In Search of Space | ||||
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Studio album by | ||||
Released | 8 October 1971 | |||
Recorded | 1971 | |||
Studio | Olympic Studios | |||
Genre | ||||
Length | 42:22 (LP): 57:27 (CD reissue) | |||
Label | United Artists (most of the world) Liberty (Japan & South Africa) | |||
Producer | George Chkiantz and Hawkwind | |||
Hawkwind chronology | ||||
|
Review scores | |
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Source | Rating |
AllMusic | [3] |
The Encyclopedia of Popular Music | [4] |
Head Heritage | (positive) [5] |
Mojo | [6] |
In Search of Space (also known as X in Search of Space or Xin Search of Space) is the second studio album from Hawkwind, released in 1971. [7] It reached No. 18 on the UK Albums Chart.
Bass player John A Harrison left just after recording the first album, replaced by Thomas Crimble who in turn was replaced by Dave Anderson from Amon Düül II for this album, and who in turn would be gone before its release. Electronics player Dik Mik Davies had also temporarily left [8] so the band's live sound engineer Del Dettmar was pulled in as a replacement, whilst Huw Lloyd-Langton had departed after a bad LSD experience at the Isle of Wight Festival. [9]
"You Shouldn't Do That" is an extended piece they had been playing live from Crimble's time in the band and he asserts he should have received a writer's credit for the central bass line on which this is based. [10] It was recorded for a BBC Maida Vale session on 19 May 1971 for the Sounds of the 70s show, a bootleg version of the session can be found on The Text of Festival . It was the encore for the Space Ritual show but omitted from that album, later appearing in 1976 on the compilation album Roadhawks . It has been part of the live set at various times throughout their career, versions of which can be found on The Business Trip (1994) and Spaced Out in London (2004).
"You Know You're Only Dreaming" uses the riff and feel from Steve Miller Band's "Jackson-Kent Blues" from Number 5 , an artist Brock has acknowledged being influenced by. [11] This too was recorded for the BBC Sounds of the Seventies session and has appeared in the live set at various times throughout their career, including The 1999 Party (1974) and The Business Trip (1994).
"Master of the Universe" was written by Brock and Turner (who sings the lead vocal), although Anderson contends he should also have received a writer's credit for writing the main riff. [10] It is the only track on the album that could be interpreted as lyrically having a space theme, but may also be viewed as being anthropocentric. This was also part of the Sounds of the Seventies session and quickly became a live favourite and almost ever present in the set, appearing on numerous live albums. The track was used by the Ford Motor company to advertise the Ford B-Max on television in 2012.
"We Took the Wrong Step Years Ago" is a twelve string guitar number with a band jam in the middle section and its lyrics bemoan the direction of society. A new acoustic version of "We Took The Wrong Step Years Ago" was included on The Road to Utopia (2018), produced and arranged by Mike Batt with additional orchestrations. [12]
"Adjust Me" is a band improvisation.
"Children of the Sun" is an acoustic guitar number, although after the vocal passage the repeated heavy riff is augmented by electric guitars and bass.
The bonus track "Seven by Seven", originally the b-side to "Silver Machine", uses the riff from late 1960s English psychedelic band Leviathan's "Flames". The lyrics concern the seven rays.
The band originally started to record the album at George Martin's AIR Studios, but after a week with little to show for their effort, and the studio engineers reported to be reluctant to work with the band after friends of the band broke "into George Martin's drinks cabinet, pinched all his booze and spiked the engineers with acid", the record company moved them to Olympic Studios to work with George Chkiantz to finish the recording quickly. [13]
The band had started working with a wider range of artists, many of whom were contributing to the underground press. Graphic artist Barney Bubbles titled the album and designed the cover and with space-age poet Robert Calvert produced the accompanying 24-page The Hawkwind Log with photos by Phil Franks. [14] [15]
The front cover is a die-cut interlocking foldout. The back cover has a shot of a naked Stacia on stage under strobe lights and the phrase "TECHNICIÄNS ÖF SPÅCE SHIP EÅRTH THIS IS YÖÜR CÄPTÅIN SPEÄKING YÖÜR ØÅPTÅIN IS DEA̋D" which some people[ who? ] assert is a demonstration of the heavy metal umlaut. The inside panel features individual portraits of the band, however as Dik Mik had left the band his portrait was not taken, so on rejoining just before the album's release a hastily added image was included. Inside the foldout sleeve are various pictures of Hawkwind and the Pink Fairies playing together underneath the Westway in London.
There is no overall concept or theme to the songs on the album; the ideas that would culminate in the Space Ritual show are merely contained within the album package, principally The Hawkwind Log. It opens with:
The spacecraft Hawkwind was found by Captain RN Calvert of the Société Astronomæ (an international guild of creative artists dedicated in eternity to the discovery and demonstration of extra-terrestrial intelligence) on 8 July 1971 in the vicinity of Mare Librium near the South Pole. The discovery of the Hawkwind has led to more wild speculation than any of the mysteries of space that we have so far encountered. The facts surrounding the discovery of this drifting two-dimensional spaceship have been so distorted by guesswork and rumour that any further attempts at assessment would only increase the density of the fog.
Within, the journal entries are from various times and places, including a return to a burnt out Earth in November 1987. Themes explored include astrology and astronomy, ecology, science, occultism and mysticism, religion and philosophy. Some pieces would later be reused, such as the entries "0207 hrs 15 April 1572, Praesepe cluster" and "Countdown to Lift Off" which appeared on Space Ritual as "The Awakening" and "Ten Seconds of Forever" respectively, and Black Elk's "Offering of the Pipe" Hetchetu Aloh chant was later used on "Black Elk Speaks" from Space Bandits . One of the last entries, 1027 hrs. 5 May 1971, Ladbroke Grove, explains:
Space/time supply indicators near to zero. Our thoughts are losing depth, soon they will fold into each other, into flatness, into nothing but surface. Our ship will fold like a cardboard file and the noises of our minds compress into a disc of shining black, spinning in eternity...
Melody Maker reviewed the album in the context of contemporary German acts, feeling that "their instrumental playing" did not reach the same heights but that "they yield precedence to no-one in their creative use of electronics." [16] Beat Instrumental assessed the album as "excellent", saying that the "music alternates between spaced out imagery and hard rock" as well as commenting that this is the start of the space trip leading to the "Space Opera". [17]
In the US, Lester Bangs in Rolling Stone favourably appraised the album in the context of other musical works concerned with space, going on to describe the music as "monotone jammings with hypnotic rhythms and solos unravelling off into... well, space. The synthesizers warble, woof and scream and gurgle like barfing computers, the drums pound, and the singers chant Unknown Tongue rebops." [18] Billboard described the music as "forcefully compelling, electronic and repetitive" and the band "nearly brings to fruition its claim of being a truly 'mind-expanding' rock group" [19]
In April 2006 it made No. 83 in Classic Rock 's "The 100 Greatest British Rock Albums", noting that "drummer Terry Ollis and bassist Dave Anderson could hit an awesome groove, allowing the rest of the band to cut loose on their acid-fuelled sonic adventures without fear of losing themselves or their listeners." [20] In the same issue, Porcupine Tree's Steven Wilson placed it at No. 2 in his top 5, adding "it's an extraordinary whirlpool of cosmic sound, the definitive space-rock statement. I love the album's repetitive, almost pagan feel. It dispensed with the idea of soloists and has a real sense of 'otherness'." [21]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "You Shouldn't Do That" | Nik Turner, Dave Brock | 15:41 |
2. | "You Know You're Only Dreaming" | Brock | 6:36 |
No. | Title | Writer(s) | Length |
---|---|---|---|
3. | "Master of the Universe" | Turner, Brock | 6:17 |
4. | "We Took the Wrong Step Years Ago" | Brock | 4:48 |
5. | "Adjust Me" | Hawkwind | 5:46 |
6. | "Children of the Sun" | Turner, Dave Anderson | 3:14 |
No. | Title | Writer(s) | Length |
---|---|---|---|
7. | "Seven By Seven" (original single version) | Brock | 5:21 |
8. | "Silver Machine" (original single version) | Robert Calvert, Brock | 4:39 |
9. | "Born to Go" (live single version edit; live at the Roundhouse) | Calvert, Brock | 5:05 |
Musicians on 1996 Remasters CD bonus tracks
Chart (1971–1972) | Peak position |
---|---|
Australian Albums (Kent Music Report) [22] | 34 |
UK Albums (OCC) [23] | 18 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [24] 1981 release | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
Hawkwind are an English rock band known as one of the earliest space rock groups. Since their formation in November 1969, Hawkwind have gone through many incarnations and have incorporated many different styles into their music, including hard rock, progressive rock and psychedelic rock. They are regarded as an influential proto-punk band. Their lyrics often cover themes of urban life and science fiction.
Space Ritual is a 1973 live double album recorded in 1972 by UK rock band Hawkwind. It is their fourth album since their debut, Hawkwind, in 1970. It reached number 9 in the UK Albums Chart and briefly dented the Billboard Hot 200, peaking at number 179.
Hawkwind is the debut album by Hawkwind, released in 1970, originally on Liberty Records, later reissued on Sunset Records. This album is historic since it is one of the first space rock LPs.
David Anthony Brock is an English musician and multi-instrumentalist, best known as the founder, the sole constant member and the musical focus of the space rock group Hawkwind. Brock was honoured with a lifetime achievement award at the annual Progressive Music Awards in 2013.
Hall of the Mountain Grill is the fourth studio album by space rock band Hawkwind, released in 1974. It is regarded by many critics as a career highlight.
Warrior on the Edge of Time is the fifth studio album by the English rock band Hawkwind. Many of the lyrics are by Michael Moorcock, and the album is loosely based on the concept of Moorcock's novel The Eternal Champion. It was the band's highest-charting studio album on the UK Albums Chart, where it peaked at number 13, and was their third and last album to make the U.S. Billboard chart, where it peaked at number 150. Reviews have been mixed, with Melody Maker panning the album and particularly criticizing the vocal work while the All Music Guide has praised the album for features such as the songwriting. This would also be the last album to feature the band's bassist Ian "Lemmy" Kilmister, who was fired from the band one day before the album's release.
Doremi Fasol Latido is a 1972 album by English space rock band Hawkwind. Recorded at Rockfield Studios and released on United Artists Records, it was their third album since their debut, Hawkwind, in 1970. It reached No. 14 on the UK album charts.
"Hurry On Sundown" is a 1970 song by the UK rock group Hawkwind. It was the band's first record release, issued as a single in the UK on 26 June 1970, being an edit of the version that appeared two months later on the debut album Hawkwind. The song is inspired by Leroy Carr and Scrapper Blackwell's version of "Hurry Down Sunshine ", written by Mary Fix and Will Shade, originally recorded in 1934 and issued on the album Blues Before Sunrise.
The Weird Tapes are a set of music tapes by the English rock group Hawkwind. Issued in the early 1980s, they contain live, radio sessions, out-take and demo performances.
BBC Radio One Live in Concert is a 1991 live album of a 1972 concert by Hawkwind.
The '1999' Party is a live album by Hawkwind recorded at the Chicago Auditorium Theatre on 21 March 1974 released retrospectively in November 1997 by EMI. It was issued for the first time as part of EMI's re-releasing re-mastered versions of the Hawkwind back catalogue. A further budget single disk derived from this set titled Hawkwind Live 74 was issued in April 2006.
Roadhawks is a 1976 compilation album by Hawkwind covering the years 1970-1975, and it peaked at #45 on the UK album charts. It is the first compilation release from the group, marking the end of the group's tenure with United Artists Records. The music was compiled and mixed by the group's Dave Brock.
Masters of the Universe is a 1977 compilation album by Hawkwind covering the years 1971 to 1974 while the group were contracted to United Artists Records. It is the group's second compilation album, after the previous year's Roadhawks, and was compiled and released without the band's input or approval.
The Text of Festival is an archive album by Hawkwind consisting of BBC sessions and live performances between 1970 and 1971. It was originally released in 1983 after the band had exited their Active Records contract, and has continuously been repackaged and retitled ever since.
Bring Me the Head of Yuri Gagarin is a live album by English rock group Hawkwind released in 1985 consisting of a performance at the Empire Pool, Wembley on 27 May 1973. This is a poor sound quality audience recording licensed by Nik Turner. The recording has been released numerous times under different names, with different covers and bundled into box sets.
"Silver Machine" is a 1972 song by the UK rock group Hawkwind. It was originally released as a single on 9 June 1972, reaching number three on the UK singles chart. The single was re-issued in 1976, again in 1978 reaching number 34 on the UK singles charts, and once again in 1983 reaching number 67 on the UK singles charts. The original mix has been re-released on the remasters version of In Search of Space.
Greasy Truckers Party is a 1972 live album by various artists recorded at a February 1972 Greasy Truckers concert at the Roundhouse in London. The concert featured three bands, Man, Brinsley Schwarz, and Hawkwind, and musician Magic Michael. Originally a double vinyl album, in a limited edition of 20,000 and sold at just £1.50, it rapidly sold out, and became a collector's item.
In the world of British underground rock, the Greasy Truckers Party ... ... looms about as large as the Monterey International Pop Festival does in American rock lore; it wasn't the biggest gig ever played by the bands involved, but for reasons of exposure, and resulting word-of-mouth, and the excerpted live album that followed, it came to define what they were capable of.
Space Ritual are a British space rock band, formed in 2000 fronted by Nik Turner, and composed principally of former Hawkwind members. They play a mix of early Hawkwind material and their own compositions.
Del Dettmar is an English musician, best known as synthesizer and keyboard player with English space rock band Hawkwind from 1971 to 1974.