The Buddhas of Bamiyan were two 6th-century monumental Buddhist statues in the Bamiyan Valley of Afghanistan. Located 130 kilometres (81 mi) to the northwest of Kabul, at an elevation of 2,500 metres (8,200 ft), carbon dating of the structural components of the Buddhas has determined that the smaller 38 m (125 ft) "Eastern Buddha" was built around 570 CE, and the larger 55 m (180 ft) "Western Buddha" was built around 618 CE, which would date both to the time when the Hephthalites ruled the region. As a UNESCO World Heritage Site of historical Afghan Buddhism, it was a holy site for Buddhists on the Silk Road. However, in March 2001, both statues were destroyed by the Taliban following an order from their leader Mullah Muhammad Omar; the Taliban government of the Islamic Emirate had condemned the Bamiyan Buddhas as idols, invoking the Muslim concept of shirk. International and local opinion strongly condemned the destruction of the Buddhas.
The Kizil Caves are a set of Buddhist rock-cut caves located near Kizil Township in Baicheng County, Aksu Prefecture, Xinjiang, China. The site is located on the northern bank of the Muzat River 65 kilometres west of Kucha. This area was a commercial hub of the Silk Road. The caves have an important role in Central Asian art and in the Silk Road transmission of Buddhism, and are said to be the earliest major Buddhist cave complex in China, with development occurring between the 3rd and 8th centuries CE. The caves of Kizil are the earlier of their type in China, and their model was later adopted in the construction of Buddhist caves further east. Another name for the site has been Ming-oi, although this term is now mainly used for the site of Shorchuk to the east.
Tokharistan is an ancient Early Middle Ages name given to the area which was known as Bactria in Ancient Greek sources.
A candi is a Hindu or Buddhist temple in Indonesia, mostly built during the Zaman Hindu-Buddha or "Hindu-Buddhist period" between circa the 4th and 15th centuries.
Buddhism in Central Asia mainly existed in Mahayana forms and was historically especially prevalent along the Silk Road. The history of Buddhism in Central Asia is closely related to the Silk Road transmission of Buddhism during the first millennium of the common era.
The ancient archaeological site of Bunjikat, also named Shahriston, is located near the town of Bunjikat, in the Shahristan Pass at the entrance of the Ferghana Valley, in Sughd Province of western Tajikistan, just west of the town of Kairma.
Ajina Tepe is a Buddhist monastery cluster located 12 kilometers east of the city of Bokhtar, Tajikistan.
Dilberjin Tepe, also Dilberjin or Delbarjin, is the modern name for the remains of an ancient town in modern (northern) Afghanistan. The town was perhaps founded in the time of the Achaemenid Empire. Under the Kushan Empire it became a major local centre. After the Kushano-Sassanids the town was abandoned.
Central Asian art is visual art created in Central Asia, in areas corresponding to modern Kyrgyzstan, Kazakhstan, Uzbekistan, Turkmenistan, Azerbaijan, Tajikistan, Afghanistan, Pakistan, and parts of modern Mongolia, China and Russia. The art of ancient and medieval Central Asia reflects the rich history of this vast area, home to a huge variety of peoples, religions and ways of life. The artistic remains of the region show a remarkable combinations of influences that exemplify the multicultural nature of Central Asian society. The Silk Road transmission of art, Scythian art, Greco-Buddhist art, Serindian art and more recently Persianate culture, are all part of this complicated history.
Kara Tepe is a Buddhist archaeological site in the Central Asia region of Bactria, in the Termez oasis near the city of Termez in southern Uzbekistan. The foundations of the site date to the 1st century CE, with a peak of activity around the 3rd and 4th centuries during the Kushan period, before experiencing a fatal decline around the 5th century CE, probably with the invasion of the Kushano-Sassanian, whose coinage can be found on the site.
Galina Anatolyevna Pugachenkova was a Soviet archaeologist and art historian, regarded as a founder of Uzbek archaeology and central to the progression of archaeology and art history under Soviet regimes. Her work has contributed greatly to the register of surviving buildings in Central Asia and in many cases was the first register of traditional surviving buildings. Pugachenkova directed a branch of the archaeological expedition of southern Turkmenistan from 1946 to 1961, and of the Uzbek historical-artistic expedition from 1959 to 1984.
Fayaz Tepe, also Fayoz-Tepe, is a Buddhist archaeological site in the Central Asia region of Bactria, in the Termez oasis near the city of Termez in southern Uzbekistan. Located 15 km west of Termez off the main M39 highway. Bus number 15 runs past the turn-off to Fayaz Tepe, from where it is a 1 km walk without shade. The foundations of the site date to the 1st century CE, with a peak of activity around the 3rd and 4th centuries during the Kushan period, before experiencing a fatal decline around the 5th century CE, probably with the invasion of the Kushano-Sassanian, whose coinage can be found at the nearby site of Kara Tepe.
Balalyk tepe, in former Bactria, modern Uzbekistan, is a Central Asian archaeological site with many mural paintings. It was the site of a small fortified manor belonging to a princely Hephthalite clan. It is generally dated a bit later than the painting at Dilberjin, from the late 5th century to the early 7th century CE, or from the end of the 6th century to the early 7th century CE. The paintings of Balalyk Tepe are part of a "Tokharistan school", which also includes Adzhina-tepe and Kafyr-kala. They are succeeded chronologically by the Sogdian art of Penjikent.
The Archaeological Museum of Termez is a museum in the city of Termez, modern Uzbekistan. The artifacts contained in the museum are mainly linked to the Graeco-Bactrian and Kushan periods. Some artifacts, such as the seated Buddha under the Bodhi tree or head of the Kushan prince are actually copies, the original of which are located in the History Museum of Tashkent and in the Hermitage Museum in Saint-Petersburg.
Tavka Kurgan is an ancient fortress and archaeological site near Shirabad, Uzbekistan. It is especially famous for some frescoes dated to the 5th-6th century CE, several of them located in the Archaeological Museum of Termez. One of these paintings, the so-called "Princess of Tokharistan", is actually thought to represent a hunter.
Kafir-kala is an ancient fortress in the Vakhsh valley in Tajikistan.
The Tokhara Yabghus or Yabghus of Tokharistan were a dynasty of Western Turk–Hephtalite sub-kings with the title "Yabghus", who ruled from 625 CE in the area of Tokharistan north and south of the Oxus River, with some smaller remnants surviving in the area of Badakhshan until 758 CE. Their legacy extended to the southeast where it came into contact with the Turk Shahis and the Zunbils until the 9th century CE.
The Tajikistan National Museum of Antiquities is a museum in Dushanbe, Tajikistan. It is particularly famous for its murals from Penjikent.
The murals of Penjikent are among the most famous murals of the pre-Islamic period in Panjakent, ancient Sogdiana, in Tajikistan. Numerous murals were recovered from the site, and many of them are now on display in the Hermitage Museum in Saint Petersburg, and in the National Museum of Antiquities of Tajikistan in Dushanbe. The murals reveal the cosmopolitan nature of the Penjikent society that was mainly composed of Sogdian and Turkic elites and likely other foreign merchant groups of heterogeneous origin. Significant similarities with Old Turkic clothing, weapon items, hairstyles and ritual cups are noted by comparative research.
Tepe Sardar, also Tapa Sardar or Tepe-e-Sardar, is an ancient Buddhist monastery in Afghanistan. It is located near Ghazni, and it dominates the Dasht-i Manara plain. The site displays two major artistic phases, an Hellenistic phase during the 3rd to 6th century CE, followed by a Sinicized-Indian phase during the 7th to 9th century.
Female devotee in Kalai Kafirnigan. 7th-early 8th century. [1]
Mural of a male figure
