Sanchi is a Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town in Raisen District of the State of Madhya Pradesh, India. It is located, about 23 kilometres from Raisen town, district headquarter and 46 kilometres (29 mi) north-east of Bhopal, capital of Madhya Pradesh.
The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism.
Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, and at times eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms.
A chaitya, chaitya hall, chaitya-griha, refers to a shrine, sanctuary, temple or prayer hall in Indian religions. The term is most common in Buddhism, where it refers to a space with a stupa and a rounded apse at the end opposite the entrance, and a high roof with a rounded profile. Strictly speaking, the chaitya is the stupa itself, and the Indian buildings are chaitya halls, but this distinction is often not observed. Outside India, the term is used by Buddhists for local styles of small stupa-like monuments in Nepal, Cambodia, Indonesia and elsewhere. In the historical texts of Jainism and Hinduism, including those relating to architecture, chaitya refers to a temple, sanctuary or any sacred monument.
The dharmachakra or wheel of dharma is a widespread symbol used in South Asian religions such as Hinduism, Jainism, and especially Buddhism.
The National Museum in New Delhi, also known as the National Museum of India, is one of the largest museums in India. Established in 1949, it holds a variety of articles ranging from pre-historic era to modern works of art. It functions under the Ministry of Culture, Government of India. The museum is situated on Janpath. The blue–print of the National Museum had been prepared by the Gwyer Committee set up by the Government of India in 1946. The museum has around 200,000 works of art, mostly Indian, but some of foreign origin, covering over 5,000 years.
Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE.
Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a few survivals. The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread.
Korean Buddhist sculpture is one of the major areas of Korean art. Buddhism, a religion originating in what is now India, was transmitted to Korea via China in the late 4th century. Buddhism introduced major changes in Korean society. The complexity of the religious sutras sent to Korea required the aristocrats who adopted the religion to become literate and required the training and importation of literate scribes. Little evidence of religious art exists in Korea before the introduction of Buddhism. Subsequent to its introduction, the religion inspired the production of devotional art as well as the beginnings of sophisticated temple architecture.
Ratnagiri is the site of a ruined mahavihara, once the major Buddhist monastery in modern Odisha, India. It is located on a hill in between the Brahmani and Birupa rivers in Jajpur district. It is close to other Buddhist sites in the area, including Lalitagiri and Udayagiri, and 100 km (62 mi) from the state capital Bhubaneswar and 70km from the former state capital Cuttack.
Jain sculptures or Jain idols are the images depicting Tirthankaras. These images are worshiped by the followers of Jainism. The sculpture can depict any of the twenty-fourtirthankaras with images depicting Parshvanatha, Rishabhanatha, or Mahāvīra being more popular. Jain sculptures are an example of Jain art. There is a long history of construction of Jain sculptures. Early examples include Lohanipur Torsos which has been regarded to be from the Maurya period, and images from the Kushan period from Mathura.
Jain art refers to religious works of art associated with Jainism. Even though Jainism has spread only in some parts of India, it has made a significant contribution to Indian art and architecture.
The Sambas Treasure is a hoard of ancient gold and silver buddhist sculptures found near the town of Sambas in west Borneo that now form part of the British Museum's collection. Dating from 8th–9th centuries AD, they pre-date the coming of Islam to the Indonesian archipelago by four centuries and were probably made in Java.
The Amarāvati Stupa, popularly known as the great stūpa at Amarāvathi, is a ruined Buddhist monument, probably built in phases between the third century BCE and about 250 CE, at Amaravathi village, Palnadu district, Andhra Pradesh, India. The site is under the protection of the Archaeological Survey of India. The campus includes the stūpa itself and the Archaeological Museum.
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths", and the pre-eminent center of religious artistic expression in India at least until the Gupta period, and was influential throughout the sub-continent.
The Kurkihar hoard is a set of 226 bronzes, mostly Buddhist, dating to between the 9th and 12th centuries CE, which were found in Kurkihar near Gaya in the Indian state of Bihar. The village of Kurkihar is situated about 5 km. north-east of Wazirganj, and 27 km east from Gaya. The inscriptions found suggest that Kurkihar was once a well known international pilgrimage center.
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Gupta art is characterized by its "Classical decorum", in contrast to the subsequent Indian medieval art, which "subordinated the figure to the larger religious purpose".
The Buddha Preaching his First Sermon is a stone sculpture of the 5th-century CE showing Gautama Buddha in the "teaching posture" or dharmachakra pravartana mudrā. The relief is 5' 3" tall, and was excavated at Sarnath, India by F. O. Oertel during the 1904–1905 excavation season of the Archaeological Survey of India (ASI); it was found in an area to the south of the Dhamek Stupa.
Indo-Scythian art developed under the various dynasties of Indo-Scythian rulers in northwestern India, from the 1st century BCE to the early 5th century CE, encompassing the productions of the early Indo-Scythians, the Northern Satraps and the Western Satraps. It follows the development of Indo-Greek art in northwestern India. The Scythians in India were ultimately replaced by the Kushan Empire and the Gupta Empire, whose art form appear in Kushan art and Gupta art.
The Eight Great Events (ashtammaha-pratharya) are a set of episodes in the life of Gautama Buddha that by the time of the Pala Empire of North India around the 9th century had become established as the standard group to encapsulate the Buddha's life and teachings. As such they were frequently represented in Buddhist art, either individually or as a group, and recounted and interpreted in Buddhist discourses.
