"Silver Machine" | ||||
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Single by Hawkwind | ||||
B-side | "Seven By Seven" | |||
Released | 9 June 1972 | |||
Recorded | 13 February 1972 | |||
Genre | Space rock | |||
Length | 4:39 | |||
Label | United Artists | |||
Songwriter(s) | R.Calvert, Sylvia McManus | |||
Producer(s) | Dr Technical | |||
Hawkwind singles chronology | ||||
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Official audio | ||||
"Silver Machine" on YouTube |
"Silver Machine" is a 1972 song by the UK rock group Hawkwind. It was originally released as a single on 9 June 1972, reaching number three on the UK singles chart. The single was re-issued in 1976, again in 1978 reaching number 34 on the UK singles charts, and once again in 1983 reaching number 67 on the UK singles charts. The original mix has been re-released on the remasters version of In Search of Space .
"Silver Machine" was recorded live at a Greasy Truckers benefit gig at The Roundhouse, London on 13 February 1972 and this version was released on the various artists compilation album Glastonbury Fayre and the 2007 box set of Greasy Truckers Party . Overdubs were applied and mixing took place at Morgan Studios with Douglas Smith and Dave Robinson overseeing the process. Dave Brock took production credits using an alias of Dr Technical. The sleeve was designed by Barney Bubbles (uncredited). Stacia appears prominently in the music video.
The writing credit on the single is Robert Calvert and Sylvia MacManus. [1] MacManus was Dave Brock’s then wife Sylvia whose name Brock used in order to put pressure on his publishing company to improve his deal. [2] The verse is an eight-bar rock and roll boogie whose riff is an adaption of the standard riff that can be heard on the likes of Johnny and the Hurricanes' "Red River Rock" ( ).
[The Greasy Truckers] was about my third gig, and I didn't know what I was doing. I hadn't done any rehearsals and I thought that Silver Machine was a Chuck Berry number – really. – Simon King [3]
The lyrics were written by Robert Calvert and he sang the lead vocal on the original live recording. However, the vocals were considered too weak (bi-polar disorder, had been sectioned at the time so was unavailable to attempt another version, and the lead vocals were eventually recorded by Lemmy:
) for the single release so they were re-recorded in the studio. Calvert, who suffered from[Calvert's] vocal was fucking hopeless, but he never realised it. That's how mad he was. It sounded like Captain Kirk reading 'Blowing in the Wind'. They tried everybody singing it except me. Then, as a last shot, Douglas said, 'Try Lemmy'. And I did it in one take or two. [4]
Lemmy just had the best voice for it. Of course, Bob was not pleased when he found out. – Douglas Smith [5]
The lyrics are a send-up of space travel, inspired by the Alfred Jarry essay How to Construct a Time Machine which Calvert interpreted as a description of how to build a bicycle:
I read this essay by Alfred Jarrey [ sic ] called, "How to Construct a Time Machine", and I noticed something which I don't think anyone else has thought of because I've never seen any criticism of the piece to suggest this. I seemed to suss out immediately that what he was describing was his bicycle. He did have that turn of mind. He was the kind of bloke who'd think it was a good joke to write this very informed sounding piece, full of really good physics (and it has got some proper physics in it), describing how to build a time machine, which is actually about how to build a bicycle, buried under this smoke-screen of physics that sounds authentic. Jarrey got into doing this thing called 'Petaphysics' [ sic ], which is a sort of French joke science. A lot of notable French intellectuals formed an academy around the basic idea of coming up with theories to explain the exceptions to the Laws of the Universe, people like Ionesco the playwright. The College of Metaphysics. I thought it was a great idea for a song. At that time there were a lot of songs about space travel, and it was the time when NASA was actually, really doing it. They'd put a man on the moon and were planning to put parking lots and hamburger stalls and everything up there. I thought that it was about time to come up with a song that actually sent this all up, which was 'Silver Machine'. 'Silver Machine' was just to say, I've got a silver bicycle, and nobody got it. I didn't think they would. I thought that what they would think we were singing about some sort of cosmic space travel machine. I did actually have a silver racing bike when I was a boy. I've got one now, in fact. – Robert Calvert [6]
Hawkwind have very rarely appeared on television, but the success of the single necessitated an appearance on the BBC chart show Top of the Pops . However, the group felt ill at ease at the prospect of miming a performance in front of a studio audience who didn't represent their following, so a compromise was reached with the BBC recording the band performing live at Dunstable Civic Hall on 7 July 1972, this clip being shown with the single version dubbed over it.
Year | Single format | Silver Machine | Seven By Seven | Notes |
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1972 | 7-inch | Original mix – 45UP35381 A-1U | Original mix – 45UP35381 B-1U | Winged monkey in clockwork sleeve |
1976 | 7-inch | Roadhawks version – UP35381 | Remix – UP35381 (available on Stasis ) | |
1978 | 7-inch | Roadhawks version – UP35381 A-4 | Space Ritual version – UP35381 B-4 | Black Doremi shield on white background |
1978 | 12-inch | Original mix – 12UP35381 A-1U | Remix – 12UP35381 B-2U | Silver foil sleeve with embossed Doremi shield |
1983 | 7-inch | Roadhawks version – UP35381 | Space Ritual version – UP35381 | White Doremi shield on black background |
1983 | 7-inch pic disc | Roadhawks version – UP35381 A-4 | Space Ritual version – UP35381 B-4 | White Doremi shield on black background |
1983 | 12-inch | Original mix – 12UP35381 A-1-1 | Remix – 12UP35381 B-1-1 | White Doremi shield on black background |
Weekly charts
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A version was recorded at Maida Vale Studios, London on 2 August 1972 for broadcast on the Johnnie Walker show on the 14th, "Brainstorm" also being part of the session. These two recordings have subsequently been included on the 2010 EMI release Hawkwind: At the BBC – 1972 . [18] The song was also recorded live at the Paris Cinema, London on 28 September 1972 as part of the hour-long In Concert series broadcast. This full concert was released in mono in 1991 as BBC Radio 1 Live in Concert , and in mono and stereo in 2010 as Hawkwind: At the BBC – 1972. [18]
On 3 December 2007, Cleopatra Records in the USA issued a limited edition of 500 10-inch vinyl EPs consisting of both BBC versions of "Silver Machine", the live version as the A-side and the session version as the B-side.
On 14 November 2019, the group recorded a session for Marc Riley's BBC Radio 6 Music show, playing "65 Million Years Ago", "Last Man on Earth", "Spirit of the Age" and "Silver Machine". [19]
The song has sporadically been played live by the band. Its first re-appearance is on the 1980 live album Live Seventy Nine , but it explodes after a minute and is suffixed with "(requiem)" in Brock's attempt at laying the song to rest, sick of having to play their "hit single". Further live versions have been released, most notably a version on the 2002 live album Canterbury Fayre 2001 with vocals by Arthur Brown.
Lemmy continued to make guests appearances with the band when their paths crossed. Some live versions of the song on which Lemmy appeared include The Friday Rock Show Sessions from the Reading Festival 24 August 1986 and Motörhead's Stone Deaf Forever! boxset from Wembley Arena 19 October 2002.
"Silver Machine" | ||||
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Single by Hawkwind | ||||
from the album Choose Your Masques | ||||
B-side | "Psychedelic Warlords" | |||
Released | 27 August 1982 | |||
Recorded | mid-1982 | |||
Studio | Rockfield Studios | |||
Genre | Space rock | |||
Label | RCA/Active | |||
Songwriter(s) | R.Calvert, Sylvia MacManus | |||
Producer(s) | Pat Moran, Hawkwind | |||
Hawkwind singles chronology | ||||
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In 1982, the band recorded a new studio version of the song which received general release on 7-inch record and 7-inch picture disk by RCA/Active (RCA267, 27 August 1982). The B-side was a 33 RPM extended play featuring the full 7:25 version and a new version of "Psychedelic Warlords" with a Huw Lloyd-Langton vocal.
Receiving criticism over the release, Brock defended their actions: "It was only done as a tenth anniversary thing, and wasn't supposed to come out just as a picture disc. That was RCA's decision, and I didn't like it one bit. The only reason we cut it was as a special souvenir." [20]
In addition to the single release, the record company included it on the Choose Your Masques album, leaving Marion Lloyd-Langton to complain: "[Huw and I] actually had three tracks for the Masques album, but RCA insisted that Silver Machine went on, so the third track was dropped; pity about that." [21]
Joel Veitch has used it for his Stephen Hawkwind sketch on his Rather Good Videos Channel 4 show.
The song has been used for two different UK television advertising campaigns: Mazda cars in 2000 and Red Square alcopops in 2004 (preview [ permanent dead link ]).
Hawkwind are an English rock band known as one of the earliest space rock groups. Since their formation in November 1969, Hawkwind have gone through many incarnations and have incorporated many different styles into their music, including hard rock, progressive rock and psychedelic rock. They are regarded as an influential proto-punk band. Their lyrics often cover themes of urban life and science fiction.
Space Ritual is a 1973 live double album recorded in 1972 by UK rock band Hawkwind. It is their fourth album since their debut, Hawkwind, in 1970. It reached number 9 in the UK Albums Chart and briefly dented the Billboard Hot 200, peaking at number 179.
"Urban Guerrilla" is a 1973 song by the UK rock group Hawkwind. It was originally released as a single in the UK on 27 July 1973 with "Brainbox Pollution" as the B side, reaching #39 on the UK singles chart before being withdrawn after 3 weeks. It is also on the remastered version of Doremi Fasol Latido.
Levitation is the tenth studio album by English rock group Hawkwind, released in 1980. It peaked at No. 21 on the UK Albums Chart.
In Search of Space is the second studio album from Hawkwind, released in 1971. It reached No. 18 on the UK Albums Chart.
Doremi Fasol Latido is a 1972 album by English space rock band Hawkwind. Recorded at Rockfield Studios and released on United Artists Records, it was their third album since their debut, Hawkwind, in 1970. It reached No. 14 on the UK album charts.
Church of Hawkwind is the twelfth studio album by Hawkwind, released under the band name Church of Hawkwind in 1982. The name change reflects the fact that this was a musical departure for the band, being a more experimental electronic offering rather than the usual heavy rock that the band were known for at the time.
The Chronicle of the Black Sword is the fourteenth studio album by the English space rock group Hawkwind, released in 1985. It spent two weeks on the UK Albums Chart peaking at #65. The album is based upon the adventures of Elric of Melniboné, a recurring character in the novels of science fiction author Michael Moorcock, a long-standing associate of the group, who contributes lyrics to one track on the album.
Live Seventy Nine is a 1980 live album by Hawkwind recorded on their Winter 1979 UK tour. It reached #15 on the UK album chart.
The Friday Rock Show Sessions is a 1992 live album release of Hawkwind's headline set at the Reading Festival, 24 August 1986.
BBC Radio One Live in Concert is a 1991 live album of a 1972 concert by Hawkwind.
Choose Your Masques is the thirteenth studio album by the English space rock group Hawkwind, released in 1982. It spent five weeks on the UK Albums Chart, peaking at No. 29.
Hawklords were an English music group active between 1978 and 1979. Members were from Hawkwind, who were inactive during that period, and a local Devon group named Ark with the addition of former Pilot keyboardist Steve Swindells.
Roadhawks is a 1976 compilation album by Hawkwind covering the years 1970-1975, and it peaked at #45 on the UK album charts. It is the first compilation release from the group, marking the end of the group's tenure with United Artists Records. The music was compiled and mixed by the group's Dave Brock.
Live Chronicles is a 1986 album by Hawkwind recorded of a live performance of their The Chronicle of the Black Sword concept album based on the Michael Moorcock character Elric of Melniboné. The Hammersmith Odeon dates on 3 and 4 December were professionally audio recorded and the stage show video taped.
Canterbury Fayre 2001 is a 2001 live album by Hawkwind.
The Earth Ritual Preview is a 1984 EP by the English space rock group Hawkwind. It spent two weeks on the UK singles chart peaking at #86. The EP is included on the remastered version of The Chronicle of the Black Sword album.
Simon King is an English drummer most noted for his work with Hawkwind. He was described in 1985 by British rock magazine Sounds as the 'definitive rock drummer.'
Greasy Truckers Party is a 1972 live album by various artists recorded at a February 1972 Greasy Truckers concert at the Roundhouse in London. The concert featured three bands, Man, Brinsley Schwarz, and Hawkwind, and musician Magic Michael. Originally a double vinyl album, in a limited edition of 20,000 and sold at just £1.50, it rapidly sold out, and became a collector's item.
In the world of British underground rock, the Greasy Truckers Party ... ... looms about as large as the Monterey International Pop Festival does in American rock lore; it wasn't the biggest gig ever played by the bands involved, but for reasons of exposure, and resulting word-of-mouth, and the excerpted live album that followed, it came to define what they were capable of.