"It's Grim Up North" is a song by The Justified Ancients of Mu Mu (The JAMs). The song was originally released as a limited edition "Club Mix" in December 1990 with Pete Wylie on vocals. A re-recorded version with Bill Drummond on vocals was released commercially in October 1991. These recordings were the first releases by Drummond and his creative partner Jimmy Cauty under the JAMs moniker since the 1988 compilation album Shag Times, and the last under that name; in the meantime they had operated as the Timelords and the KLF. The 1991 single release reached No. 10 on the UK Singles Chart and entered the top 10 in Denmark and Finland.
The lyrics to "It's Grim Up North" list towns and cities in the North of England, set to a pounding industrial techno beat and percussion reminiscent of steam whistles. The 1991 version segues into an orchestral instrumental of the hymn "Jerusalem". A recurring theme of "It's Grim Up North" was drab greyness, representing the dreary, overcast skies of the "grim" North. The original single featuring Pete Wylie was pressed on grey vinyl, and the same colour was retained for the sleeve of the 1991 release. The video for "It's Grim Up North" was filmed in black and white, and shows The Justified Ancients of Mu Mu performing in the pouring rain.
"It's Grim Up North" was planned to be a prominent track on the JAM's album The Black Room, but the album was never completed.
Background
Music-industry figure[2][3]Bill Drummond and artist/musician[3]Jimmy Cauty began recording together in 1987 as The Justified Ancients of Mu Mu (also known as The JAMs), naming themselves after the fictional conspiratorial group "The Justified Ancients of Mummu" from The Illuminatus! Trilogy.[4] In 1988, they had their first UK number one hit single—Doctorin' the Tardis—as The Timelords,[5][6] after which they transitioned into The KLF.[7] "It's Grim Up North" was released commercially by the Justified Ancients of Mu Mu in 1991, in the middle of a run of upbeat house records by the KLF[8] which would see Cauty and Drummond become the biggest-selling singles act in the world that year.[9]
Theme
A screenshot from the "It's Grim Up North" video, filmed in black and white. The JAMs perform in the rain, in the dark and "grim" North. Bill Drummond is pictured centre, Jimmy Cauty is on the far right and an unknown drummer is behind Cauty near the speakers.
"It's Grim Up North", with its markedly darker tone than the KLF records,[8] was planned to be a prominent track on the ultimately unreleased album The Black Room,[10] an album which Cauty said would be "so heavy it will just pin you to the floor"[11] and which Drummond said would be the "yang to the yin" of The White Room,[12] released in March 1991.[13]
A recurring theme of "It's Grim Up North" was drab greyness, representing the dreary, overcast skies of the "grim" North. The original issue featuring Pete Wylie was on grey vinyl,[14] and the same colour was retained for the sleeve of the 1991 release (pictured above). The video for "It's Grim Up North" was filmed in black and white, and shows The Justified Ancients of Mu Mu performing in the pouring rain.[15] King Boy D (Drummond) voices the words into the microphone of a backpack field radio worn by a child shop mannequin at his side wearing military uniform and a helmet labelled "KLF".[15] Rockman Rock (Cauty) is shown playing bass guitar as well as an unnamed drummer in the background wearing a hoodie.[15] Cars and trucks rush by, leaving a trail of spray because evidently The JAMs are performing on one lane of a road; they are lit by the headlights of several nearby stationary vehicles.[15] As the performance draws to a close, and the strains of Jerusalem can be heard, the slogan "The North will rise again" appears on screen.[15]
The sleevenotes further elaborated on The JAMs' inspiration: "Through the downpour and diesel roar, Rockman and Kingboy D can feel a regular dull thud. Whether this is the eternal echo of a Victorian steam driven revolution or the turbo kick of a distant Northern rave is irrelevant. Thus inspired, The JAMS climb into the back of their truck and work."[16]
"It's Grim Up North (Part 1)" is a 10-minute composition with two distinct segueing sections. The seven-minute first section is a heavy, pounding industrial techno track, over which Drummond lists the names of some towns and cities in the North of England. Between verses, Drummond's distorted voice urgently alerts the listener that "It's grim up north". The instrumentation is in a minor key and is frequently discordant, featuring synthesised sounds reminiscent of passing heavy goods vehicles and train whistles. Although the underlying rhythm keeps a 4/4 time signature, several instruments keep 3/16 and 3/4 time throughout the track, including a deep second drum line—the "regular dull thud"—which juxtaposes when the 4/4 instruments and percussion drop out. The second section is a fully orchestrated arrangement of Jerusalem, with the sounds of brass, strings, organs, drums and choir. The instrumentation and vocals of the first section gradually diminish to nothing over a period of nearly two minutes. Following the climax of the hymn, howling wind and crow calls are heard and then fade out.[17]
"It's Grim Up North (Part 2)" is a six-minute reprise of the techno themes from Part 1, without the vocals and orchestra.[17] The CD single track "Jerusalem on the Moors" comprises the orchestral arrangement of Jerusalem, beginning alongside a fadeout of the industrial techno instrumentation.[17]
Release
"It's Grim Up North" was first previewed in December 1990, as a limited edition "Club Mix" with Pete Wylie on vocals.[7][18] A re-recorded version with Bill Drummond on vocals received a regular release on KLF Communications in October 1991,[7] peaking at No. 10 on the UK Singles Chart.[19] These recordings were the first releases under The KLF's "JAMs" pseudonym since the 1988 compilation album Shag Times, and were to be the last under that name.[7]
The JAMs used a photograph of graffiti reading "It's Grim Up North" to advertise their single in the 2 November 1991 edition of the NME;[20] the graffiti – painted on a bridge over the northbound carriageway of the M1 motorway – had been the subject of an early day motion in the British House of Commons on 21 October 1991.[21][22] The JAMs "categorically denied" to the same publication that they were responsible for the vandalism.[22][18]
Critical reception
Record Mirror hailed the original club version as "the hardest rave track of the year" and as "one mind-blowing mental onslaught".[11]
In awarding the 1991 release "single of the week", NME said: "The Scotsman [Drummond] picks over the place names with gruesome relish, the backing track pummels and tweaks, blasts and buffets him round the furthest God-forsaken reaches of this demi-paradise, this land of kings, this sceptred isle, this England... A thing of feverish, fiendish irreverence and conceptual genius...".[18]
In a 2007 article on songs about northern England, The Guardian said that "It's Grim Up North" "wrongfoots the listener. A deadpan catalogue of northern towns, recited over rainy-motorway techno, suddenly blossoms into a rendition of Blake's Jerusalem, as if arriving at some socialist rave utopia.".[23]
In 2005, Freaky Trigger placed it at number 81 in their list of "The Top 100 Songs of All Time," with a writer for the webzine saying the record is "not a fucking joke. It’s the best British single of the 1990s."[24] In 1999, the website's founder Tom Ewing also included the song at number 75 in his list of the "Top 100 Singles of the 1990s", saying "“It’s Grim Up North” is a document of one of pop's most individual bands at their imaginative peak. It boils down to a man in his late 30s, and a mate, doing exactly what they want to do, without fear or compromise or cant, and getting it into the Top 40 to boot. And that makes this not only an excellent single, but a genuinely inspirational one".[25]
All locations are in the north of England, predominantly in Cheshire, Yorkshire, Lancashire, Merseyside and Greater Manchester and others in Cumbria, Derbyshire, North Lincolnshire and North-East Lincolnshire. Although officially, Buxton and Glossop are within the East Midlands region, they are often considered part of the North because of their closer links to Manchester and Stockport than Derby and the rest of the East Midlands.[26][17]
"It's Grim Up North" was originally released as a limited-edition one-side promotional 12" on 17 December 1990. Reworked with Drummond's vocals, the track was given a European single release on 28 October 1991.[7] The CD single track "Jerusalem on the Moors" comprises the orchestral arrangement of Jerusalem, beginning alongside a fadeout of the industrial techno instrumentation.[17] The single's formats and track listings are tabulated below:[7]
Format (and countries)
Track number
1
2
3
4
One-sided 12" promo single (UK) (limited edition of 350)
O
7" single (UK, Germany, Denmark, Belgium), cassette single (UK)
p1
p2
12" single (UK, Germany, Denmark, Belgium)
P1
P2
CD single (UK, Germany, Denmark)
p1
P1
P2
J
Key
O – "It's Grim up North" (original club mix) (8:38)
p1 – "It's Grim up North (Part 1)" (radio edit) (4:04)
P1 – "It's Grim up North (Part 1)" (10:03)
p2 – "It's Grim up North (Part 2)" (radio edit) (3:37)
P2 – "It's Grim up North (Part 2)" (6:13)
J – "Jerusalem on the Moors" (3:04)
Personnel (1991 commercial release)
The Justified Ancients of Mu-Mu (Jimmy Cauty, Bill Drummond & unaccredited drummer): Performance
James Francis Cauty, also known as Rockman Rock, is an English artist and musician, best known as one-half of the duo the KLF, co-founder of the Orb and as the man who burnt £1 million.
The Black Room is an unfinished studio album recorded by the Justified Ancients of Mu Mu, intended to be the follow-up to their KLF album The White Room.
"3 a.m. Eternal" is a song by British acid house group the KLF, taken from their fourth and final studio album, The White Room (1991). Numerous versions of the song were released as singles between 1989 and 1992 by their label KLF Communications. In January 1991, an acid house pop version of the song became an international top ten hit single, reaching number-one on the UK Singles Chart, number two on the UK Dance Singles Chart and number five on the US Billboard Hot 100, and leading to the KLF becoming the internationally biggest-selling singles band of 1991.
This discography lists the key British and notable international releases of The KLF and the other pseudonyms of Bill Drummond and Jimmy Cauty. It also details the other releases on their independent record label, KLF Communications, by KLF-spinoff Disco 2000 and Space. In the United Kingdom—their home country—Drummond and Cauty released six albums and a wide array of 12 " singles on KLF Communications. In other territories their material was typically issued under licence by local labels.
Disco 2000 was a British pop band, a side project of The KLF. Vocals were handled by Cress, then-wife of KLF co-founder Jimmy Cauty, and "Mo". Between 1987 and 1989, Disco 2000 released three singles on the KLF Communications label, none of which entered the top 75 of the UK Singles Chart.
1987 is the debut studio album by British electronic band The Justified Ancients of Mu Mu, later known as the KLF. 1987 was produced using extensive unauthorised samples that plagiarised a wide range of musical works, continuing a theme begun in the JAMs' debut single "All You Need Is Love". These samples provided a deliberately provocative backdrop for beatbox rhythms and cryptic, political raps.
"Last Train to Trancentral" is a song released, in different mixes, as a series of singles by British electronic band The KLF, including "Last Train to Trancentral ". A commercially successful single of April 1991, it reached number two on the UK Singles Chart, number one on the UK Dance Singles Chart and achieved international top ten placings. It is a central song within The KLF's work, and is distinctive for an uplifting string-synthesiser break.
"What Time Is Love?" is a song released, in different mixes, as a series of singles by the British electronic music band the KLF. It featured prominently and repeatedly in their output from 1988 to 1992 and, under the moniker of 2K, in 1997. In its original form, the track was an instrumental electronic dance anthem; subsequent reworkings, with vocals and additional instrumentation, yielded the international hit singles "What Time Is Love? " (1990), and "America: What Time Is Love?" (1991), which respectively reached number five and number four on the UK Singles Chart, and introduced the KLF to a mainstream international audience.
"Justified & Ancient" is a song by British band the KLF. It was featured on their 1991 album, The White Room, but its origins date back to the duo's debut album, 1987 .
Shag Times is a UK compilation and remix double album released in 1989 by The Justified Ancients of Mu Mu. The album also introduced Bill Drummond and Jimmy Cauty's new incarnation – and one which would become considerably more famous – The KLF.
"Doctorin' the Tardis" is a novelty single by the Timelords. The song is predominantly a mash-up of the Doctor Who theme music and Gary Glitter's "Rock and Roll" with sections from "Block Buster!" by The Sweet. The single was not well received by critics but was a commercial success, hitting number one on the UK and New Zealand singles charts, and reaching the top 10 in Australia, Finland, Ireland and Norway.
"All You Need Is Love" is a song by the Justified Ancients of Mu Mu, independently released as their debut single on 9 March 1987. A politically topical song concerning the British media's AIDS furore, the track was initially given a 12" white label release because of its sampling of other records.
"Whitney Joins the JAMs" is a song and 1987 single by the Justified Ancients of Mu Mu. The song, released on the JAMs' independent label KLF Communications, is built around plagiarised samples of Whitney Houston in which—thanks to studio technology—she "joins the JAMs".
"Down Town" was a 1987 release by The Justified Ancients of Mu Mu. The song is gospel music driven by house music rhythms, incorporating a sample of Petula Clark's 1964 single "Downtown".
The KLF are a British electronic band who originated in Liverpool and London in the late 1980s. Scottish musician Bill Drummond and English musician Jimmy Cauty began by releasing hip hop-inspired and sample-heavy records as the JAMs. As the Timelords, they recorded the British number-one single "Doctorin' the Tardis", and documented the process of making a hit record in a book The Manual . As the KLF, Drummond and Cauty pioneered stadium house and, with their 1990 LP Chill Out, the ambient house genre. The KLF released a series of international hits on their own KLF Communications record label and became the biggest selling singles act in the world in 1991.
"Fuck the Millennium", sometimes spelled "***k the Millennium", is a protest song by the band 2K—Bill Drummond and Jimmy Cauty—better known as the Justified Ancients of Mu Mu or the KLF. The song was inspired musically by Jeremy Deller's "Acid Brass" project, where a traditional brass band plays acid house classics; these include the KLF's "What Time Is Love?". They were also inspired topically by the then-forthcoming end of the second millennium and the plans to celebrate it.
"Burn the Bastards" is a 1988 song by Bill Drummond and Jimmy Cauty as The Justified Ancients of Mu Mu, from their second, and final before changing names, album Who Killed The JAMs?. The "bastards" of the title are copies of The JAMs first album, 1987 , which Drummond and Cauty burnt on a bonfire in a Swedish field after a copyright dispute with the Swedish pop group ABBA. The song was released as a single, along with a separate single of remixes titled "Burn the Beat". Both singles were credited to The KLF, marking a change of name and with it a change of musical genre, from The JAMs' sample-fuelled political hip-hop to The KLF's upbeat and uptempo house music.
2023: A Trilogy is a book by Jimmy Cauty and Bill Drummond writing as The Justified Ancients of Mu Mu. The book was published in 2017, 23 years after the duo had burnt one million British pounds they earned in the music industry as The KLF.
Welcome to the Dark Ages was a three-day event organised by The Justified Ancients of Mu Mu, held in Liverpool in August 2017. The event heralded a revival of the creative partnership between Jimmy Cauty and Bill Drummond, under the name with which they first recorded and released music together in 1987. The duo had last worked together in 1997, when, as 2K, they staged an art performance and released a single, "Fuck the Millennium", and, as K2 Plant Hire Ltd, hatched a plan to build a "People's Pyramid" to celebrate the new millennium.
↑ ""It's Grim Up North" Graffiti Advert". NME (advertisement). 2 November 1991.
↑ "MOTORWAY GRAFFITI – Early Day Motions" (Early Day Motion by Joe Ashton MP). House of Commons. 21 October 1991. Retrieved 29 February 2020. That this House calls on the Secretary of State for Transport to remove the huge white painted graffiti on the bridge over the M1 on the northbound carriageway just north of the M25 junction which reads – Its Grim Up North, or alternatively arrange to add the words, Gruesome in the Midlands, and Nowt but Homeless Folk in Cardboard Boxes in London, to restore a fair regional balance during the next election.
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