Stamp seal (BM 119999) | |
---|---|
Material | Carnelian |
Size | Length: 3.30 centimetres Width: 2.60 centimetres |
Created | 4th-6th century CE |
Present location | Room 52, British Museum, London |
Registration | 1870, 1210.3 |
Stamp seal (BM 119999), is a historical stamp seal from the British Museum, with reference number BM 119999, located in Room 52 of the museum. The stamp seal was procured by Sir Alexander Cunningham, who sold it to the British Museum in 1870. [1] Another, nearly identical, seal, is located in the Calcutta Museum. [2]
The seal is made of carnelian, a precious stone, and rather hard to engrave. [1] It is considered as "a Sogdian double portrait". [2] It shows two facing busts. One is a bearded male, wearing a forward-projecting cap bordered with pearls, as well as a diadem, ear-rings and a necklace. [1] The other wears a radiate crown with royal ribbons. [1] Above is an inscription in two lines, in the Sogdian language.
The design with two facing busts is also visible in some of the coinage of the period, although the small space of the coins seems to have forced to two busts to come closer together. [3] It has been suggested that this design was influenced by some Byzantine coins, [4] but this may not be necessarily so. [3]
The stamp seal is dated by the British Museum to 300-350 CE, during the Kushano-Sasanian period, and belongs to the area of Sogdia, north of the Oxus. [1] [3] In this, the museum follows the conclusions of Bivar (1969), and Livshits (1969), according to which the seal should be dated to the 4th century CE. [3] Livshits (1969) also offered a reading for the Sogdian inscription, which is the one still used by the British Museum: [3]
(1) 'yt mydrh cwn ’yn/ztmyc
(2) (p) ’nbsn z ’ ’ntyh (or zc ’ntyh, n ’cztyh)
This seal is from (of) Indamic
Queen of Zacanta— Seal inscription, according to Livshits (1969). [3]
Paleographical comparisons also suggests a "rough date" of the 4th century CE, and at any rate before the second half of the 5th century CE. [3] Stylistically, the stamp seal is said to share the artistic characteristics of other known Kushano-Sasanians seals, but also Hephthalites seals. [3]
Livshits (2000) has since reappraised the datation of the stamp seal as well as the translation of the Sogdian legend. In his latest analysis, he thought that the seal should be dated to the 5th-6th century CE, and should read: [2]
Line | Original (Sogdian alphabet) | Transliteration | English translation |
---|---|---|---|
1 | 𐼀𐼊𐼛 𐼍𐼊𐼘𐼘𐼆 𐼕𐼇𐼏 𐼀𐼊𐼎𐼚𐼇𐼍𐼊𐼖 | ʾyt myδrh cwn ʾyntwmyc | This gem is from the Indian |
2 | 𐼔𐼀𐼎𐼂𐼙𐼏 𐼎𐼀𐼎𐼚𐼊𐼆 | pʾnβšn nʾntyh | Lady, Nandi |
Kurbanov (2010) considers that the seal is characteristic of Hephthalite seals. [5]
The Hephthalites, sometimes called the White Huns, were a people who lived in Central Asia during the 5th to 8th centuries CE, part of the larger group of the Iranian Huns. They formed an empire, the Imperial Hephthalites, and were militarily important from 450 CE, when they defeated the Kidarites, to 560 CE, when combined forces from the First Turkic Khaganate and the Sasanian Empire defeated them. After 560 CE, they established "principalities" in the area of Tokharistan, under the suzerainty of the Western Turks and of the Sasanian Empire, before the Tokhara Yabghus took over in 625.
The Sogdian language was an Eastern Iranian language spoken mainly in the Central Asian region of Sogdia, located in modern-day Uzbekistan, Tajikistan, Kazakhstan and Kyrgyzstan; it was also spoken by some Sogdian immigrant communities in ancient China. Sogdian is one of the most important Middle Iranian languages, along with Bactrian, Khotanese Saka, Middle Persian, and Parthian. It possesses a large literary corpus.
The Kidarites, or Kidara Huns, were a dynasty that ruled Bactria and adjoining parts of Central Asia and South Asia in the 4th and 5th centuries. The Kidarites belonged to a complex of peoples known collectively in India as the Huna, and in Europe as the Chionites, and may even be considered as identical to the Chionites. The 5th century Byzantine historian Priscus called them Kidarite Huns, or "Huns who are Kidarites". The Huna/Xionite tribes are often linked, albeit controversially, to the Huns who invaded Eastern Europe during a similar period. They are entirely different from the Hephthalites, who replaced them about a century later.
Tokharistan is an ancient Early Middle Ages name given to the area which was known as Bactria in Ancient Greek sources.
The Kushano-Sasanian Kingdom was a polity established by the Sasanian Empire in Bactria during the 3rd and 4th centuries. The Sasanian Empire captured the provinces of Sogdia, Bactria and Gandhara from the declining Kushan Empire following a series of wars in 225 CE. The local Sasanian governors then went on to take the title of Kushanshah or "King of the Kushans", and to mint coins. They are sometimes considered as forming a "sub-kingdom" inside the Sasanian Empire.
Chaghaniyan, known as al-Saghaniyan in Arabic sources, was a medieval region and principality located on the right bank of the Oxus River, to the south of Samarkand.
Dilberjin Tepe, also Dilberjin or Delbarjin, is the modern name for the remains of an ancient town in modern (northern) Afghanistan. The town was perhaps founded in the time of the Achaemenid Empire. Under the Kushan Empire it became a major local centre. After the Kushano-Sassanids the town was abandoned.
Central Asian art is visual art created in Central Asia, in areas corresponding to modern Kyrgyzstan, Kazakhstan, Uzbekistan, Turkmenistan, Tajikistan, Afghanistan, and parts of modern Mongolia, China and Russia. The art of ancient and medieval Central Asia reflects the rich history of this vast area, home to a huge variety of peoples, religions and ways of life. The artistic remains of the region show a remarkable combinations of influences that exemplify the multicultural nature of Central Asian society. The Silk Road transmission of art, Scythian art, Greco-Buddhist art, Serindian art and more recently Persianate culture, are all part of this complicated history.
The Principality of Chaghaniyan, known in Arabic sources as al-Saghaniyan, was a part of the Hephthalite Confederation from the 5th to the 7th century CE. After this, it was ruled by a local, presumably Iranian dynasty, which governed the Chaghaniyan region from the late 7th-century to the early 8th-century CE. These rulers were known by their titles of “Chaghan Khudah”.
The Alchon Huns, also known as the Alkhan, Alchono, Alxon, Alkhon, Alakhana, and Walxon, were a nomadic people who established states in Central Asia and South Asia during the 4th and 6th centuries CE. They were first mentioned as being located in Paropamisus, and later expanded south-east, into the Punjab and Central India, as far as Eran and Kausambi. The Alchon invasion of the Indian subcontinent eradicated the Kidarite Huns who had preceded them by about a century, and contributed to the fall of the Gupta Empire, in a sense bringing an end to Classical India.
The term Iranian Huns is sometimes used for a group of different tribes that lived in Central Asia, in the historical regions of Transoxiana, Bactria, Tokharistan, Kabul Valley, and Gandhara, overlapping with the modern-day Afghanistan, Tajikistan, Uzebekistan, Eastern Iran, Pakistan, and Northwest India, between the fourth and seventh centuries. They also threatened the Northeast borders of Sasanian Iran and forced the Shahs to lead many ill-documented campaigns against them.
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Aydogdy Kurbanov is a Turkmen archaeologist and historian whose main area of research is prehistoric and late antiquity of Central Asia.
The Hephthalite silver bowl is a bowl discovered in the Swat region of Gandhara, Pakistan, and now in the British Museum. It dates from 460 to 479 CE, and the images represent two different Huna tribes, suggesting a period of peaceful coexistence between the Kidarites and the Alchons.
The State Museum of Culture History of Uzbekistan is a museum of history and culture in Samarkand.
The murals of Penjikent are among the most famous murals of the pre-Islamic period in Panjakent, ancient Sogdiana, in Tajikistan. Numerous murals were recovered from the site, and many of them are now on display in the Hermitage Museum in Saint Petersburg, and in the National Museum of Antiquities of Tajikistan in Dushanbe. The murals reveal the cosmopolitan nature of the Penjikent society that was mainly composed of Sogdian and Turkic elites and likely other foreign merchant groups of heterogeneous origin. Significant similarities with Old Turkic clothing, weapon items, hairstyles and ritual cups are noted by comparative research.
The Seal of Khingila is an historical seal from the region of Bactria, on southern Central Asia. The seal was published recently by Pierfrancesco Callieri and Nicholas Sims-Williams. It is now in the private collection of Mr. A. Saeedi (London). Kurbanov considers it as a significant Hephthalite seal. It has also been considered as intermediate between the Kidarites and the Hephthalites.
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