"I'm Only Sleeping" | |
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Song by the Beatles | |
Released |
|
Recorded | 27 and 29 April, 5 and 6 May 1966 |
Studio | EMI, London |
Genre | |
Length | 3:02 |
Label | Parlophone |
Songwriter(s) | Lennon–McCartney |
Producer(s) | George Martin |
Audio sample | |
"I'm Only Sleeping" | |
Music video | |
"I'm Only Sleeping" on YouTube |
"I'm Only Sleeping" is a song by the English rock band the Beatles from their 1966 studio album Revolver . In the United States and Canada,it was one of the three tracks that Capitol Records cut from the album and instead included on Yesterday and Today ,released two months before Revolver. Credited as a Lennon–McCartney song,it was written primarily by John Lennon. [4] The track includes a backwards lead guitar part played by George Harrison,the first time such a technique was used on a pop recording. [5] [6]
Since the standardisation of the Beatles' catalogue for its international CD release in 1987,the song has appeared on Revolver in North America. The 1996 Anthology 2 compilation includes outtakes of the song from the Revolver sessions,including an instrumental version that features the Beatles' first use of a vibraphone. In 2018,the music staff of Time Out London ranked "I'm Only Sleeping" at number 12 on their list of the best Beatles songs. [7]
The first draft of Lennon's lyrics for "I'm Only Sleeping",written on the back of a letter from 1966,suggests that he was writing about the joys of staying in bed rather than any drug euphoria sometimes read into the lyrics. [8] While not on tour,Lennon would usually spend his time sleeping,reading,writing or watching television,often under the influence of drugs,and would have to be woken by McCartney for their songwriting sessions. [9] In a London Evening Standard article published on 4 March 1966,Maureen Cleave,a friend of Lennon,wrote:"He can sleep almost indefinitely,is probably the laziest person in England. 'Physically lazy,' he said. 'I don't mind writing or reading or watching or speaking,but sex is the only physical thing I can be bothered with any more.'" [10]
The recording of the song began at EMI Studios on 27 April 1966 [11] with eleven takes of the rhythm track, [12] comprising two acoustic guitars,bass and drums. [13] [14] Five further takes of the song were recorded but they were not used. [14] Take 11 was chosen as the master and two days later Lennon added his lead vocals. [12] On 5 May,George Harrison wrote and recorded the double guitar part. The next day the recording was completed by Lennon,McCartney and Harrison's backing vocals. [15]
The song features the then-unique sound of a reversed guitar duet played by Harrison in a five-hour late-night recording session with producer George Martin. [16] Harrison perfected the part with the tape running backwards so that,when reversed,it would fit the dreamlike mood. [17] One guitar was recorded with fuzz effects,the other without. Engineer Geoff Emerick described the meticulous process as "interminable". "I can still picture George hunched over his guitar for hours on end",Emerick wrote in 2006,"headphones clamped on,brows furrowed in concentration." [8]
During the break before the second bridge,the sound of a yawn can be heard,preceded by Lennon saying to McCartney,"Yawn,Paul." [16]
"I'm Only Sleeping" was first released on 20 June 1966 as the second track on the US album Yesterday and Today [18] and on 5 August 1966 as the third track on Revolver, [19] the album for which the song was originally intended. [20] The US version of Revolver did not include the song as it had already been released:US Beatles releases frequently differed from the British versions. [21]
The mono and stereo versions of "I'm Only Sleeping" differ in the positioning and length of the backwards guitar parts: [22] [23]
The Beatles' pioneering studio effects on Revolver proved highly influential on other contemporary artists. [26] Musicologist Walter Everett cites the inclusion of backwards guitar parts on Crosby,Stills &Nash's 1969 song "Pre-Road Downs" as an apparent "homage" to "I'm Only Sleeping". [23]
Since the release of the Beatles' music on CD in 1987,the UK stereo version of the album has become the standard version in the US. [22] Part of an instrumental rehearsal of the song featuring a vibraphone and the first take of the song from 29 April 1966 [13] were released on the 1996 album Anthology 2 . [27] The inclusion of the vibraphone part marked the Beatles' first use of this instrument and reflected the band's experimentation with new sounds during the Revolver sessions. [28] The UK mono version of "I'm Only Sleeping" was released on CD as part of the 2009 The Beatles in Mono remastered box set.
An official music video,directed by Em Cooper,was released to YouTube on 1 November 2022. [29] It won the Grammy Award for Best Music Video at the 66th Annual Grammy Awards in 2024. [30]
The Suggs version reached the Top Ten of the UK Singles Chart in 1995. [31]
According to Ian MacDonald: [32]
A Hard Day's Night is the third studio album by the English rock band the Beatles,released on 10 July 1964 by Parlophone,with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier,on 26 June 1964 by United Artists Records,with a different track listing that included selections from George Martin's film score. In contrast to the Beatles' first two albums,all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney,showcasing the development of their songwriting partnership.
Revolver is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966,accompanied by the double A-side single "Eleanor Rigby" / "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date,building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in the history of popular music,with recognition centred on its range of musical styles,diverse sounds and lyrical content.
"Rain" is a song by the English rock band the Beatles,released on 30 May 1966 as the B-side of their "Paperback Writer" single. Both songs were recorded during the sessions for Revolver,although neither appear on that album. "Rain" was written by John Lennon and credited to the Lennon–McCartney partnership. He described its meaning as "about people moaning about the weather all the time".
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"You Know My Name (Look Up the Number)" is a song by the English rock band the Beatles released initially as the B-side of the single "Let It Be" on 6 March 1970. Although first issued with their final single (and the penultimate single in the United States),the Beatles recorded the song in four separate sessions,beginning with three in May and June 1967,shortly after completing their album Sgt. Pepper's Lonely Hearts Club Band,with one final recording session conducted in April 1969. The song features a saxophone part played by Brian Jones of the Rolling Stones.
"Tomorrow Never Knows" is a song by the English rock band the Beatles,written primarily by John Lennon and credited to Lennon–McCartney. It was released in August 1966 as the final track on their album Revolver,although it was the first song recorded for the LP. The song marked a radical departure for the Beatles,as the band fully embraced the potential of the recording studio without consideration for reproducing the results in concert.
"I'm So Tired" is a song by the English rock band the Beatles from their 1968 double album The Beatles. It was written and sung by John Lennon,though credited to Lennon–McCartney. Lennon wrote the song during the Beatles' stay in India about insomnia he was having due to constant meditation and because he missed Yoko Ono. The song was recorded in the same session as another White Album song,"The Continuing Story of Bungalow Bill".
"Good Day Sunshine" is a song by the English rock band the Beatles from their 1966 album Revolver. It was written mainly by Paul McCartney and credited to the Lennon–McCartney partnership. McCartney intended it as a song in the style of the Lovin' Spoonful's contemporaneous hit single "Daydream". The recording includes multiple pianos played in the barrelhouse style and evokes a vaudevillian mood.
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