Jean Kilbourne | |
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Born | [1] | January 4, 1943
Alma mater |
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Occupation | Media educator |
Spouse | |
Children | 1 |
Website | JeanKilbourne.com |
Jean Kilbourne (born January 4, 1943) is an American educator, former model, filmmaker, author and activist, who is known as a pioneer of feminist advertising criticism and advocacy of media literacy. In the 1970s she was one of the top three requested speakers at college campuses in Northern America.
Her 1979 documentary, Killing Us Softly , has been used in several fields of academy ranging from psychology to communications for several decades. In 2019, Jennifer Pozner said her points were more compelling than ever.
Kilbourne was born in Junction City, Kansas. [1] Her mother died when she was 9. [2] She grew up in Hingham, Massachusetts. [3] [1] She started smoking when she was 13. She told Deseret News that quitting was the hardest thing she'd ever done. [2] She graduated from Hingham High School in 1960. [4]
Kilbourne has a Bachelor of Arts in English from Wellesley College and holds a Master of Arts and Doctorate in Education from Boston University. [5] [6] [1]
At the time of her graduation from Wellesley, it was difficult for women to find jobs. Kilbourne had to work as a waitress and as a model while she attended secretarial school to find work in her field. She described her work as a model "soul-destroying," describing a culture of sexual harassment. [7] [8] [9] She then obtained a job at the BBC working as a secretary. [6] In 1969, she started teaching at Norwell High School. Upon obtaining her MA, she taught at Emerson College until 1975. [1] [6]
In 1968, Kilbourne saw an ad for Ovulen 21, a birth control pill, which said it worked "the way a woman thinks—by weekdays" instead of by their menstrual cycles with pictures of various stereotypical tasks for a housewife. She said the ad changed her life. She began to watch for patterns in advertisements she saw and clipped them to put on her refrigerator at home. She said she noticed a trend of advertisements demeaning to women and some were "shockingly violent." She then shifted her career from teaching to academia and educating the public about how the media shapes society. [10]
Early in her scholarly career, Kilbourne explored the connection between advertising and several public health issues, including violence against women, eating disorders, and addiction, and launched a movement to promote media literacy as a way to prevent these problems. An idea that diverged significantly from the mainstream at the time, this approach has since become mainstream and an integral part of most prevention programs. [11] [12] She testified twice before the United States Congress and advised two Surgeon Generals of the United States on the impact of Joe Camel, a cartoon mascot for Camel brand cigarettes, on children, and other advertising around alcohol and the portrayal of women. Kilbourne said that the advertising perpetuates unrealistic, unobtainable ideals and creates a culture of violence toward women in which they are objectified and dehumanized. Kilbourne believes that addictions are a political tool. [9]
Kilbourne was in the 2011 documentary Miss Representation. [13]
In the 1970s, Kilbourne's work pioneered the criticism of a growing trend among advertisers to objectify women, now a robust field within feminist criticism of the media. According to The New York Times Magazine and The Boston Globe , she was among the top three most popular guest lecturers on college campuses, speaking at more than half of all universities and colleges in Northern America. [8] Her 2000 book, Can’t Buy My Love, was recognized with a Distinguished Publication Award from the Association for Women in Psychology. [14]
In 2015, she was inducted into the National Women's Hall of Fame. [15]
In 2019, 40 years after the release of her documentary Killing Us Softly , Jennifer Pozner, the director of the organization Women in Media & News, said, "Kilbourne’s main point—that advertising creates a toxic cultural environment in which sexual objectification, physical subjugation and intellectual trivialization of women has deep psychological and political resonance—is more compelling than ever." [8] The series has been widely used in the fields of social psychology, gender studies, and communication studies since the 1980s. [16]
In the 2006 article "Market Feminism: The Case for a Paradigm Shift" by Linda M. Scott, Still Killing Us Softly from 1987 was criticized as being a near duplicate film from the 1979 original. [17]
A 2012 paper calling for change in teaching materials within Women's Studies to include androgynous body types and transgender women criticized Kilborne's work stating "by neglecting to acknowledge or critique dominant couplings of bodies and genders, Kilbourne is able to neatly flip the terms of the binary she sets up," and that "the absence of this critique is connected to her failure to interrogate the ways in which the category of women is constructed in conjunction with a host of other identity categories" such as race. [18]
Kilbourne dated Ringo Starr in the 1960s while she was living in London. [6] She was in a relationship with writer Jerzy Kosiński while in graduate school, which she described as "the most important of her life." [10] [20] She later met poet Thomas Lux while working at Emerson. They married and they had one child before divorcing. Lux died in 2017. [21]
Sex appeal in advertising is a common tactic employed to promote products and services. Research indicates that sexually appealing content, including imagery, is often used to shape or alter the consumer's perception of a brand, even if it is not directly related to the product or service being advertised. This approach, known as "sex sells," has become more prevalent among companies, leading to controversies surrounding the use of sexual campaigns in advertising.
Gloria Jean Watkins, better known by her pen name bell hooks, was an American author, theorist, educator, and social critic who was a Distinguished Professor in Residence at Berea College. She was best known for her writings on race, feminism, and class. She used the lower-case spelling of her name to decenter herself and draw attention to her work instead. The focus of hooks' writing was to explore the intersectionality of race, capitalism, and gender, and what she described as their ability to produce and perpetuate systems of oppression and class domination. She published around 40 books, including works that ranged from essays, poetry, and children's books. She published numerous scholarly articles, appeared in documentary films, and participated in public lectures. Her work addressed love, race, social class, gender, art, history, sexuality, mass media, and feminism.
Sexual objectification is the act of treating a person solely as an object of sexual desire. Objectification more broadly means treating a person as a commodity or an object without regard to their personality or dignity. Objectification is most commonly examined at the level of a society (sociology), but can also refer to the behavior of individuals (psychology), and is a type of dehumanization.
Feminist theory is the extension of feminism into theoretical, fictional, or philosophical discourse. It aims to understand the nature of gender inequality. It examines women's and men's social roles, experiences, interests, chores, and feminist politics in a variety of fields, such as anthropology and sociology, communication, media studies, psychoanalysis, political theory, home economics, literature, education, and philosophy.
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Feminist sociology is an interdisciplinary exploration of gender and power throughout society. Here, it uses conflict theory and theoretical perspectives to observe gender in its relation to power, both at the level of face-to-face interaction and reflexivity within social structures at large. Focuses include sexual orientation, race, economic status, and nationality.
Phyllis Chesler is an American writer, psychotherapist, and professor emerita of psychology and women's studies at the College of Staten Island (CUNY). She is a renowned second-wave feminist psychologist and the author of 18 books, including the best-sellers Women and Madness (1972), With Child: A Diary of Motherhood (1979), and An American Bride in Kabul: A Memoir (2013). Chesler has written extensively about topics such as gender, mental illness, divorce and child custody, surrogacy, second-wave feminism, pornography, prostitution, incest, and violence against women.
Cosmetic advertising is the promotion of cosmetics and beauty products by the cosmetics industry through a variety of media. The advertising campaigns are usually aimed at women wishing to improve their appearance, commonly to increase physical attractiveness and reduce the signs of ageing.
A video vixen is a woman who models and appears in hip hop-oriented music videos. From the 1990s to the early 2010s, the video vixen image was a staple in popular music, particularly within the genre of hip hop. First appearing in the late 1980s, when hip-hop culture began to gain popularity. It was most popular in American pop culture during the 1990s and 2000s. Video vixens are aspiring actors, singers, dancers, or professional models. Artists and vixens have been criticized for allegedly contributing to the social degradation of black women and Latinas.
Sexualization is the emphasis of the sexual nature of a behavior or person. Sexualization is linked to sexual objectification, treating a person solely as an object of sexual desire. According to the American Psychological Association, sexualization occurs when "individuals are regarded as sex objects and evaluated in terms of their physical characteristics and sexiness." "In study after study, findings have indicated that women more often than men are portrayed in a sexual manner and are objectified. In addition, a narrow standard of physical beauty is heavily emphasized. These are the models of femininity presented for young girls to study and emulate."
Sut Jhally is a professor of communication at the University of Massachusetts Amherst, whose work focuses on cultural studies, advertising, media, and consumption. He is the producer of more than 40 documentaries on media literacy topics and the founder and executive director of the Media Education Foundation.
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Killing Us Softly is an American documentary series by Jean Kilbourne, produced and distributed by the Media Education Foundation. First released in 1979 and since revised and updated three times, most recently in 2010, it focuses on images of women in advertising; in particular on gender stereotypes, the effects of advertising on women's self-image, and the objectification of women's bodies.
The exploitation of women in mass media is the use or portrayal of women in mass media such as television, film, music, and advertising as objects or sexual beings, in order to increase the appeal of media or a product to the detriment of the women being portrayed, and women in society. This process includes the presentation of women as sexual objects and the setting of feminine beauty ideals that women are expected to reflect. Sexual exploitation of women in the media dates back to 19th century Paris, in which ballerinas were exposed to harassment and objectification. The most often criticized aspect of the use of women in mass media is sexual objectification, but dismemberment can be a part of the objectification as well. The exploitation of women in mass media has been criticized by feminists and other advocates of women's rights, and is a topic of discussion in feminist studies and other fields of scholarship.
Porn for women, women's porn or women's pornography is pornography aimed specifically at the female market, and often produced by women. It rejects the view that pornography is only for men, and seeks to make porn that women enjoy watching instead of what is being offered in male-centric mainstream pornography.
Gender plays a role in mass media and is represented within media platforms. These platforms are not limited to film, radio, television, advertisement, social media, and video games. Initiatives and resources exist to promote gender equality and reinforce women's empowerment in the media industry and representations. For example, UNESCO, in cooperation with the International Federation of Journalists, elaborated the Gender-sensitive Indicators for Media contributing to gender equality and women's empowerment in all forms of media.
In feminist theory, the male gaze is the act of depicting women and the world in the visual arts and in literature from a masculine, heterosexual perspective that presents and represents women as sexual objects for the pleasure of the heterosexual male viewer. The concept was first articulated by British feminist film theorist Laura Mulvey in her 1975 essay, Visual Pleasure and Narrative Cinema. Mulvey's theory draws on historical precedents, such as the depiction of women in European oil paintings from the Renaissance period, where the female form was often idealized and presented from a voyeuristic male perspective. Art historian John Berger, in his work Ways of Seeing (1972), highlighted how traditional Western art positioned women as subjects of male viewers’ gazes, reinforcing a patriarchal visual narrative.
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