The La Tène culture was a European Iron Age culture. It developed and flourished during the late Iron Age, succeeding the early Iron Age Hallstatt culture without any definite cultural break, under considerable Mediterranean influence from the Greeks in pre-Roman Gaul, the Etruscans, and the Golasecca culture, but whose artistic style nevertheless did not depend on those Mediterranean influences.
A teapot is a vessel used for steeping tea leaves or a herbal mix in boiling or near-boiling water, and for serving the resulting infusion which is called tea. It is one of the core components of teaware. Dry tea is available either in tea bags or as loose tea, in which case a tea infuser or tea strainer may be of some assistance, either to hold the leaves as they steep or to catch the leaves inside the teapot when the tea is poured. Teapots usually have an opening with a lid at their top, where the dry tea and hot water are added, a handle for holding by hand and a spout through which the tea is served. Some teapots have a strainer built-in on the inner edge of the spout. A small air hole in the lid is often created to stop the spout from dripping and splashing when tea is poured. In modern times, a thermally insulating cover called a tea cosy may be used to enhance the steeping process or to prevent the contents of the teapot from cooling too rapidly.
The Hallstatt culture was the predominant Western and Central European archaeological culture of the Late Bronze Age from the 12th to 8th centuries BC and Early Iron Age Europe from the 8th to 6th centuries BC, developing out of the Urnfield culture of the 12th century BC and followed in much of its area by the La Tène culture. It is commonly associated with Proto-Celtic speaking populations.
The Gundestrup cauldron is a richly decorated silver vessel, thought to date from between 200 BC and 300 AD, or more narrowly between 150 BC and 1 BC. This places it within the late La Tène period or early Roman Iron Age. The cauldron is the largest known example of European Iron Age silver work. It was found dismantled, with the other pieces stacked inside the base, in 1891, in a peat bog near the hamlet of Gundestrup in the Aars parish of Himmerland, Denmark. It is now usually on display in the National Museum of Denmark in Copenhagen, with replicas at other museums; during 2015–16, it was in the UK on a travelling exhibition called The Celts.
In American English, a pitcher is a container with a spout used for storing and pouring liquids. In English-speaking countries outside North America, a jug is any container with a handle and a mouth and spout for liquid – American "pitchers" will be called jugs elsewhere. Generally a pitcher also has a handle, which makes pouring easier.
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.
A guang or gong is a particular shape used in Chinese art for vessels, originally made as Chinese ritual bronzes in the Shang dynasty, and sometimes later in Chinese porcelain. They are a type of ewer which was used for pouring rice wine at ritual banquets, and often deposited as grave goods in high-status burial. Examples of the shape may be described as ewers, ritual wine vessels, wine pourers and similar terms, though all of these terms are also used of a number of other shapes, especially the smaller tripod jue and the larger zun.
Yutz is a commune in the Moselle department in Grand Est in north-eastern France, close to the borders with both Luxembourg and Germany. It was created in 1971 by merging the former communes of Basse-Yutz and Haute-Yutz. Macquenom is also a part of the commune since 1810.
Situla, from the Latin word for bucket or pail, is the term in archaeology and art history for a variety of elaborate bucket-shaped vessels from the Bronze Age to the Middle Ages, usually with a handle at the top. All types may be highly decorated, most characteristically with reliefs in bands or friezes running round the vessel.
Sancai is a versatile type of decoration on Chinese pottery using glazes or slip, predominantly in the three colours of brown, green, and a creamy off-white. It is particularly associated with the Tang dynasty (618–907) and its tomb figures, appearing around 700. Therefore, it is commonly referred to as Chinese: 唐三彩 Tang Sancai in Chinese. Tang sancai wares were sometimes referred in China and the West as egg-and-spinach by dealers, for their use of green, yellow, and white, especially when combined with a streaked effect.
Sets and individual examples of ritual bronzes survive from when they were made mainly during the Chinese Bronze Age. Ritual bronzes create quite an impression both due to their sophistication of design and manufacturing process, but also because of their remarkable durability. From around 1650 BCE, these elaborately decorated vessels were deposited as grave goods in the tombs of royalty and the nobility, and were evidently produced in very large numbers, with documented excavations finding over 200 pieces in a single royal tomb. They were produced for an individual or social group to use in making ritual offerings of food and drink to his or their ancestors and other deities or spirits. Such ceremonies generally took place in family temples or ceremonial halls over tombs. These ceremonies can be seen as ritual banquets in which both living and dead members of a family were supposed to participate. Details of these ritual ceremonies are preserved through early literary records. On the death of the owner of a ritual bronze, it would often be placed in his tomb, so that he could continue to pay his respects in the afterlife; other examples were cast specifically as grave goods. Indeed, many surviving examples have been excavated from graves.
The double spout and bridge vessel was a form of usually ceramic drinking container developed sometime before 500 BC by indigenous groups on the Peruvian coast. True to its name, this type of bottle is distinguished by two spouts with a handle bridging them. First used by the Paracas culture, it was later adopted by the Nazca. While at first the Paracas tended to incise designs derived from the art of the Chavin culture on the surface of the vessels, later on they began to treat the vessel as a sculptural form, an advance facilitated by developments in ceramic technology that allowed them construct vessels with thinner walls. This tradition was continued by the Nazca, whose vessels were elaborately figurative, decorated with polychrome glazes, or both.
The Torrs Horns and Torrs Pony-cap are Iron Age bronze pieces now in the National Museum of Scotland, which were found together, but whose relationship is one of many questions about these "famous and controversial" objects that continue to be debated by scholars. Most scholars agree that horns were added to the pony-cap at a later date, but whether they were originally made for this purpose is unclear; one theory sees them as mounts for drinking-horns, either totally or initially unconnected to the cap. The three pieces are decorated in a late stage of La Tène style, as Iron Age Celtic art is called by archaeologists. The dates ascribed to the elements vary, but are typically around 200 BC; it is generally agreed that the horns are somewhat later than the cap, and in a rather different style.
Dürrnberg, also named Bad Dürrnberg, is an Austrian village part of the municipality of Hallein, in Hallein District (Tennengau), Salzburg State. It is the location of the Hallein Salt Mine.
An elaborately decorated "ritual wine server" in the guang shape is a Chinese ritual bronze wine vessel, accession number 60.43, in the permanent Asian collection at the Indianapolis Museum of Art. It dates to about 1100 BCE in the Shang dynasty period. The piece is currently on display in the Arthur R. & Frances D. Baxter Gallery of the museum.
The Keltenmuseum in Hallein near Salzburg contains major discoveries from the La Tene period of the Iron Age which come from burials in the area surrounding the nearby Hallein Salt Mine, at Dürrnberg. The Museum was founded in 1882 and was housed in the Bürgerspital. In 1930 it was moved into the Rathaus and from 1952 occupied a gateway of the town or stadt's fortifications. In 1970 the name was changed to Keltenmuseum and the museum was moved into the former Salt Offices on the Pflegerplatz, which fronts the river Salzach. In 1980 the Museum staged a major exhibition "Die Kelten in Mitteleuropa", which demonstrated the wealth of discoveries that were being made at the Hallein. In 1993-4 the Austrian architect Heinz Tesar drew up plans for the conversion and extension of the Museum and on 1 January 2012 the Museum became a constituent part of Salzburg Museum.
The Huixian Bronze Hu are a pair of bronze wine vessels that were found in the city of Huixian, Henan province, central China. Dating to the Eastern Zhou dynasty, they have been part of the British Museum's Asian Collections since 1972.
The Agris Helmet is a ceremonial Celtic helmet from c. 350 BC that was found in a cave near Agris, Charente, France, in 1981. It is a masterpiece of Celtic art, and would probably have been used for display rather than worn in battle. The helmet consists of an iron cap completely covered with bands of bronze. The bronze is in turn covered with unusually pure gold leaf, with embedded coral decorations attached using silver rivets. One of the cheek guards was also found and has similar materials and designs. The helmet is mostly decorated in early Celtic patterns but there are later Celtic motifs and signs of Etruscan or Greek influence. The quality of the gold indicates that the helmet may well have been made locally in the Atlantic region.
The Waldalgesheim chariot burial was a 4th-century BC Celtic princely chariot burial site in Waldalgesheim, Germany, discovered in 1869. It has given its name to the "Waldalgesheim Style" of artifacts of the La Tène culture, a more fluid and confident style of decoration than early Celtic art, with Greek and Etruscan influences. The objects from the burial site were dug up by the farmer who found them on his land. The site was not investigated by archaeologists, and has recently been covered by a housing development.
A beak-spouted ewer is a ewer, jug, pitcher or flagon with a spout formed in the shape of a beak.
