Hephthalite silver bowl | |
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The Hepthalite silver bowl in the British Museum. | |
Material | Silver |
Created | 460-479 CE |
Discovered | Swat region, Pakistan 35°07′N72°17′E / 35.12°N 72.29°E |
Present location | British Museum, London |
Registration | 1963, 1210.1 |
The Hephthalite silver bowl is a bowl discovered in the Swat region of Gandhara, Pakistan, and now in the British Museum. [1] [2] It dates from 460 to 479 CE, and the images represent two different Huna tribes, suggesting a period of peaceful coexistence between the Kidarites and the Alchons.
The bowl is dated to 460-479 CE, at the end of Kidarite rule and the beginning of Alchon ruler in northwestern India, although slightly earlier dates have also been suggested. [3] [4] [5]
The bowl represents a groups of four noble figures on horse, in the process of hunting animals. Despite its former attribution to the "Hephthalites", hence its long-standing name, the bowl is thought to represent two Kidarite noble hunters wearing their characteristic crowns, and two Alchons, with their characteristic skull deformation, one of the Alchons reappearing in portrait inside a medallion at the bottom of the bowl. This combination of two different Huna tribes in the same work of art suggests a period of peaceful coexistence between the Kidarites and the Alchons, who may have each been in control of their own territory, although the Alchons would eventually replace the Kidarites in Gandhara. [5] This understanding of the iconography of the Hephthalite silver bowl is the result of a general scholarly consensus. [6]
At one point, the Kidarites withdrew from Gandhara, and the Alchons took over their territory and their mints, from the time of Khingila. [3] By 520, Gandhara was definitely under Hephthalite (Alchon Huns) control, according to Chinese pilgrims. [7]
The bowl contains an inscription in Brahmi script, next to the head of one of the Alchon hunters. Scholars have disagreed on the reading, but it has been suggested it could be the name of the Alchon ruler Khingila. [8] The comparison with the Brahmi lettering for his name on the later coinage of Khingila indeed may suggest that the name Khingila is intended in the vase inscription, even though the dot-by-dot engraving is rather clumsy and does not perfectly match standard typography. [8]
Other examples of very similar silver bowls have been found in the area of Samarkand, including the "Chilek bowl" ("Čilek bowl"), considered as the "best known specimen of Hephthalite art", which is similar in composition with the Hephthalite silver bowl, but represents "six dancers in Indian costume with Iranian ribbons and Hephthalite-short heads". It, too, is considered as an Alchon object, but possibly manufactured in India at the request of the Alchons. It is now in the Samarkand Museum. [9] [10] [11]
The man in the medallion at the bottom of the Chilek bowl has a clearly elongated skull, characteristic of the Alchons Huns. [12]
The Hephthalites, sometimes called the White Huns, were a people who lived in Central Asia during the 5th to 8th centuries CE, part of the larger group of the Iranian Huns. They formed an empire, the Imperial Hephthalites, and were militarily important from 450 CE, when they defeated the Kidarites, to 560 CE, when combined forces from the First Turkic Khaganate and the Sasanian Empire defeated them. After 560 CE, they established "principalities" in the area of Tokharistan, under the suzerainty of the Western Turks and of the Sasanian Empire, before the Tokhara Yabghus took over in 625.
Xionites, Chionites, or Chionitae were a nomadic people in the Central Asian regions of Transoxiana and Bactria.
The Kidarites, or Kidara Huns, were a dynasty that ruled Bactria and adjoining parts of Central Asia and South Asia in the 4th and 5th centuries. The Kidarites belonged to a complex of peoples known collectively in India as the Huna, and in Europe as the Chionites, and may even be considered as identical to the Chionites. The 5th century Byzantine historian Priscus called them Kidarite Huns, or "Huns who are Kidarites". The Huna/Xionite tribes are often linked, albeit controversially, to the Huns who invaded Eastern Europe during a similar period. They are entirely different from the Hephthalites, who replaced them about a century later.
The Kushano-Sasanian Kingdom was a polity established by the Sasanian Empire in Bactria during the 3rd and 4th centuries. The Sasanian Empire captured the provinces of Sogdia, Bactria and Gandhara from the declining Kushan Empire following a series of wars in 225 CE. The local Sasanian governors then went on to take the title of Kushanshah or "King of the Kushans", and to mint coins. They are sometimes considered as forming a "sub-kingdom" inside the Sasanian Empire.
Khingila I was the founding king of the Hunnic Alkhan dynasty. He was a contemporary of Khushnavaz.
Toramana also called Toramana Shahi Jauvla was a king of the Alchon Huns who ruled in northern India in the late 5th and the early 6th century CE. Toramana consolidated the Alchon power in Punjab, and conquered northern and central India including Eran in Madhya Pradesh. Toramana used the title "Great King of Kings", equivalent to "Emperor", in his inscriptions, such as the Eran boar inscription.
Hunas or Huna was the name given by the ancient Indians to a group of Central Asian tribes who, via the Khyber Pass, entered the Indian subcontinent at the end of the 5th or early 6th century. The Hunas occupied areas as far south as Eran and Kausambi, greatly weakening the Gupta Empire. The Hunas were ultimately defeated by a coalition of Indian princes that included an Indian king Yasodharman and the Gupta emperor, Narasimhagupta. They defeated a Huna army and their ruler Mihirakula in 528 CE and drove them out of India. The Guptas are thought to have played only a minor role in this campaign.
Central Asian art is visual art created in Central Asia, in areas corresponding to modern Kyrgyzstan, Kazakhstan, Uzbekistan, Turkmenistan, Tajikistan, Afghanistan, and parts of modern Mongolia, China and Russia. The art of ancient and medieval Central Asia reflects the rich history of this vast area, home to a huge variety of peoples, religions and ways of life. The artistic remains of the region show a remarkable combinations of influences that exemplify the multicultural nature of Central Asian society. The Silk Road transmission of art, Scythian art, Greco-Buddhist art, Serindian art and more recently Persianate culture, are all part of this complicated history.
The Nezak Huns, also Nezak Shahs, was a significant principality in the south of the Hindu Kush region of South Asia from circa 484 to 665 CE. Despite being traditionally identified as the last of the Hunnic states, their ethnicity remains disputed and speculative. The dynasty is primarily evidenced by coinage inscribing a characteristic water-buffalo-head crown and an eponymous legend.
The Alchon Huns, also known as the Alkhan, Alchono, Alxon, Alkhon, Alakhana, and Walxon, were a nomadic people who established states in Central Asia and South Asia during the 4th and 6th centuries CE. They were first mentioned as being located in Paropamisus, and later expanded south-east, into the Punjab and Central India, as far as Eran and Kausambi. The Alchon invasion of the Indian subcontinent eradicated the Kidarite Huns who had preceded them by about a century, and contributed to the fall of the Gupta Empire, in a sense bringing an end to Classical India.
Kidara I fl. 350-390 CE) was the first major ruler of the Kidarite Kingdom, which replaced the Indo-Sasanians in northwestern India, in the areas of Kushanshahr, Gandhara, Kashmir and Punjab.
Mehama, ruled c.461-493, was a king of Alchon Huns dynasty. He is little known, but the Talagan copper scroll mentions him as an active ruler making a donation to a Buddhist stupa in 492/93. At that time, it is considered that the Alchon Huns were firmly in charge of the Buddhist region around Taxila, but had not yet started to conquer the Indian mainland.
The term Iranian Huns is sometimes used for a group of different tribes that lived in Central Asia, in the historical regions of Transoxiana, Bactria, Tokharistan, Kabul Valley, and Gandhara, overlapping with the modern-day Afghanistan, Tajikistan, Uzebekistan, Eastern Iran, Pakistan, and Northwest India, between the fourth and seventh centuries. They also threatened the Northeast borders of Sasanian Iran and forced the Shahs to lead many ill-documented campaigns against them.
The origin of the Huns and their relationship to other peoples identified in ancient sources as Iranian Huns such as the Xionites, the Alchon Huns, the Kidarites, the Hephthalites, the Nezaks, and the Huna, has been the subject of long-term scholarly controversy. Ancient Greek and Roman sources do not provide any information on where the European Huns came from, besides that they suddenly appeared in 370 CE. However, there are some possible mentions of the Huns or tribes related to them that pre-date 370. Chinese sources, meanwhile, indicate several different, sometimes contradictory origins for the various "Iranian Hun" groups. In 1757, Joseph de Guignes first proposed that the Huns and the Iranian Huns were identical to the Xiongnu. The thesis was then popularized by Edward Gibbon. Since that time scholars have debated the proposal on its linguistic, historical, and archaeological merits. In the mid-twentieth century, the connection was attacked by the Sinologist Otto J. Maenchen-Helfen and largely fell out of favor. Some recent scholarship has argued in favor of some form of link, and the theory returned to the mainstream, but there is no consensus on the issue. It also remains disputed whether the various “Iranian Huns” belonged to a single or multiple ethnic groups.
The State Museum of Culture History of Uzbekistan is a museum of history and culture in Samarkand.
The Seal of Khingila is an historical seal from the region of Bactria, on southern Central Asia. The seal was published recently by Pierfrancesco Callieri and Nicholas Sims-Williams. It is now in the private collection of Mr. A. Saeedi (London). Kurbanov considers it as a significant Hephthalite seal. It has also been considered as intermediate between the Kidarites and the Hephthalites.
Tobazini, Gobazini or Goboziko was a ruler of southern Central Asia. He is only known from his coinage, found in Bactria and Northern Afghanistan. The legends on his coins are in Bactrian, but they are often difficult to read: a typical legend reads t/gobazini/o šauo "King Tobazini". Tobazini is often considered one of the last rulers of the Kidarites, circa 450 CE.
The Chilek silver bowl is a silver bowl found in the area of Samarkand, and considered as the "best known specimen of Hephthalite art". More specifically, the bowl seems to belong to the Alchon Huns, south of the Hindu-Kush, during the last third of the 5th century CE. The Alchons have long been considered as a part or a sub-division of the Hephthalites, or as their eastern branch, but now tend to be considered as a separate entity.
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The Hunnic invasion of the Gupta Empire was a pivotal event in ancient Indian history, facilitated by the administrative structure of the Gupta Empire, notably its feudal system. This structure allowed the Huna king to garner support from local chiefs, aiding in their invasion. The inscriptions discovered in Eran shed light on this dynamic.