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"Kansas City Shuffle" is the name of a 1926 jazz song.
The title of the tune refers to an advanced form of bait-and-switch confidence game employing misdirection, subterfuge, and playing on the "mark's" arrogance and/or self-loathing.
In order for a confidence game to be a "Kansas City Shuffle", the mark must be aware, or at least suspect that he is involved in a con, but also be wrong about how the con artist is planning to deceive him. The con artist will attempt to misdirect the mark in a way that leaves him with the impression that he has figured out the game and has the knowledge necessary to outsmart the con artist, but by attempting to retaliate, the mark unwittingly performs an action that helps the con artist to further the scheme. [1]
The title refers to a situation where the con man bets the mark money he can't identify what state "Kansas City" is in. The mark, guessing that the conman was hoping to trick him into saying Kansas, identifies Kansas City, Missouri as his answer. The con man then reveals that there is a much less well-known Kansas City, Kansas meaning Kansas was actually the correct answer.[ citation needed ]
A song with the title was recorded by the "Bennie Moten's Kansas City Orchestra" jazz band on 13 December 1926 in Chicago, Illinois and originally released by Victor Records on Victor 20406, the flip side being "Harmony Blues" by the same band. [2]
It is one of the first songs called a "shuffle" using the distinctive triplet-driven beat. [3]
The recording is an instrumental. The tune structure is similar to the standard I Wish I Could Shimmy Like My Sister Kate. After a short piano introduction, the band plays 2 ensemble choruses with breaks by trumpeter Lammar Wright, Sr. This is followed by solos by banjo and saxophone, a stop time chorus featuring unison work by the reeds, trombone solo, and finally out chorus ensemble. [4]
A Kansas City Shuffle was introduced by Mr. Goodkat/Smith (Bruce Willis) in the 2006 film Lucky Number Slevin in the bus terminal scene, where he explained that a Kansas City Shuffle is where "They look right... ...and you... go left." In the movie, the targets are manipulated into hiring their own killers, one of whom they believe to be a patsy.
Charles Parker Jr., nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. He was a virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber.
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands.
William James "Count" Basie was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams.
Swing music is a style of jazz that developed in the United States during the late 1920s and early '30s. It became nationally popular from the mid-1930s. The name derived from its emphasis on the off-beat, or nominally weaker beat. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era, when people were dancing the Lindy Hop. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw and Django Reinhardt.
The swing era was the period (1933–1947) when big band swing music was the most popular music in the United States. Though this was its most popular period, the music had actually been around since the late 1920s and early 1930s, being played by black bands led by such artists as Duke Ellington, Jimmie Lunceford, Bennie Moten, Cab Calloway, Earl Hines, and Fletcher Henderson, and white bands from the 1920s led by the likes of Jean Goldkette, Russ Morgan and Isham Jones. An early milestone in the era was from "the King of Swing" Benny Goodman's performance at the Palomar Ballroom in Los Angeles on August 21, 1935, bringing the music to the rest of the country. The 1930s also became the era of other great soloists: the tenor saxophonists Coleman Hawkins, Ben Webster and Lester Young; the alto saxophonists Benny Carter and Johnny Hodges; the drummers Chick Webb, Gene Krupa, Jo Jones and Sid Catlett; the pianists Fats Waller and Teddy Wilson; the trumpeters Louis Armstrong, Roy Eldridge, Bunny Berigan, and Rex Stewart.
Bluebird Records is an American record label best known for its low-cost releases, primarily of children's music, blues, jazz and swing in the 1930s and 1940s. Bluebird was founded in 1932 as a lower-priced subsidiary label of RCA Victor. Bluebird was noted for what came to be known as the "Bluebird sound", which influenced rhythm and blues and early rock and roll. It is currently owned by RCA Records parent company Sony Music Entertainment.
Oran Thaddeus "Hot Lips" Page was an American jazz trumpeter, singer, and bandleader. He was known as a scorching soloist and powerful vocalist.
Benjamin Moten was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States.
The Count Basie Orchestra is a 16- to 18-piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the big band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart.
Kansas City jazz is a style of jazz that developed in Kansas City, Missouri during the 1920s and 1930s, which marked the transition from the structured big band style to the much more improvisational style of bebop. The hard-swinging, bluesy transition style is bracketed by Count Basie, who in 1929 signed with Bennie Moten's Kansas City Orchestra, and Kansas City native Charlie Parker, who ushered in the bebop style in America. It has been said that while New Orleans was the birthplace of jazz, "America's music" grew up in Kansas City.
Herschel "Tex" Evans was an American tenor saxophonist who was a member of the Count Basie Orchestra. He also worked with Lionel Hampton and Buck Clayton. He is also known for starting his cousin Joe McQueen's interest in the saxophone. Joe McQueen, living until 2019 at age 100, may well have been the last surviving person to have known Herschel during his lifetime.
This is a list of notable events in country music that took place in the year 1925.
Edward Durham was an American jazz guitarist, trombonist, composer, and arranger. He was one of the pioneers of the electric guitar in jazz. The orchestras of Bennie Moten, Jimmie Lunceford, Count Basie, and Glenn Miller took great benefit from his composing and arranging skill.
George Ewing Lee was an American jazz bandleader.
Ed Lewis was an American jazz trumpeter.
"South" is a jazz composition by Thamon Hayes and Bennie Moten. It was introduced by Bennie Moten's Kansas City Orchestra in 1924 and recorded again in 1928, when it became a national hit. It was Moten's most popular composition.
"Moten Swing" is a 1932 jazz standard by Bennie Moten and his Kansas City Orchestra. It was an important jazz standard in the move towards a freer form of orchestral jazz and the development of Swing music. Moten and his Orchestra, which included Count Basie on piano, achieved much success with it, although the song is most associated with Basie's Count Basie Orchestra, who recorded it in 1940.
Kansas City Revisited is an album by jazz trombonist and arranger Bob Brookmeyer featuring Brookmeyer's new orchestrations of 1920s and '30s era Kansas City jazz tunes. The album was recorded in 1958 for the United Artists label.
Paul Banks was an American jazz pianist, bandleader, composer and lyricist.