Kanishka I, also known as Kanishka the Great, was an emperor of the Kushan dynasty, under whose reign the empire reached its zenith. He is famous for his military, political, and spiritual achievements. A descendant of Kujula Kadphises, founder of the Kushan empire, Kanishka came to rule an empire extending from Central Asia and Gandhara to Pataliputra on the Gangetic plain. The main capital of his empire was located at Puruṣapura (Peshawar) in Gandhara, with another major capital at Mathura. Coins of Kanishka were found in Tripuri.
Gandhara was an ancient Indo-Aryan civilization centred in present-day north-west Pakistan and north-east Afghanistan. The core of the region of Gandhara was the Peshawar and Swat valleys extending as far east as the Pothohar Plateau in Punjab, though the cultural influence of Greater Gandhara extended westwards into the Kabul valley in Afghanistan, and northwards up to the Karakoram range. The region was a central location for the spread of Buddhism to Central Asia and East Asia with many Chinese Buddhist pilgrims visiting the region.
Greco-Buddhism or Graeco-Buddhism denotes a supposed cultural syncretism between Hellenistic culture and Buddhism developed between the 4th century BC and the 5th century AD in Gandhara, in present-day Pakistan and parts of north-east Afghanistan. While the Greco-Buddhist art shows clear Hellenistic influences, the majority of scholars do not assume a noticeable Greek influence on Gandharan Buddhism beyond the artistic realm.
The Greco-Buddhist art or Gandhara art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara, located in the northwestern fringe of the Indian subcontinent.
Haḍḍa is a Greco-Buddhist archeological site located ten kilometers south of the city of Jalalabad, in the Nangarhar Province of eastern Afghanistan.
Many artistic influences transited along the Silk Road, especially through the Central Asia, where Hellenistic, Iranian, Indian and Chinese influence were able to interact. In particular Greco-Buddhist art represent one of the most vivid examples of this interaction. As shown on the 1st century CE Silk Road map, there is no single road but a whole network of long-distance routes: mainly two land routes and one sea route.
Buddhism, a religion founded by Gautama Buddha, first arrived in modern-day Afghanistan through the conquests of Ashoka, the third emperor of the Maurya Empire. Among the earliest notable sites of Buddhist influence in the country is a bilingual mountainside inscription in Greek and Aramaic that dates back to 260 BCE and was found on the rocky outcrop of Chil Zena near Kandahar.
Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a few survivals. The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread.
Buddhism in Pakistan took root some 2,300 years ago under the Mauryan king Ashoka who sent missionaries to the Kashmira-Gandhara region of North West Pakistan extending into Afghanistan, following the Third Buddhist council in Pataliputra.
The Indo-Greeks practiced numerous religions during the time they ruled in the northwestern Indian subcontinent from the 2nd century BCE to the beginning of the 1st century CE. In addition to the worship of the Classical pantheon of the Greek deities found on their coins, the Indo-Greeks were involved with local faiths, particularly with Buddhism, but also with Hinduism and Zoroastrianism.
Indo-Greek art is the art of the Indo-Greeks, who reigned from circa 200 BCE in areas of Bactria and the Indian subcontinent. Initially, between 200 and 145 BCE, they remained in control of Bactria while occupying areas of Indian subcontinent, until Bactria was lost to invading nomads. After 145 BCE, Indo-Greek kings ruled exclusively in parts of ancient India, especially in Gandhara, in what is now present-day the northwestern Pakistan. The Indo-Greeks had a rich Hellenistic heritage and artistic proficiency as seen with the remains of the city of Ai-Khanoum, which was founded as a Greco-Bactrian city. In modern-day Pakistan, several Indo-Greeks cities are known such as Sirkap near Taxila, Barikot, and Sagala where some Indo-Greek artistic remains have been found, such as stone palettes.
Afghanistan is uniquely situated as a throughway of cultures throughout its history due to it geographic placement in South Asia. Afghanistan's location lends porous borders to trade routes between the East and West, while the Silk Road providing a vector for Buddhism and Hellenistic culture and even Egyptian influences from the west, renders an amalgamation of culture and art. Perpetual invasion and conflict has rendered a cyclic continuum of renaissance and destruction of art and culture in Afghanistan.
Jamal Garhi is a small town located 13 kilometers from Mardan at Katlang-Mardan road in Khyber Pakhtunkhwa province in northern Pakistan. Jamal Garhi was a Buddhist monastery from the first until the fifth century AD at a time when Buddhism flourished in this part of the Indian subcontinent. The monastery and main stupa are surrounded by chapels closely packed together. The site is called "The Jamal Garhi Kandarat or Kafiro Kote" by the locals.
Kara Tepe is a Buddhist archaeological site in the Central Asia region of Bactria, in the Termez oasis near the city of Termez in southern Uzbekistan. The foundations of the site date to the 1st century CE, with a peak of activity around the 3rd and 4th centuries during the Kushan period, before experiencing a fatal decline around the 5th century CE, probably with the invasion of the Kushano-Sassanian, whose coinage can be found on the site.
Hellenistic influence on Indian art and architecture reflects the artistic and architectural influence of the Greeks on Indian art following the conquests of Alexander the Great, from the end of the 4th century BCE to the first centuries of the common era. The Greeks in effect maintained a political presence at the doorstep, and sometimes within India, down to the 1st century CE with the Greco-Bactrian Kingdom and the Indo-Greek Kingdoms, with many noticeable influences on the arts of the Maurya Empire especially. Hellenistic influence on Indian art was also felt for several more centuries during the period of Greco-Buddhist art.
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths", and the pre-eminent center of religious artistic expression in India at least until the Gupta period, and was influential throughout the sub-continent.
The Mathura Herakles is a famous statue found in the city of Mathura, India, thought to represent the Greek hero Herakles fighting the Nemean lion.
Gandhāran Buddhism refers to the Buddhist culture of ancient Gandhāra which was a major center of Buddhism in the northwestern Indian subcontinent from the 3rd century BCE to approximately 1200 CE. Ancient Gandhāra corresponds to modern day north Pakistan, mainly the Peshawar valley and Potohar plateau as well as Afghanistan's Jalalabad. The region has yielded the Gandhāran Buddhist texts written in Gāndhārī Prakrit the oldest Buddhist manuscripts yet discovered. Gandhāra was also home to a unique Buddhist artistic and architectural culture which blended elements from Indian, Hellenistic, Roman and Parthian art. Buddhist Gandhāra was also influential as the gateway through which Buddhism spread to Central Asia and China.
Nagara, also known as Dionysopolis (Διονυσόπολις), was an ancient city in the northwest part of India intra Gangem, distinguished in Ptolemy by the title ἡ καὶ Διονυσόπολις 'also Dionysopolis'. It also appears in sources as Nagarahara, and was situated between the Kabul River and the Indus, in present-day Afghanistan. The site of Nagara is usually associated with a large stupa called Nagara Ghundi, about 4 kilometres (2.5 mi) west of Jalalabad near Tepe Khwaja Lahori, south of the junction of the Surkhäb and Kabul rivers, where ancient ruins have been found.
Kushan art, the art of the Kushan Empire in northern India, flourished between the 1st and the 4th century CE. It blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian art of Mathura. Kushan art follows the Hellenistic art of the Greco-Bactrian Kingdom as well as Indo-Greek art which had been flourishing between the 3rd century BCE and 1st century CE in Bactria and northwestern India, and the succeeding Indo-Scythian art. Before invading northern and central India and establishing themselves as a full-fledged empire, the Kushans had migrated from northwestern China and occupied for more than a century these Central Asian lands, where they are thought to have assimilated remnants of Greek populations, Greek culture, and Greek art, as well as the languages and scripts which they used in their coins and inscriptions: Greek and Bactrian, which they used together with the Indian Brahmi script.
