Sarnath is a place located 10 kilometres northeast of Varanasi, near the confluence of the Ganges and the Varuna rivers in Uttar Pradesh, India.
Taxila or Takshashila is a city in the Pothohar region of Punjab, Pakistan. Located in the Taxila Tehsil of Rawalpindi District, it lies approximately 25 kilometres (16 mi) northwest of the Islamabad–Rawalpindi metropolitan area and is just south of the Haripur District of Khyber Pakhtunkhwa. In 326 BCE, Alexander the Great gained control of the city without a battle, Taxila having a too weak army, it was immediately surrendered to Greeks by the locals.
Sanchi is a Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town in Raisen District of the State of Madhya Pradesh, India. It is located, about 23 kilometers from Raisen town, district headquarter and 46 kilometres (29 mi) north-east of Bhopal, capital of Madhya Pradesh.
The Greco-Buddhist art or Gandhara art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara, located in the northwestern fringe of the Indian subcontinent.
Haḍḍa is a Greco-Buddhist archeological site located ten kilometers south of the city of Jalalabad, in the Nangarhar Province of eastern Afghanistan.
Takht-i-Bahi, is an Indo-Parthian archaeological site of an ancient Buddhist monastery in Mardan, Khyber-Pakhtunkhwa, Pakistan. The site is considered among the most important relics of Buddhism in all of what was once Gandhara, and has been "exceptionally well-preserved."
Bharhut is a village located in the Satna district of Madhya Pradesh, central India. It is known for its famous relics from a Buddhist stupa. What makes Bharhut panels unique is that each panel is explicitly labelled in Brahmi characters mentioning what the panel depicts. The major donor for the Bharhut stupa was King Dhanabhuti.
Indo-Corinthian capitals are capitals crowning columns or pilasters, which can be found in the northwestern Indian subcontinent, and usually combine Hellenistic and Indian elements. These capitals are typically dated to the first centuries of the Common Era, and constitute an important aspect of Greco-Buddhist art.
The Chakhil-i-Ghoundi Stupa, also code-named "Stupa C1", is a small limestone stupa from the Chakhil-i-Ghoundi monastery, at the archeological site of Hadda in eastern Afghanistan. Most of the remains of the stupa were gathered in 1928 by the archeological mission of Frenchman Jules Barthoux of the French Archaeological Delegation in Afghanistan, and have been preserved and reconstituted through a collaboration with the Tokyo National Museum. They are today on display at the Musée Guimet in Paris. It is usually dated to the 2nd-3rd century CE.
The Butkara Stupa is an important Buddhist stupa near Mingora, in the area of Swat, Pakistan. It may have been built by the Mauryan emperor Ashoka, but it is generally dated slightly later to the 2nd century BCE.
Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a few survivals. The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread.
Sawal Dher is an historic village in Mardan District of Khyber Pakhtunkhwa, Pakistan, that contains the remains of an ancient city. The village is located 10 kilometers southwest of Katlang-Jamal Ghari, most of the relics of this site are now in Museum. This site is situated at a distance of 4 kilometers in the southwest of Jamal Garhi. Most of the sculptures of this monastery are preserved in Peshawar and Lahore Museums. It is 19 km away from the district capital Mardan.
Nagarjunakonda: Nāgārjunikoṇḍa, meaning Nagarjuna Hill) is a historical town, now an island located near Nagarjuna Sagar in Palnadu district of the Indian state of Andhra Pradesh. It is one of India's richest Buddhist sites, and now lies almost entirely under the lake created by the Nagarjuna Sagar Dam. With the construction of the dam, the archaeological relics at Nagarjunakonda were submerged, and had to be excavated and transferred to higher land, which has become an island.
The Dharmarajika Stupa, also referred to as the Great Stupa of Taxila, is a Buddhist stupa near Taxila, Pakistan. It was built over the relics of the Buddha by Ashoka in the 3rd century BCE. The stupa, along with the large monastic complex that later developed around it, forms part of the Ruins of Taxila - which were inscribed as a UNESCO World Heritage Site in 1980.
Buddhism in Pakistan took root in the third century BCE under the Mauryan king Ashoka. The Major Rock Edicts of Ashoka inscribed on rock boulders in Mansehra and Shahbaz Garhi written in the Kharosthi script recording aspects of the emperor's dharma or righteous law represent some of the earliest evidence of deciphered writing in South Asia, dating to middle of the third century BCE. The Indo-Greek king Menander embraced Buddhism as attested in the Milinda Panha, which dates from sometime between 100 BC and 200 AD, following a dialogue with the monk Nāgasena in Sagala, present-day Sialkot.
Ahan Posh or Ahan Posh Tape is an ancient Buddhist stupa and monastery complex in the vicinity of Jalalabad, Afghanistan, dated to circa 150-160 CE, at the time of the Kushan Empire.
Ratnagiri is the site of a ruined mahavihara, once the major Buddhist monastery in modern Odisha, India. It is located on a hill in between the Brahmani and Birupa rivers in Jajpur district. It is close to other Buddhist sites in the area, including Lalitagiri and Udayagiri, and 100 km (62 mi) from the state capital Bhubaneswar and 70km from the former state capital Cuttack.
Hellenistic influence on Indian art and architecture reflects the artistic and architectural influence of the Greeks on Indian art following the conquests of Alexander the Great, from the end of the 4th century BCE to the first centuries of the common era. The Greeks in effect maintained a political presence at the doorstep, and sometimes within India, down to the 1st century CE with the Greco-Bactrian Kingdom and the Indo-Greek Kingdoms, with many noticeable influences on the arts of the Maurya Empire especially. Hellenistic influence on Indian art was also felt for several more centuries during the period of Greco-Buddhist art.
Mardan Museum is located in the Mardan District, Khyber Pakhtunkhwa, Pakistan. The museum was first established in 1991 in a Town Hall with a single hall with 22 show cases displaying more than 90 Gandhara's sculptures by the supervision of Sahibzada Riaz Noor. Later in 2006 a portion of land provided by the Mardan District Government on the request of Provincial Government and build three Galleries which was inaugurated by a former Chief Minister of Khyber Pakhtunkhwa Ameer Haider Khan Hoti in 2009.
Tapa Shotor, also Tape Shotor or Tapa-e-shotor, was a large Sarvastivadin monastery near Hadda, Afghanistan, and is now an archaeological site. According to archaeologist Raymond Allchin, the site of Tapa Shotor suggests that the Greco-Buddhist art of Gandhara descended directly from the art of Hellenistic Bactria, as seen in Ai-Khanoum.
