Isn't Anything | ||||
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Studio album by | ||||
Released | 21 November 1988 | |||
Studio |
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Genre | ||||
Length | 38:00 | |||
Label | Creation | |||
Producer | My Bloody Valentine | |||
My Bloody Valentine chronology | ||||
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Singles from Isn't Anything | ||||
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Isn't Anything is the debut studio album by Irish-English rock band My Bloody Valentine, released on 21 November 1988 by Creation Records. Its innovative guitar and production techniques consolidated the experimentation of the band's preceding EPs [6] and would make the album a pioneering work of the subgenre known as shoegazing. [7] [8] [9] Upon its release, the album received rave critical reviews and reached No. 1 on the UK Independent Albums Chart.
After the band's original vocalist Dave Conway left in 1987, replaced by Bilinda Butcher, the band at first continued in their previous noisy indie-pop style. Kevin Shields then desired to return to the band's avant-garde roots and began to explore the possibilities offered by the studio facilities available after having signed to Creation Records in 1988. [10] The first fruit of this experimentation was the single/EP You Made Me Realise , released in August 1988, with Isn't Anything following later that year. [7]
Creation head Alan McGee recalled: "Kevin gave me 'You Made Me Realise', which was supposed to be a track on their first EP for us. I went, That's the single! He was shocked, cos they'd only done the track as a joke. Then they did stuff for their album, and I said, Go for more of the weirder stuff. So they went back and did stuff like 'Soft as Snow'. Those are the only suggestions I've ever given them." [11]
Most of the album was recorded in a studio in Wales [12] over a period of two weeks, and the band members slept about two hours a night. [10] [7] Butcher described the effect of this: "Often, when we do the vocals, it's 7:30 in the morning: I've usually fallen asleep and have to be woken up to sing. Maybe that's why it's languorous. I'm usually trying to remember what I've been dreaming about when I'm singing." [7]
Q's Stuart Maconie wrote that the album "was the first full-length expression of this remarkable new sound: gossamer vocals and insinuating melodies glimpsed through sheets of blurred, opaque noise." [13] Melody Maker described its sound as "swoon-songs, oblivious, languorous vocals and out-of-focus guitars which are like being taken to the brink of consciousness and held there." [14] Taylor Parkes of The Quietus described the album as "livid, lurid and lucid," and called it "the shattering racket of the moment, an audio snapshot of the overwhelmed senses, a noise like nothing you've ever heard, but everything you've ever felt." [15] In his book Alternative Rock, Dave Thompson described the album's sound as "dry ice-piercingly intense guitar drones and hefty nods to miasmic hardcore soup, oozing a contrary trance-spun drone. Noise becomes beauty as feedback is layered over vocals over feedback ad infinitum." [16] Anthony Carew of About.com described its style as "atonal, desconstructed, free-noise guitar playing" and noted that it had an "ethereal, spectral quality that radically reconfigured the predominant paradigms of rock'n'roll." [17]
"Several Girls Galore" has been described as "a cubist take on the Jesus and Mary Chain." [10]
Isn't Anything was released in the United Kingdom on 21 November 1988 by Creation Records. [18] A limited edition of the first 5,000 vinyl copies included a bonus seven-inch single featuring two instrumental tracks, both titled "Instrumental". The B-side track featured a Public Enemy drum loop from "Security of the First World." [19] Isn't Anything's lead single "Feed Me with Your Kiss" was released in October 1988, backed with three outtakes from the album's recording sessions: "I Believe", "Emptiness Inside" and "I Need No Trust". [20] "Soft as Snow (But Warm Inside)" was also released as a promotional single in the United States in December 1988. Neither of the album's retail singles charted.[ citation needed ]
The album was reissued on CD by Warner Bros. Records in 1993 and 2001 and by Creation in 1996. [19] A 180-gram LP version of the album was released by Plain Records in 2008, and a remastered version of the album was released in June 2008. [21] An additional remaster by Shields at Metropolis Studios in London was released on 4 May 2012. [22]
Review scores | |
---|---|
Source | Rating |
AllMusic | [6] |
Entertainment Weekly | A− [23] |
The Irish Times | [24] |
Mojo | [25] |
MSN Music (Expert Witness) | A− [26] |
NME | 8/10 [27] |
Pitchfork | 10/10 [4] |
Q | [13] |
The Rolling Stone Album Guide | [28] |
Uncut | 10/10 [29] |
Upon its release, Isn't Anything received acclaim from critics. "If Isn't Anything had been made by Americans", wrote NME reviewer Jack Barron, "My Bloody Valentine would be greeted as the new messiahs of dreamrock guitar." [27] A 1988 year-end roundup of the year's top albums in Melody Maker ranked Isn't Anything third of the year and called it "a raving nymphomania and out-of-body experience [that] establishes them as absent-minded rulers of this daydream nation." [14]
AllMusic editor Heather Phares referred to Isn't Anything as "the most lucid, expansive articulation yet of the group's sound" and said the album "captures My Bloody Valentine's revolutionary style in its infancy and points the way to Loveless , but it's far more than just a dress rehearsal for the band's moment of greatness." [6] Entertainment Weekly reviewer Ken Tucker reflected on Isn't Anything in 1993, saying "the passion of their playing – the rafter-shaking guitar chords, the baleful vocals – attests to their faith in romance, betrayal, and dizzy crushes. They nearly bury their somber melodies beneath surface noise. But unearthing the tunes is part of the listening pleasure." [23]
The remasters of Isn't Anything also generated favourable reviews. Uncut 's Stephen Troussé wrote: "[I]n rock algebra you might deduce that they'd worked out some new equation involving the barbed languor of the Mary Chain, the speedfreak urgency of Sonic Youth, and a dash of The Vaselines' sauce – but none of that accounts for the savagely sensual results." [30]
Isn't Anything is regarded by many as among the greatest albums of the 1980s. The album has been included in The Guardian 's list of 1000 Albums to Hear Before You Die [31] and ranked at #16 in their Alternative Top 100 Albums list. [32] The album was also ranked #24 in The Irish Times ' list of Top 40 Irish Albums of All Time, [33] selected by Pitchfork staff as #22 on their "Top 100 Albums of the 1980s" list [34] and listed at #92 on Slant Magazine 's list of Best Albums of the 1980s. [35] Uncut writer David Stubbs has called Isn't Anything "one of the most important, influential British rock albums of the eighties." [10] In its 2013 update, the NME ranked the album at 187 in the list of The 500 Greatest Albums of All Time. [36] Pitchfork selected the album as the fourth-best shoegaze album of all time. [37]
All music is composed by Kevin Shields, except for "Sueisfine," composed by Shields and Colm Ó Cíosóig
No. | Title | Lyrics | Length |
---|---|---|---|
1. | "Soft as Snow (But Warm Inside)" | 2:22 | |
2. | "Lose My Breath" | Bilinda Butcher | 3:38 |
3. | "Cupid Come" | Butcher | 4:29 |
4. | "(When You Wake) You're Still in a Dream" | Ó Cíosóig | 3:18 |
5. | "No More Sorry" | Butcher | 2:47 |
6. | "All I Need" | Shields | 3:05 |
7. | "Feed Me with Your Kiss" | Shields | 3:54 |
8. | "Sueisfine" | Shields | 2:12 |
9. | "Several Girls Galore" | Butcher | 2:21 |
10. | "You Never Should" | Shields | 3:23 |
11. | "Nothing Much to Lose" | Shields | 3:17 |
12. | "I Can See It (But I Can't Feel It)" | Shields | 3:14 |
Total length: | 38:00 |
No. | Title | Length |
---|---|---|
1. | "Instrumental No.1" | 3:19 |
2. | "Instrumental No.2" | 4:36 |
Total length: | 7:55 |
All personnel credits adapted from Isn't Anything's liner notes. [39]
Chart (1988) | Peak position |
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UK Independent Chart [40] | 1 |
Chart (2012) | Peak position |
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Irish Albums Chart [41] | 49 |
Japanese Oricon Albums Chart [42] | 29 |
South Korean Albums Chart [43] | 70 |
UK Albums Chart [44] | 61 |
Chart (2021) | Peak position |
---|---|
Australian Albums (ARIA) [45] | 45 |
Belgian Albums (Ultratop Flanders) [46] | 116 |
Belgian Albums (Ultratop Wallonia) [47] | 81 |
Dutch Albums (Album Top 100) [48] | 63 |
Irish Albums (OCC) [49] | 31 |
Portuguese Albums (AFP) [50] | 44 |
Swedish Physical Albums (Sverigetopplistan) [51] | 2 |
UK Albums (OCC) [44] | 22 |
UK Independent Albums (OCC) [52] | 4 |
My Bloody Valentine are an Irish-English alternative rock band formed in Dublin in 1983 and consisting since 1987 of founding members Kevin Shields and Colm Ó Cíosóig, with Bilinda Butcher and Debbie Googe (bass). Often cited as a pioneering act in the shoegaze genre, their sound is characterized by dissonant guitar textures, subdued and androgynous vocals, and unorthodox production techniques.
Shoegaze is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume. It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts.
Loveless is the second studio album by the Irish-English rock band My Bloody Valentine. It was released on 4 November 1991 in the United Kingdom by Creation Records and in the United States by Sire Records. The album was recorded between February 1989 and September 1991, with vocalist and guitarist Kevin Shields leading sessions and experimenting with guitar vibrato, nonstandard tunings, digital sampling, and meticulous production methods. The band recorded at nineteen different studios and hired several engineers during the album's prolonged recording, with its final production cost rumoured to have reached £250,000.
Kevin Patrick Shields is an Irish musician, best known as the vocalist, guitarist and primary songwriter of the band My Bloody Valentine. They became influential on the evolution of alternative rock with two of their studio albums Isn't Anything (1988) and Loveless (1991), pioneering a subgenre known as shoegaze. Shields's texturised guitar sound and his experimentation with his guitars' tremolo systems resulted in the creation of the "glide guitar" technique, which became a recognisable aspect of My Bloody Valentine's sound, along with his meticulous production techniques.
Tremolo E.P. is an extended play by Irish-English alternative rock band My Bloody Valentine, released in February 1991 by Creation Records. The EP was a critical success and topped the UK Indie Chart. It featured the single "To Here Knows When", which subsequently appeared on the band's second album Loveless.
"Feed Me with Your Kiss" is a song by the alternative rock band My Bloody Valentine, and was released as a single and also the lead track to the EP of the same name through Creation Records. It is the seventh track and lead single from the band's debut studio album Isn't Anything. It was released on 31 October 1988.
You Made Me Realise is the third EP by alternative rock band My Bloody Valentine, released on 8 August 1988 through Creation Records. It was their first record for Creation.
Ecstasy is the second mini album by the alternative rock band My Bloody Valentine, released on 23 November 1987 on Lazy Records. Released in a limited edition of 3,000 copies, it was the band's final release for Lazy Records and second to feature vocalist and guitarist Bilinda Butcher, who was recruited in April 1987 following the departure of original My Bloody Valentine vocalist David Conway. Ecstasy followed the noise pop and twee pop standards of My Bloody Valentine's earlier releases for the label, drawing influence from various artists including The Jesus and Mary Chain, Love and The Byrds, and the album distanced the band further from their earlier post-punk and gothic rock sound.
Going Blank Again is the second studio album by English rock band Ride, released on 9 March 1992 on Creation Records. It was produced by Alan Moulder, and peaked at No. 5 in the UK Albums Chart. In October 2009 the album was certified gold by the British Phonographic Industry for sales of over 100,000 units.
Mr Beast is the fifth studio album by Scottish post-rock group Mogwai. It was released in 2006.
Bilinda Jayne Butcher is an English musician and singer-songwriter, best known as a vocalist and guitarist of the shoegaze band My Bloody Valentine.
Ecstasy and Wine is a compilation album by the Irish-English alternative rock band My Bloody Valentine, released in February 1989 on Lazy Records. It features the band's second mini album, Ecstasy, and the single "Strawberry Wine", both of which were previously released on Lazy Records in November 1987.
"Only Shallow" is a song by the alternative rock band My Bloody Valentine. It is the opening track and second single from the band's second studio album, Loveless (1991), released on Creation Records. Written by Kevin Shields and Bilinda Butcher, "Only Shallow" features Shields' distinctive guitar sound—a technique known as "glide guitar"—characterized by heavy use of a tremolo bar while strumming.
The discography of My Bloody Valentine, an Irish-English alternative rock band formed in Dublin, Ireland, consists of three studio albums, two mini albums, one live album, two compilation albums, five extended plays, twelve singles and six music videos.
EP's 1988–1991 is a compilation album by Irish-English shoegaze band My Bloody Valentine, released on 4 May 2012 via Sony. It features four of the band's extended plays for Creation Records—You Made Me Realise (1988), Feed Me with Your Kiss (1988), Glider (1990) and Tremolo (1991)—and seven additional rare and unreleased songs.
m b v is the third studio album by Irish-English rock band My Bloody Valentine, self-released on 2 February 2013. Produced by the band's vocalist and guitarist Kevin Shields, m b v was the band's first full-length release of original material since Loveless (1991), over two decades earlier.
"Instrumental" is a song by the alternative rock band My Bloody Valentine. It was released as a limited edition free single with the first 5,000 LP copies of the band's debut studio album Isn't Anything, released on 21 November 1988 on Creation Records.
"Sugar" is a song by the alternative rock band My Bloody Valentine. It was released as a non-album split single with Pacific, whose song "December, with the Day" is featured as the single's b-side. "Sugar"/"December, with the Day" was released in February 1989 on Creation Records and issued free with issue 67 of the British music magazine The Catalogue.
"When You Sleep" is a song by rock band My Bloody Valentine on the album Loveless. It was the first single released from the album.
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