Iron & Wine | |
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Background information | |
Birth name | Samuel Ervin Beam |
Born | Chapin, South Carolina, U.S. | July 26, 1974
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Website | www.ironandwine.com |
Samuel Ervin Beam [2] (born July 26, 1974), better known by his stage name Iron & Wine, is an American singer-songwriter. He has released six studio albums, several EPs and singles, as well as a few download-only releases, which include a live album (a recording of his 2005 Bonnaroo performance). He occasionally tours with a full band. [3]
The name Iron & Wine is taken from a dietary supplement named "Beef, Iron & Wine" that he found in a general store while shooting a film. [4]
Beam was raised in Chapin, South Carolina, where his father worked in land management and his mother was a schoolteacher. When he was a child, his family took regular trips to the country, where his grandfather ran a farm. He attended Seven Oaks Elementary School and Chapin High School. While home from college, he was a waiter at California Dreaming restaurant in Columbia. Beam earned a bachelor's degree in art from Virginia Commonwealth University in Richmond, Virginia. He specialized in painting before graduating from the Florida State University Film School with an MFA degree. Before the release of the first Iron & Wine album, Beam's main source of income was as a professor of film and cinematography at the University of Miami and Miami International University of Art & Design. [5] He had been writing songs for over seven years before a friend lent him a four-track recorder. He began making demos and gave one to his friend Michael Bridwell, brother of Band of Horses lead singer, Ben Bridwell. Michael handed it to Mike McGonigal, editor of Yeti magazine, who chose "Dead Man's Will", later released on In the Reins , for inclusion on one of his magazine's compilation CDs. Beam later came to the attention of Sub Pop Records co-owner, Jonathan Poneman, who contacted Beam to propose a deal. [6] [7] [8] [9]
Beam released his first Iron & Wine album, The Creek Drank the Cradle , on the Sub Pop label in 2002. Beam wrote, performed, recorded and produced the album in his home studio. Featuring acoustic guitars, banjo, and slide guitar, the album's music has been compared to that of Nick Drake, [10] Simon and Garfunkel, [11] Elliott Smith, Neil Young and John Fahey.
Also in 2002, Beam recorded a cover of The Postal Service's then-unreleased song "Such Great Heights". Rather than being included on an Iron & Wine release, the track was initially included as a b-side of the original version by The Postal Service. It was later included on the B-sides and rarities album, Around the Well . He then followed up on his debut album in 2003 with The Sea & The Rhythm , an EP containing other home-recorded tracks with a similar style to the songs on the debut.
Beam's second full-length album, Our Endless Numbered Days (2004), was recorded in a professional studio with a significant increase in fidelity. Produced in Chicago by Brian Deck, the focus was still on acoustic material, but the inclusion of other band members gave rise to a slightly different sound. That same year, he recorded the song "The Trapeze Swinger" for the film In Good Company , and had his version of "Such Great Heights" featured in an advertisement for M&M's and in the film and soundtrack for Garden State . This version was later used in a 2006 Ask.com advertisement, and eventually released as a single in 2006 backed with recordings of "The Trapeze Swinger" and "Naked as We Came" made for Radio Vienna.
In February 2005, he released an EP entitled Woman King , which expanded on the sounds of his previous LP with the addition of electric guitars. Each track features a spiritual female figure, and had Biblical overtones.
The EP In the Reins , a collaboration with the Arizona-based rock band Calexico, was released in September 2005. Beam wrote all of the EP's songs years earlier, but Calexico added their trademark fusion of southwestern rock, traditional Mexican music and jazz to the songs' arrangements. Several tracks, most notably, "Burn That Broken Bed", feature brass instruments, a first for Beam's music. [12]
The third full-length Iron & Wine album, entitled The Shepherd's Dog , was released September 25, 2007. [13] This album was voted one of the ten best of 2007 by Paste magazine. [14] Contributors included Joey Burns and Paul Niehaus of Calexico, as well as jazz musicians Matt Lux and Bob Burger. [15] When asked to describe the album to The Independent, Beam remarked that "it's not a political propaganda record, but it's definitely inspired by political confusion, because I was really taken aback when Bush got reelected." [16]
Beam has released most of his music on iTunes, including several exclusive EPs. The Iron & Wine iTunes Exclusive EP features unreleased studio recordings, including a Stereolab cover and two tracks which had previously only appeared on vinyl. The Live Session (iTunes Exclusive) features Beam and his sister, Sarah Beam, performing a number of tracks from his albums, as well as a cover of New Order's "Love Vigilantes". Sarah Beam has contributed backing vocals on many of Beam's studio recordings.
Beam's music has appeared in television series such as Grey's Anatomy , The L Word and House M.D. "Flightless Bird, American Mouth" was used in the film Twilight . The song was specifically chosen for the film's prom scene by Kristen Stewart, the female lead, and appears on the film's soundtrack.
The B-sides and rarities album Around the Well was released in 2009. Iron & Wine also contributed the song "Stolen Houses (Die)" to the AIDS benefit album Dark Was the Night produced by the Red Hot Organization.
On November 26, 2010, Iron & Wine released a special edition Record Store Day Black Friday 12" vinyl and CD single called, Walking Far From Home for independent record stores.
Kiss Each Other Clean , Iron & Wine's fourth full-length album, was released on January 25, 2011, on Warner Bros. Records in North America and 4AD for the rest of the world. [17] With this album, Beam blended his earlier styles with a stronger pop influence. [18]
Ghost on Ghost , Iron & Wine's fifth studio album, was released in April 2013 on Nonesuch Records in North America and 4AD for the rest of the world. [19] Ghost on Ghost marked a further exploration into the pop sounds of Kiss Each Other Clean while also exhibiting jazz and R&B influences, with jazz drummer Brian Blade contributing to the album. [20] In January 2014, recording during the polar vortex in Chicago, Beam and his regular collaborator Brian Deck co-produced eight of the ten songs on Chadwick Stokes' 2015 album The Horse Comanche. [21] Beam contributed the Iron & Wine band to the sessions and sang backing vocals.
Iron & Wine released two albums in 2015. Archive Series: Volume 1, released in February, featured unreleased songs recorded during the same period as The Creek Drank the Cradle. A covers album, Sing Into My Mouth , recorded with Band of Horses singer Ben Bridwell, was released in July. [22] Love Letter for Fire , an album of duets with American singer-songwriter Jesca Hoop, was released in 2016 on Sub Pop. Produced, recorded, and mixed by Tucker Martine, the album also featured contributions from Wilco's Glenn Kotche, Rob Burger, Eyvind Kang, Sebastian Steinberg, and Edward Rankin-Parker. [23]
In August 2017, Iron & Wine's sixth studio album Beast Epic was released through Sub Pop Records. The record saw Beam strip back the production and array of instruments from previous records to return to more simple and melodic song structures. [24]
On March 21, 2019, Calexico and Iron & Wine announced Years to Burn , their first collaboration album. It was released on June 14, 2019, via Sub Pop. [25]
Live at Third Man Records was released in 2019, after being recorded on August 31, 2017. [26]
In 2024, Iron & Wine released their seventh studio album, Light Verse and a cover of American Football's Never Meant. [27]
Beam, his wife Kim, and their five daughters live in Durham, North Carolina. [28] He was raised in the Bible belt as a Christian, but is now an agnostic: "That was a confusing time for me, but I don't miss being misled. I'm not an atheist. There's an undeniable unseen world that some people call God and think they know more about than other people. I try not to get hung up on the names." [29] [30]
In 2011, a portrait of Beam was painted by British artist Joe Simpson. The painting was exhibited around the UK, including in a solo exhibition at The Royal Albert Hall. [31]
Title | Year | Peak chart positions | Sales | Certifications | ||||||||||
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US [32] [33] | AUS [34] | CAN [35] [36] | NLD [37] | NOR [38] | SWE [39] | SWI [40] | UK [41] | |||||||
The Creek Drank the Cradle | 2002 | — | — | — | — | — | — | — | — | |||||
Our Endless Numbered Days | 2004 | 158 | — | — | — | — | — | — | — |
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The Shepherd's Dog | 2007 | 24 | 98 | — | — | 24 | — | — | 74 |
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Kiss Each Other Clean | 2011 | 2 | 36 | 15 | 54 | 10 | 24 | 57 | 32 |
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Ghost on Ghost | 2013 | 26 | — | — | 88 | 32 | 43 | 100 | 40 |
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Sing into My Mouth (with Ben Bridwell) | 2015 | 116 | — | — | 67 | — | — | — | 191 | |||||
Love Letter for Fire [48] (with Jesca Hoop) | 2016 | 173 | — | — | — | — | — | — | — | |||||
Beast Epic | 2017 | 44 | 83 | 77 | 93 | — | — | — | 60 | |||||
Years to Burn (with Calexico) | 2019 | — | — | — | 55 | — | — | 46 | — | |||||
Light Verse | 2024 | — | — | — | — | — | — | — | — | |||||
"—" denotes a release that did not chart or was not released in that territory |
Year | Album |
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2005 | Iron & Wine Live Bonnaroo |
2009 | Norfolk 6/20/05 |
2011 | Morning Becomes Eclectic |
2019 | Live at Third Man Records |
2023 | Who Can See Forever Soundtrack |
Year | Album | US | Notes |
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2009 | Around the Well [32] | 25 | B-sides and rarities compilation |
Year | Album | Notes |
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2015 | Archive Series Volume No. 1 | Album of previously unreleased early home recordings |
2015 | Archive Series Volume No. 2 | 7" covers single, 2 tracks, early home recordings |
2017 | Archive Series Volume No. 3 | Record Store Day 7" single, two original songs from 2009 |
2017 | Archive Series Volume No. 4 | 8 track vinyl album, acoustic versions of songs from The Shepherd's Dog |
2021 | Archive Series Volume No. 5 | Album of previously unreleased songs recorded in Tallahassee in 1998 |
2024 | Archive Series Volume No. 6 | Album of cover songs, a vinyl only release available during the 2024 tour. |
Year | Title | US | Notes |
---|---|---|---|
2002 | Iron & Wine Tour EP | — | |
2003 | The Sea & The Rhythm | — | |
2004 | Iron & Wine iTunes Exclusive EP | — | iTunes only |
2005 | Woman King [32] | 128 | |
2005 | In the Reins [49] | 135 | with Calexico |
2006 | Live Session (iTunes Exclusive) | — | iTunes only |
2006 | Live at Lollapalooza 2006 | — | iTunes only |
2018 | Weed Garden [50] | — | |
2022 | Lori | — | Covering four Lori McKenna songs |
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Our Endless Numbered Days is the second studio album from Iron & Wine. Released on March 23, 2004 on Sub Pop, it was the first non-solo effort by Sam Beam under his Iron & Wine moniker. Limited edition copies of the vinyl LP came with a bonus 7" vinyl single. Limited edition copies of the CD came with a bonus CD single. On January 29, 2019, Sub Pop announced that a deluxe edition of the album commemorating its 15th anniversary would be released on March 22, 2019, featuring previously unreleased demos of eight of the tracks from the original album.
The Creek Drank the Cradle is the debut studio album by the American musician Iron & Wine. It was released on September 24, 2002. The vinyl LP release had a bonus 7" vinyl single. The promotional CD for this album was released in a cardboard sleeve with different artwork.
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"Such Great Heights" is a song by American indie pop band The Postal Service. It was released as the lead single from their debut studio album, Give Up, in 2003 through Sub Pop Records. The single includes a previously unreleased track, "There's Never Enough Time", and two cover tracks by The Shins and Iron & Wine of "We Will Become Silhouettes" and "Such Great Heights", respectively. It reached its peak at 21 on the Billboard Hot 100.
In the Reins is a joint EP by Calexico and Iron & Wine, released by Overcoat Recordings on September 13, 2005. Iron & Wine's Sam Beam wrote all of the songs, which were recorded by the two bands together at Wavelab Studio in Tucson, Arizona. The album peaked at #135 on the Billboard 200. Both later collaborated on a cover of Bob Dylan's "Dark Eyes" for the I'm Not There soundtrack, while Calexico's Joey Burns was featured on Iron & Wine's third LP, The Shepherd's Dog.
Such Great Heights is an EP by the Florida singer-songwriter Iron & Wine. It was released in 2006 on the Sub Pop record label.
The Shepherd's Dog is the third full-length studio album by Iron & Wine, released on September 25, 2007. If bought at select retailers or if pre-ordered through Sub Pop, the album comes with a bonus disc featuring two unreleased tracks. "Boy with a Coin" is the first single and was released on July 10, 2007 via Sub Pop, including the single edit of the song along with two other tracks.
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Norfolk is a live album by Iron & Wine released on April 18, 2009, Record Store Day. However it was recorded on June 20, 2005. It received an extremely limited release and is now only available on Iron & Wine's official website.
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Ghost on Ghost is the fifth full-length studio album by Iron & Wine, released April 16, 2013 via 4AD (worldwide) and Nonesuch in the US. The album's title is taken from the lyrics of "Grace for Saints and Ramblers" and the cover is taken from photographer Barbara Crane's series "Private Views." Ghost on Ghost exhibits jazz, pop, and R&B influences and contains a more relaxed style and approach in comparison to Beam's previous two albums, which he felt contained an "anxious tension" he wanted to move away from.
This is the discography for American rock band Calexico.
Beast Epic is the sixth full-length studio album by Iron & Wine, released August 25, 2017 via both Black Cricket Recording Company and Sub Pop.
Who Can See Forever Soundtrack is a soundtrack album by American singer-songwriter Iron & Wine that accompanies the 2023 documentary and concert film Who Can See Forever, directed by Josh Sliffe. The documentary is based around one of Iron & Wine's performances at the Haw River Ballroom in Saxapahaw, North Carolina. The album was released on November 17, 2023, through Sub Pop, and received acclaim from critics.
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