chrysalis Records.

<i>Watching the Dark</i> 1993 compilation album by Richard Thompson

Watching the Dark is an album by Richard Thompson released in 1993. The three-CD retrospective set was compiled with Thompson's co-operation and consent. It runs from 1969, when Thompson was a member of Fairport Convention, through to 1992. However, it is not sequenced in chronological order.

<i>The Chrono Show</i> 2004 live album by Richard Thompson

The Chrono Show is a live album by Richard Thompson. The album is compiled from recordings made during Thompson's 2004 tour of America, and features songs from Thompson's back catalog, most of them written prior to 1983 and arranged in mostly chronological order.

The Harlem shake is a style of hip-hop dance characterized by jerky arm and shoulder movements in time to music. The dance was created by Harlem resident Al B. in 1981; the dance was initially called "The Albee" or "The Al. B.". As indicated by the name, it is associated with the predominantly African American neighborhood of Harlem, in New York City. The dance became known as the Harlem Shake as its prominence grew beyond the neighborhood. In 2001 G. Dep's music video for the song "Let's Get It" introduced the dance to the mainstream.

Wee Sing is a songbook series published by Price Stern Sloan. It would also inspire a series of children's CDs, cassettes, coloring books, toys, videos, and apps. The videos were shot in Portland, Oregon.

Edward Chun is a singer-songwriter and music producer who is best known for writing and performing "Give My Love," the title song to the SBS mini-series, Save the Last Dance for Me. Other works include the musical The After Midnight Club and the SBS mini-series Let's Go to the Beach.

<span class="mw-page-title-main">Feelings (Morris Albert song)</span> 1976 single by Morris Albert

"Feelings" is a song by the Brazilian singer Morris Albert, who also wrote the lyrics. Albert released "Feelings" in 1974 as a single and later included it as the title track of his 1975 debut album. The song's lyrics, recognizable by the "whoa whoa whoa" chorus, concern the singer's inability to "forget my feelings of love". Albert's original recording of the song was hugely successful, performing very well internationally.

<i>Insomniatic</i> 2007 studio album by Aly & AJ

Insomniatic is the third studio album by American pop rock duo Aly & AJ, released on July 10, 2007 by Hollywood Records. The album features an electronic based sound, differing from their previous pop-rock and acoustic releases, that was accented with the use of synthesizers, sampling, drum programming and vocal processing effects. The lyrical content of the album is centered heavily around heartbreak, which some critics noted for its contrast to the electronic elements presented.

The Dashing White Sergeant is a Scottish country dance, performed to a similarly titled piece of music. The dance is in 4/4 time, thus it is in the form of a reel. The dance is performed by groups of six dancers and is progressive.

<span class="mw-page-title-main">Shake 'Em On Down</span> Song first recorded by Bukka White in 1937

"Shake 'Em On Down" is a Delta blues song by American musician Bukka White. He recorded it in Chicago in September 1937, two months before being incarcerated at the infamous Parchman Prison Farm in Mississippi.

<span class="mw-page-title-main">Bottle Up and Go</span> Traditional blues song

"Bottle Up and Go" or "Bottle It Up and Go" is a song that is a standard of the blues. Based on earlier songs, Delta bluesman Tommy McClennan recorded "Bottle It Up and Go" in 1939. The song has been interpreted and recorded by numerous artists, sometimes using alternate titles, such as "Step It Up and Go", "Shake It Up and Go", etc.

<i>Shake It All About</i> (album) 1992 studio album by Little Richard

Shake It All About is a children's music album by Little Richard, released by Walt Disney Records in 1992. The album followed the success of Richard's rock and roll-based cover of "The Itsy Bitsy Spider", which convinced Disney to allow Richard to record an album of children's songs in his trademark rock and roll style.

References

  1. McAlpine, Fraser (March 2012). "Fraser's Phrases: The Curious History of the 'Hokey Cokey'". BBC America. Retrieved 29 November 2018.
  2. Andrews, Edward (1960) [First published 1940]. The Gift to be Simple: Songs, Dances and Rituals of the American Shakers . Courier Corporation. ISBN   978-0-486-20022-4.
  3. Chambers, Robert. Popular Rhymes of Scotland, 2d Edition (1842).
  4. Andrews, Edward (1960) [First published 1940]. The Gift to be Simple: Songs, Dances and Rituals of the American Shakers . Courier Corporation. p. 42. ISBN   978-0-486-20022-4.
  5. Smith, Caroline L. (1872). American Home Book of Indoor Games, Recreations & Occupations. Boston: Lee & Shepard. pp. 156–157. hdl:2027/hvd.hn287l.
  6. Nicholson, Edward Williams Byron. Golspie: Contributions to Its Folklore.
  7. Northall, G. F. English Folk-Rhymes: A collection of traditional verses relating to places and persons, customs, superstitions, etc. 1892. p. 361
  8. English Dance and Song. English Folk Dance and Song Society. 1966.
  9. Copyright is estimated at 1898–1900 as title page is missing. The book lists Queen Victoria as still living and Grover Cleveland just completing his second term in office, which ended in 1897.
  10. MacDonald, Stuart (2009-01-11). "Hokey Cokey no Catholic dig". The Times. London. Archived from the original on August 14, 2011. Retrieved 2010-05-04.
  11. McAlpine, Fraser. "Fraser's Phrases: The Curious History Of 'The Hokey Cokey'". BBC America. New Video Channel America. Retrieved 2019-11-21.
  12. Cramb, Auslan (21 December 2008). "Doing the Hokey Cokey 'could be hate crime'". Daily Telegraph. Retrieved 27 February 2016.
  13. ""Canada's Hokey Pokey cause of England dust up", canada.com". Archived from the original on 30 January 2009. Retrieved 3 September 2020.
  14. Letter to the editor, "Hokey Cokey: no Catholic dig – Grandson of the writer defends song against claims that it is anti-Catholic, saying it is based on a phrase about ice cream", The Times (London, UK)
  15. "Fraser's Phrases: The Curious History Of 'The Hokey Cokey' - BBC America". Bbcamerica.com.
  16. "Johnny Chester with the Thunderbirds - the Hokey Pokey [1961]". YouTube . 19 June 2013.
  17. "Do the boogy woogy". Copenhannah.wordpress.com. 21 January 2011.
  18. Tatiana (18 December 2009). "Hockey-Pockey". YouTube. AMG Mexico. Retrieved 6 October 2022.
  19. "Ball at Otakiri". Bay of Plenty Beacon. 14 September 1945. Retrieved 7 August 2017.
  20. Griffiths, John (2008). "Popular culture and modernity: dancing in New Zealand society 1920-1945". Journal of Social History. 41 (3): 611. doi:10.1353/jsh.2008.0042. S2CID   145604406 . Retrieved 26 January 2017.
  21. "Hokey Pokey", Recipe, Evening Post, 1927
  22. Lloyd, John; John Mitchinson (2007-08-07). The Book of General Ignorance . Random House Digital, Inc. p.  229. ISBN   978-0-307-39491-0.
  23. "Bill Bailey – Kraftwerk – Part Troll". YouTube. 2004. Archived from the original on 2021-12-21. Retrieved 2 January 2013.
  24. 1 2 3 4 Weber, Bruce (December 3, 2009). "Robert Degen, Who Had a Hand in the Hokey Pokey, Dies at 104". The New York Times .
  25. 1 2 DuPuis II, Roger (November 27, 2009). "Scranton native credited with writing famed 'Hokey Pokey' dies at 104". The Times-Tribune . Scranton, Pennsylvania.
  26. "Roller skating and the Hokey Pokey- who did this version?". Inthe00s.com. Retrieved 2017-10-22.
  27. Burnett, John; Maeckle, Monika (1979). "HIGH ROLLERS". D Magazine . Retrieved 2017-10-22.
  28. Weber, Bruce (3 December 2009). "Robert Degen's New York Times obituary". The New York Times.
  29. "Philips Radio Commercial: Firips", History of Advertising Trust
  30. "Jim Breuer's Famous AC/DC 'Hokey Pokey' Impression Is Hilariously Awesome". Societyofrock.com. 30 March 2016.
  31. "BLACK LACE | full Official Chart History". officialcharts.com . Retrieved May 11, 2023.
  32. "The Singles Chart 61-100". Record Business . Vol. 2, no. 41. 24 December 1979. p. 7.
  33. Richard Balls, Be Stiff The Stiff Records Story, Soundcheck Books, London 2014, p. 253
  34. Snowman secret revealed on The Stiff Records Story website, 20 December 2015
  35. "FryFest Breaks Hokey Pokey World Record". KCRG-TV . Archived from the original on 2010-09-05. Retrieved 2010-09-05.