Mirza Nur-ud-Din Muhammad Salim, known by his imperial name Jahangir, was the fourth Mughal Emperor, who ruled from 1605 until his death in 1627. He was the third and only surviving son of Akbar and his chief empress, Mariam-uz-Zamani, born to them in the year 1569. He was named after the Indian Sufi saint, Salim Chishti.
Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, (CSMVS) originally named Prince of Wales Museum of Western India, is a museum in Mumbai (Bombay) which documents the history of India from prehistoric to modern times.
The pillars of Ashoka are a series of monolithic columns dispersed throughout the Indian subcontinent, erected or at least inscribed with edicts by the 3rd Mauryan Emperor Ashoka the Great, who reigned from c. 268 to 232 BCE. Ashoka used the expression Dhaṃma thaṃbhā, i.e. "pillars of the Dharma" to describe his own pillars. These pillars constitute important monuments of the architecture of India, most of them exhibiting the characteristic Mauryan polish. Of the pillars erected by Ashoka, twenty still survive including those with inscriptions of his edicts. Only a few with animal capitals survive of which seven complete specimens are known. Two pillars were relocated by Firuz Shah Tughlaq to Delhi. Several pillars were relocated later by Mughal Empire rulers, the animal capitals being removed. Averaging between 12 and 15 m in height, and weighing up to 50 tons each, the pillars were dragged, sometimes hundreds of miles, to where they were erected.
Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, and at times eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms.
Mughal painting is a style of painting on paper confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa), from the territory of the Mughal Empire in South Asia. It emerged from Persian miniature painting and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings.
The National Museum in New Delhi, also known as the National Museum of India, is one of the largest museums in India. Established in 1949, it holds a variety of articles ranging from pre-historic era to modern works of art. It functions under the Ministry of Culture, Government of India. The museum is situated on Janpath. The blue–print of the National Museum had been prepared by the Gwyer Committee set up by the Government of India in 1946. The museum has around 200,000 works of art, mostly Indian, but some of foreign origin, covering over 5,000 years.
The Tomb of Jahangir is a 17th-century mausoleum built for the Mughal Emperor Jahangir. The mausoleum dates from 1637, and is located in Shahdara Bagh near city of Lahore, Pakistan, along the banks of the Ravi River. The site is famous for its interiors that are extensively embellished with frescoes and marble, and its exterior that is richly decorated with pietra dura. The tomb, along with the adjacent Akbari Sarai and the Tomb of Asif Khan, are part of an ensemble currently on the tentative list for UNESCO World Heritage status.
The Department of Asia in the British Museum holds one of the largest collections of historical objects from Asia. These collections comprise over 75,000 objects covering the material culture of the Asian continent, and dating from the Neolithic age up to the present day.
Prayag is an ancient holy city of India mentioned in the Vedic scriptures and texts. Some people believe Prayag was renamed Allahabad by the Mughal ruler Akbar around 1575 or even later, but others believe Prayag was never a city and Allahabad was created during Mughal rule. Akbar was grandson of the Mughal conqueror Babur.
The Department of the Middle East, numbering some 330,000 works, forms a significant part of the collections of the British Museum, and the world's largest collection of Mesopotamian antiquities outside Iraq. The collections represent the civilisations of the ancient Near East and its adjacent areas.
A Muraqqa is an album in book form containing Islamic miniature paintings and specimens of Islamic calligraphy, normally from several different sources, and perhaps other matter. The album was popular among collectors in the Islamic world, and by the later 16th century became the predominant format for miniature painting in the Persian Safavid, Mughal and Ottoman empires, greatly affecting the direction taken by the painting traditions of the Persian miniature, Ottoman miniature and Mughal miniature. The album largely replaced the full-scale illustrated manuscript of classics of Persian poetry, which had been the typical vehicle for the finest miniature painters up to that time. The great cost and delay of commissioning a top-quality example of such a work essentially restricted them to the ruler and a handful of other great figures, who usually had to maintain a whole workshop of calligraphers, artists and other craftsmen, with a librarian to manage the whole process.
The Mughal Empire was an early modern Muslim empire that controlled much of South Asia between the 16th and 19th centuries. For some two hundred years, the empire stretched from the outer fringes of the Indus River Basin in the west, northern Afghanistan in the northwest, and Kashmir in the north, to the highlands of present-day Assam and Bangladesh in the east, and the uplands of the Deccan Plateau in South India.
Hardstone carving, in art history and archaeology, is the artistic carving of semi-precious stones, such as jade, rock crystal, agate, onyx, jasper, serpentinite, or carnelian, and for objects made in this way. Normally the objects are small, and the category overlaps with both jewellery and sculpture. Hardstone carving is sometimes referred to by the Italian term pietre dure; however, pietra dura is the common term used for stone inlay work, which causes some confusion.
Lalbhai Dalpatbhai Museum, abbreviated L. D. Museum, is a museum of Indian sculptures, bronzes, manuscripts, paintings, drawings, miniature paintings, woodwork, bead work and ancient and contemporary coins in Ahmedabad, Gujarat, India.
The Allahabad pillar is a stambha, containing one of the pillar edicts of Ashoka, erected by Ashoka, emperor of the Maurya dynasty, who reigned in the 3rd century BCE,. While it is one of the few extant pillars that carry Ashokan edicts, it is particularly notable for containing later inscriptions attributed to the Gupta emperor Samudragupta. Also engraved on the stone are inscriptions by the Mughal emperor Jahangir, from the 17th century.
The National Museum in New Delhi, India, has two galleries of decorative arts with a large collection of Mughal jade carvings forming a display for its Jade Collection.
Naubat Khan was an Indian classical music composer, musician and instrumentalist who was made a Mansabdar by Mughal Emperor Akbar. He is known today for his skills with the rudra veena or bīn, which he is shown playing in paintings by Mughal court artists. Naubat Khan was the contemporary and son in law of legendary Tansen.
The Al Thani Collection is a collection of art representing civilizations around the world, highlights from which are on view in the Hôtel de la Marine, on the Place de la Concorde, in Paris. It was assembled by Sheikh Hamad bin Abdullah bin Khalifa Al Thani, first cousin of the Emir of Qatar. Portions of the collection previously toured to different museums around the world, including the Metropolitan Museum of Art in New York, the Victoria and Albert Museum in London, and the Legion of Honor Museum in San Francisco. Beginning in late 2021 it occupied a wing of the newly restored Hotel de la Marine in Paris, under agreement with the Centre des monuments nationaux of the French Ministry of Culture. Under the agreement, it will remain for twenty years.
