In God We Trust, Inc. | ||||
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EP by | ||||
Released | December 1981 | |||
Recorded | August 22, 1981 | |||
Venue | Target Video, San Francisco | |||
Studio | Möbius Music, San Francisco | |||
Genre | Hardcore punk | |||
Length | 13:54 | |||
Label | Alternative Tentacles | |||
Producer | East Bay Ray, Norm | |||
Dead Kennedys chronology | ||||
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Singles from In God We Trust, Inc. | ||||
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Review scores | |
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Source | Rating |
About.com | [1] |
AllMusic | [2] |
The Austin Chronicle | [3] |
Christgau's Record Guide | B− [4] |
Drowned in Sound | 8/10 [5] |
The Encyclopedia of Popular Music | [6] |
Kerrang! | [7] |
NME | 6/10 [8] |
OndaRock | 8/10 [9] |
The Rolling Stone Album Guide | [10] |
In God We Trust, Inc. is an EP by hardcore punk band Dead Kennedys and the first of the group's releases with drummer D. H. Peligro. The record is a screed against topics ranging from organized religion and Neo-Nazis, to the pesticide Kepone and government indifference that worsened the effects of Minamata disease catastrophes. In God We Trust, Inc. is also the first Dead Kennedys album released after the presidential election of Ronald Reagan and features the band's first references to Reagan, for which they—and hardcore punk as a genre—would become notorious.
During 1980 and 1981 the American punk scene saw an influx of 7-inch EPs from Washington D.C.'s Dischord Records from bands like Minor Threat and Teen Idles. These short, high-tempo records packed in as many as 10 songs each and helped define the 1980s genre of hardcore punk.
In wanting to pay tribute to this faster form of punk rock, and to showcase the talents of their new drummer D. H. Peligro, Dead Kennedys put together some new material and sped up a few songs that had only been heard on their 1978 demos and in early live shows. These songs became the basis for In God We Trust, Inc. Keeping with the rough-hewn style of D.C. hardcore, bits of tape leads announcing the take number and including drumstick clicks and count-offs precede many of the record's songs.
Dead Kennedys initially recorded eight songs at Subterranean Studios on June 19, 1981. All tracks were recorded live without overdubs to ½" 8-track reel and with the band determining some of the songs' arrangements between takes. The session was videotaped by Joe Rees of Target Video with Mike Fox, the session engineer, sending the rough mix to the video feed. When the group took the tracks to be mixed, they discovered that the magnetic tape used for the recording was defective—the oxide surface of the tape began to peel during playback, thereby destroying the recordings. The band then re-recorded all eight songs on August 22 at Mobius Music, and these recordings were released on the EP. [11]
Years later, enhanced restoration techniques allowed for five tracks to be recovered from the master tapes from the earlier Subterranean sessions. These, along with the rough video mixes of the remaining three songs, appear on the DVD The Lost Tapes .
Much of the material on the EP was left over from earlier in the Dead Kennedys' career. Second guitarist 6025, who'd left the band in 1979, wrote the lead track, "Religious Vomit". [12] The song "Kepone Factory" is a reworking of "Kepone Kids", which appeared on the group's 1978 demo tape. [13] Alternate versions of "Moral Majority" and "Nazi Punks Fuck Off" were on a single packaged with an anti-fascist armband. [14] "We've Got a Bigger Problem Now" is a rewritten version of the band's early single "California Über Alles". Originally a dig at California governor Jerry Brown, the band reworked the song to be about newly elected president Ronald Reagan and added an element of lounge music in contrast with the fast-tempo hardcore punk music on the rest of the record. [15] The EP closes with a cover of the theme from the 1960s TV show Rawhide . [14]
The album cover depicts a golden Jesus crucified on a cross of dollar bills, with a background of a shiny metal material. The band released the record internationally in 1981 on their own Alternative Tentacles label, in partnership with various other independent record labels in North America, Europe, Australia and New Zealand. The original vinyl version's A-side comprised tracks 1–5, and Side B tracks 6–8.
The original cassette version compiled all 8 songs on Side A and left Side B intentionally devoid of any sound. Printed on the cassette's second side was the explanation, "Home taping is killing record industry profits! We left this side blank so you can help." [16]
In God We Trust, Inc. first appeared on compact disc in 1985 as bonus material added to the Dead Kennedys' 1982 LP Plastic Surgery Disasters .
All tracks are written by Jello Biafra, except where noted
No. | Title | Writer(s) | Length |
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1. | "Religious Vomit" | 6025 | 1:04 |
2. | "Moral Majority" | 1:55 | |
3. | "Hyperactive Child" | 0:37 | |
4. | "Kepone Factory" | 1:18 | |
5. | "Dog Bite" | Klaus Flouride | 1:13 |
6. | "Nazi Punks Fuck Off" | 1:03 | |
7. | "We've Got a Bigger Problem Now" | Biafra, John Greenway, East Bay Ray, Flouride, D. H. Peligro | 4:29 |
8. | "Rawhide" | Ned Washington and Dimitri Tiomkin | 2:11 |
Total length: | 13:54 |
Chart (1982) | Peak position |
---|---|
New Zealand Albums (RMNZ) [17] | 23 |
UK Independent Albums (OCC) [18] | 3 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [19] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
Dead Kennedys are an American punk rock band that formed in San Francisco, California, in 1978. The band was one of the defining punk bands during its initial eight-year run.
Eric Reed Boucher, known professionally as Jello Biafra, is an American singer, spoken word artist and political activist. He is the former lead singer and songwriter for the San Francisco punk rock band Dead Kennedys.
Frankenchrist is the third album by the American hardcore punk band Dead Kennedys, released in 1985 on Alternative Tentacles.
Alternative Tentacles is an independent record label established in 1979 in San Francisco, California. It was used by Dead Kennedys for the self-produced single "California Über Alles". After realizing the potential for an independent label, they released records for other bands as well. Dead Kennedys guitarist East Bay Ray and vocalist Jello Biafra formed Alternative Tentacles, but Biafra became the sole owner in the mid-1980s. Alternative Tentacles no longer owns the rights to Dead Kennedys recordings after a 2000 lawsuit.
Give Me Convenience or Give Me Death is a compilation album by the American hardcore punk band Dead Kennedys. It was released in June 1987 through front man Jello Biafra's record label Alternative Tentacles.
"California Über Alles" is the debut single by American punk rock band Dead Kennedys. It was the group's first recording and was released in June 1979 on the Optional Music label, with "The Man with the Dogs" appearing as its B-side. The title track was re-recorded in 1980 for the band's first album, Fresh Fruit for Rotting Vegetables, and the original recording as well as the B-side were later included on the 1987 compilation Give Me Convenience or Give Me Death.
Fresh Fruit for Rotting Vegetables is the debut studio album by the American punk rock band Dead Kennedys. It was first released on September 2, 1980, through Cherry Red Records in the United Kingdom, and I.R.S. Records in the United States. It was later issued by Jello Biafra's own Alternative Tentacles label in the United States. It is the only Dead Kennedys studio album to feature drummer Bruce Slesinger and guitarist Carlo Cadona.
Bedtime for Democracy is the fourth and final studio album by American punk rock band Dead Kennedys. Released in 1986, songs on this album cover common punk subjects often found in punk rock lyrics of the era such as conformity, Reaganomics, the U.S. military, and critique of the hardcore punk movement. The album's title refers to the 1951 comedy film, Bedtime for Bonzo starring Ronald Reagan and also reflects the band's weary bitterness from the trial they were undergoing at the time over the controversial art included with their previous album. By the time recording of Bedtime for Democracy had begun, the Dead Kennedys had already played what would be their last concert with Jello Biafra and announced their breakup immediately after the release of the record, whose opening track is a cover of David Allan Coe's "Take This Job and Shove It."
Darren Eric Henley, better known by his stage name D. H. Peligro, was an American punk rock musician, most commonly known as the drummer for Dead Kennedys along with a brief stint as the drummer for Red Hot Chili Peppers.
Raymond John "East Bay Ray" Pepperell is an American musician who plays guitar for the San Francisco Bay area-based punk band Dead Kennedys. His guitar work was influenced by jazz and rockabilly. Alongside Jello Biafra's astute lyrics and unique vibrato-based vocal style, East Bay Ray's playing was one of the defining factors of the music of the Dead Kennedys, and by extension, of the "second wave" of American punk. He is also the only Dead Kennedy to remain a constant member of the band since its formation.
MDC is an American punk rock band formed in 1979 in Austin, Texas, subsequently based in San Francisco, and currently Portland, Oregon. Among the first wave of bands to define the sound and style of American hardcore punk, MDC originally formed as The Stains; they have periodically changed the meaning of "MDC", the most frequent being Millions of Dead Cops. The band's lyrical content expresses radical left political views and has proven influential within the punk subculture.
Plastic Surgery Disasters is the second full-length album released by punk rock band Dead Kennedys. Recorded in San Francisco during June 1982, it was produced by the band and punk record producer Thom Wilson, with Geza X getting a "special thanks" underneath the DK's/Wilson credit for additional production. The album is darker and more hardcore-influenced than their debut album Fresh Fruit for Rotting Vegetables as a result of the band trying to expand on the sound and mood they had achieved with their 1980 single "Holiday in Cambodia". It was the first full-length album to feature drummer D.H. Peligro, and is frontman Jello Biafra's favorite Dead Kennedys album.
"Nazi Punks Fuck Off" is a song by American punk rock band Dead Kennedys. It was released in November 1981 through Alternative Tentacles as a 7-inch single with "Moral Majority" as the B-side. Both are from the In God We Trust, Inc. EP, although the EP version is a different recording from the single version. The single included a free armband with a crossed-out swastika. The design was later adopted as a symbol for the anti-racist punk movement Anti-Racist Action.
The Fartz were a hardcore punk band that was founded in 1981 and were one of the first well-known bands in their genre from Seattle, Washington. They were signed to Jello Biafra's Alternative Tentacles Record label. They were notable not only for playing incredibly fast and heavy music, but also for their politically and socially conscious song lyrics that criticized government policies, religious hypocrisy, racism, sexism, and poverty. Throughout their musical career they championed a blue collar, working class perspective on life.
Bad Brains is the first studio album by American rock band Bad Brains. Recorded in 1981 and released on the cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging.
In God We Trust, Inc.: The Lost Tapes is VHS/DVD of the Dead Kennedys' first recording session of their EP, In God We Trust Inc.. It was released in July 2003. The session was filmed in June 1981 by Joe Rees at Target Video. When the DKs went to master the tape it started to peel and deteriorate, so they had to record it again. The video tapes of the session were in the DK's video collection. This film was directed and edited by Eric S. Goodfield and was released to celebrate the 25th anniversary of Dead Kennedys EP In God We Trust, Inc. It includes live versions of all the songs except "Hyperactive Child", for which no live footage could be found.
Let Them Eat Jellybeans!, subtitled "17 Extracts From America's Darker Side", is a compilation album released by Jello Biafra's Alternative Tentacles in 1981. It was one of the earliest compilations of underground music in the United States and its original release included an insert of all of the punk bands known to be playing in the U.S. and Canada at that time. The first side of the LP features songs by a number of bands that formed the canon of American hardcore punk in the 1980s, while the second side features more of an art rock sound.
Milking the Sacred Cow is a compilation album by San Francisco punk rock band Dead Kennedys. Released in 2007, it comprises songs recorded between 1979 and 1985 that originally appeared on the band’s various studio albums and singles. The compilation also contains two previously unreleased live versions of songs from the band’s Frankenchrist album. Notably, Milking the Sacred Cow contains no material from the Dead Kennedys’ final studio album, Bedtime for Democracy.
Raw Power is an Italian hardcore punk band from Reggio Emilia, formed in 1981 and still active.
M.I.A. is an American 1980s punk rock band from Las Vegas, Nevada. The band's sound is generally hardcore and thrash, though they produced more melodic and progressive sounds in their later albums. AllMusic called the band "one of the 50 best So-Cal punk bands of the great early-'80s second wave explosion."
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