In the ancient Greek myths, ambrosia is the food or drink of the Greek gods, and is often depicted as conferring longevity or immortality upon whoever consumed it. It was brought to the gods in Olympus by doves and served either by Hebe or by Ganymede at the heavenly feast.
In art history, the French term objet d’art describes an ornamental work of art, and the term objets d’art describes a range of works of art, usually small and three-dimensional, made of high-quality materials, and a finely-rendered finish that emphasises the aesthetics of the artefact. Artists create and produce objets d’art in the fields of the decorative arts and metalwork, porcelain and vitreous enamel; figurines, plaquettes, and engraved gems; ivory carvings and semi-precious hardstone carvings; tapestries, antiques, and antiquities; and books with fine bookbinding.
In Greek mythology, Lycurgus was the king of the Edoni in Thrace, son of Dryas, the "oak", and father of a son whose name was also Dryas.
The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality.
In Greek mythology and religion, the thiasus was the ecstatic retinue of Dionysus, often pictured as inebriated revelers. Many of the myths of Dionysus are connected with his arrival in the form of a procession. The grandest such version was his triumphant return from "India", which influenced symbolic conceptions of the Roman triumph and was narrated in rapturous detail in Nonnus' Dionysiaca. In this procession, Dionysus rides a chariot, often drawn by big cats such as tigers, leopards, or lions, or alternatively elephants or centaurs.
The Roman-Germanic Museum is an archaeological museum in Cologne, Germany. It has a large collection of Roman artifacts from the Roman settlement of Colonia Claudia Ara Agrippinensium, on which modern Cologne is built. The museum protects the original site of a Roman town villa, from which a large Dionysus mosaic remains in its original place in the basement, and the related Roman Road just outside. In this respect the museum is an archaeological site.
Cranberry glass or 'Gold Ruby' glass is a red glass made by adding gold salts or colloidal gold to molten glass. Tin, in the form of stannous chloride, is sometimes added in tiny amounts as a reducing agent. The glass is used primarily in expensive decorations.
Dichroic glass is glass which can display multiple different colors depending on lighting conditions.
Anglo-Saxon glass has been found across England during archaeological excavations of both settlement and cemetery sites. Glass in the Anglo-Saxon period was used in the manufacture of a range of objects including vessels, beads, windows and was even used in jewellery. In the 5th century AD with the Roman departure from Britain, there were also considerable changes in the usage of glass. Excavation of Romano-British sites have revealed plentiful amounts of glass but, in contrast, the amount recovered from 5th century and later Anglo-Saxon sites is minuscule.
A cage cup, also vas diatretum, plural diatreta, or "reticulated cup" is a type of luxury late Roman glass vessel, found from roughly the 4th century, and "the pinnacle of Roman achievements in glass-making". Diatreta consist of an inner beaker and an outer cage or shell of decoration that stands out from the body of the cup, to which it is attached by short stems or shanks. About fifty cups or, more often, fragments have survived, and there are only a few in near-complete condition. Most have a cage with circular geometrical patterns, often with an "inscription", or phrase in letters above the reticulated area as well. Some have a flange, or zone of projecting open-cut moulding, above the lower patterns and below the lettering.
Roman glass objects have been recovered across the Roman Empire in domestic, industrial and funerary contexts. Glass was used primarily for the production of vessels, although mosaic tiles and window glass were also produced. Roman glass production developed from Hellenistic technical traditions, initially concentrating on the production of intensely coloured cast glass vessels. However, during the 1st century AD the industry underwent rapid technical growth that saw the introduction of glass blowing and the dominance of colourless or 'aqua' glasses. Production of raw glass was undertaken in geographically separate locations to the working of glass into finished vessels, and by the end of the 1st century AD large scale manufacturing resulted in the establishment of glass as a commonly available material in the Roman world, and one which also had technically very difficult specialized types of luxury glass, which must have been very expensive.
Hellenistic glass was glass produced during the Hellenistic period in the Mediterranean, Europe, western Asia and northern Africa. Glassmaking at this time was based on the technological traditions of the Classical antiquity and the Late Bronze Age, but was marked by transition from limited production of luxury objects made for the social elite to mass production of affordable glass vessels used by the broader public to satisfy everyday needs.
Medieval stained glass is the coloured and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe. In some countries, such as Sweden and England, only a small number of original stained windows has survived to this day.
Stephen Knapp was an American artist best known for his use of the medium of lightpainting. A native of Worcester, Massachusetts, he gained an international reputation for large-scale works of art held in museums, public, corporate, and private collections, which are executed in media as diverse as light, kiln-formed glass, metal, stone, mosaic, and ceramic.
A Roman mosaic is a mosaic made during the Roman period, throughout the Roman Republic and later Empire. Mosaics were used in a variety of private and public buildings, on both floors and walls, though they competed with cheaper frescos for the latter. They were highly influenced by earlier and contemporary Hellenistic Greek mosaics, and often included famous figures from history and mythology, such as Alexander the Great in the Alexander Mosaic.
In 1898 Baron Ferdinand de Rothschild bequeathed to the British Museum as the Waddesdon Bequest the contents from his New Smoking Room at Waddesdon Manor. This consisted of a wide-ranging collection of almost 300 objets d'art et de vertu, which included exquisite examples of jewellery, plate, enamel, carvings, glass and maiolica. One of the earlier objects is the outstanding Holy Thorn Reliquary, probably created in the 1390s in Paris for John, Duke of Berry. The collection is in the tradition of a schatzkammer, or treasure house, such as those formed by the Renaissance princes of Europe; indeed, the majority of the objects are from late Renaissance Europe, although there are several important medieval pieces, and outliers from classical antiquity and medieval Syria.
Gold glass or gold sandwich glass is a luxury form of glass where a decorative design in gold leaf is fused between two layers of glass. First found in Hellenistic Greece, it is especially characteristic of the Roman glass of the Late Empire in the 3rd and 4th century AD, where the gold decorated roundels of cups and other vessels were often cut out of the piece they had originally decorated and cemented to the walls of the catacombs of Rome as grave markers for the small recesses where bodies were buried. About 500 pieces of gold glass used in this way have been recovered. Complete vessels are far rarer. Many show religious imagery from Christianity, traditional Greco-Roman religion and its various cultic developments, and in a few examples Judaism. Others show portraits of their owners, and the finest are "among the most vivid portraits to survive from Early Christian times. They stare out at us with an extraordinary stern and melancholy intensity". From the 1st century AD the technique was also used for the gold colour in mosaics.
The Barber Cup and Crawford Cup are two non-matching carved fluorite cups from about 50–100 AD. They were discovered during World War I by an Austro-Croatian officer who excavated a Roman tomb near the current Turkish–Syrian border. Both cups are now in the collection of the British Museum, which acquired the Crawford Cup in 1971 and the Barber Cup in 2004. The two cups are the only two vessels carved from fluorite that are known to have survived intact from the Roman period.
The Boscoreale Treasure is a large collection of exquisite silver and gold Roman objects discovered in the ruins of the ancient Villa della Pisanella at Boscoreale, near Pompeii, southern Italy. Consisting of over a hundred pieces of silverware, as well as gold coins and jewellery, it is now mostly kept at the Louvre Museum in Paris, although parts of the treasure can also be found at the British Museum.
Byzantine glass objects highly resembled their earlier Hellenistic counterparts during the fourth and early fifth centuries CE in both form and function. Over the course of the fifth century CE, Byzantine glass blowers, based mostly in the area of Syria and Palestine, developed a distinct Byzantine style. While glass vessels continued to serve as the primary vehicles for pouring and drinking liquid, glassware for lighting, currency and commodity weights, window panes, and glass tesserae for mosaics and enamels also surged in popularity. Following the Arab conquests of the seventh century CE, large quantities of glass were imported from the Levant, which continued to produce raw and manufactured glass. Scholars once believed that glassware was an expensive luxury good reserved for the upper strata of society, however, recent archaeological excavations have unearthed a considerable quantity of unadorned glassware intended for lower-class residents.
