The twelve-inch single is a type of vinyl gramophone record that has wider groove spacing and shorter playing time with a "single" or a few related sound tracks on each surface, compared to LPs which have several songs on each side. It is named for its 12-inch (300 mm) diameter. This allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range, and thus better sound quality. This record type is commonly used in disco and dance music genres, where DJs use them to play in clubs. They are played at either 33+1⁄3 or 45 rpm. The conventional 7-inch single usually holds three or four minutes of music at full volume. The 12-inch LP sacrifices volume for extended playing time.
For You is the debut studio album by the American singer-songwriter Prince. It was released by Warner Bros. Records on April 7, 1978. All tracks were produced, arranged, composed, and performed by Prince. Prince started recording in September 1977 at Sound 80 in Minneapolis, Minnesota, where he had previously made a demo. Friend and producer David Rivkin provided advice and engineering assistance.
"I Wanna Be Your Lover" is a song by American recording artist Prince. It was released on August 24, 1979, as the lead single from his second album, Prince. The song was Prince's first major hit single in the United States, reaching number 11 on the Billboard Hot 100 on January 26, 1980, holding the number 11 position for two weeks, and peaking at number one on the Billboard Hot Soul Singles chart for two weeks.
"Let's Go Crazy" is a 1984 song by Prince and The Revolution, from the album Purple Rain. It is the opening track on both the album and the film Purple Rain. "Let's Go Crazy" was one of Prince's most popular songs, and was a staple for concert performances, often segueing into other hits. When released as a single, the song became Prince's second number-one hit on the Billboard Hot 100, and also topped the two component charts, the Hot R&B/Hip-Hop Songs and Hot Dance Club Play charts, as well as becoming a UK Top 10 hit. The B-side was the lyrically controversial "Erotic City". In the UK, the song was released as a double A-side with "Take Me with U".
"Batdance" is a song by American musician Prince, from the 1989 Batman soundtrack. Helped by the film's popularity, the song reached number one in the US, becoming Prince's fourth American number-one single and served as his first number-one hit since "Kiss" in 1986.
"Gett Off" is a song written and produced by American musician Prince, released in June 1991 by Paisley Park and Warner Bros. as the lead single from his thirteenth album, Diamonds and Pearls (1991). The album was his first with his backing band the New Power Generation. "Gett Off" was a hit on both sides of the Atlantic, reaching number four in the United Kingdom; the maxi-single was too long and pricey to appear on the UK Singles Chart, so this release was classified as an album, peaking at number 33 on the UK Albums Chart in August 1991.
"Scandalous" is the eighth track on Prince's soundtrack album Batman and was released as the album's fourth single, five months after the album was released. The music is attributed to Prince and his father, John L. Nelson. A maxi single was released after the single titled The Scandalous Sex Suite, which contained a three-part 19-minute suite of the song "Scandalous", with the three parts named The Crime, The Passion, and The Rapture. Kim Basinger, who was dating Prince at the time and who also played the character Vicki Vale in Batman, also appeared on the maxi single.
"Soft and Wet" is a song performed by American musician Prince. It was his first solo single, released on June 7, 1978, his 20th birthday, from his debut album, For You. The track contains drums, synthesized and vocalized bass, and synthesizers. The lyrics were co-written by Chris Moon, the producer-songwriter-engineer who discovered Prince in Minneapolis. The song was released in Barbados, South Africa, and the United States by Warner Bros. Records. There also exists a promotional, not-for-sale version of the 7" vinyl single that contains both a mono version and stereo version of the song. The song peaked at 92 on the Billboard Hot 100 on November 25, 1978, after two weeks on the chart.
"Dirty Mind" is the follow-up single in the US, and title track to Prince's third album, released in 1980. The song is built around a keyboard riff created by Doctor Fink, which dominates the song. The demo-like song lacks a chorus, and is a stark departure of the smooth R&B sound of Prince's first two albums. The lyrics concern sexual thoughts, which are fairly representative of the other songs from the album. The single's B-side is the ballad "When We're Dancing Close and Slow", from the previous year's Prince. "Dirty Mind" reached number sixty-five on the soul chart. Along with the tracks "Uptown" and "Head", "Dirty Mind" reached number five on the dance chart.
"Sexy Dancer" is a song by Prince, released in the UK as the second single from his self-titled second album. It was the first Prince single released outside the United States that was not released as a single stateside. The disco number has few lyrics but contains prominent bass guitar, grunts and screams. It also has elements of rock and R&B.
"My Own Way" is the fourth single by English new wave band Duran Duran, originally released on 16 November 1981.
"A Love Bizarre" is a song recorded by Sheila E., and written by Prince and Sheila E. The song is a duet between both singers and it appears on Sheila E.'s 1985 album Romance 1600. It clocks in at 12:16, but the single version is 3:46 in duration. It made its debut in the music movie Krush Groove.
"Private Joy" is a song by American musician Prince from his 1981 album Controversy, released as the B-side of the single "Do Me, Baby". The song describes how Prince will never reveal the identity of his secret lover. This is the first time Prince used the LM-1 machine, which he would use throughout his career.
Fame is the second studio album by Grace Jones, released on 7 June 1978 by Island Records.
"Stormtrooper in Drag" is the debut single by Paul Gardiner, who was the bass player in Gary Numan's backing band. Numan is featured on the single as a co-composer, producer, musician and vocalist.
"Gigolos Get Lonely Too" is the fifth track from the Time's six-song album, What Time Is It?. One of the first songs recorded for the album, it was produced, arranged, composed and performed by Prince with Morris Day later adding his lead vocals.
"Girl" was the final single released from the Time's debut album. Like most of the album, the song was recorded in Prince's home studio in April 1981, and was produced, arranged, composed and performed by Prince with Morris Day later adding his lead vocals. The single reached number 49 on the U.S. R&B singles chart.
"Cool" is a song by The Time, released as the second single from their eponymous debut album. Like most of the album, the song was recorded in Prince's home studio in April 1981, and was produced, arranged, and performed by Prince with Morris Day later adding his lead vocals. The song was co-written with Revolution guitarist Dez Dickerson and contains background vocals by keyboardist Lisa Coleman, however both were uncredited.
"Get It Up" is the debut single by American funk rock band the Time, from their 1981 self-titled debut album. Like most of the album, the song was recorded in Prince's home studio in April 1981, and was produced, arranged, composed and performed by Prince with Morris Day later adding his lead vocals. Revolution keyboardist Doctor Fink provided synth solos on the track, uncredited.
"Stomp!" is a song released by the Brothers Johnson from their fourth album, Light Up the Night, in early 1980. It reached number one on the Dance singles chart. In the US it reached number one on the R&B singles chart and peaked at number 7 on the Billboard Hot 100 in early 1980. In the UK it entered the singles chart at number 65 on February 23, 1980, and climbed to its highest position, number 6, by March 30, 1980. It spent a total of 12 weeks on the UK Singles Chart. The song also reached number one on the New Zealand Singles Chart, staying in this position for six weeks in 1980.
