Katherine Elkins is professor of humanities and Comparative Literature and faculty in Computing at Kenyon College.
Elkins attended Yale as an undergraduate, then completed a Ph.D. at UC Berkeley. She is the niece of Henry Elkins.[ citation needed ]
Elkins is a Professor of Comparative Literature and Humanities in the Integrated Program for Humane Studies (IPHS) [1] and faculty in Computing [2] at Kenyon College. She is a founding co-director of the KDH lab [3] and co-created the first human-centered artificial intelligence [4] curriculum launched in 2016 at Kenyon College [5] as the Director of IPHS. She has mentored and co-authored hundreds of student ML/AI research projects in the humanities, arts and social sciences that have been downloaded almost 60,000 times worldwide as of September 2024. [6] Her recorded lectures with The Modern Scholar on The Modern Novel [7] (2021) and The Giants of French Literature [8] (2020) are tailored to broader public audiences via Amazon's Audible.com. [9]
Elkins is best known for her pioneering work on interdisciplinary Artificial Intelligence in Literature, Narrative, Affective Computing and the Ethics of AI. Her book The Shapes of Stories, published by Cambridge University Press in 2022, [10] provided a comprehensive methodology for using diachronic sentiment analysis to analyze the emotional aspects of plot across dozens of literary classics using SentimentArcs. [11] This method has been used to analyze narrative in diverse forms including literature, [12] translations, [13] TV scripts, [14] end of life medical narratives, [15] and the evolution of social media narratives for elections [16] and economic crisis. [17]
She presented the first transdisciplinary AI research at leading academic conferences including the Modernist Studies Association in October 2019, [18] The International Society for the Study of Narrative in March 2020 [19] and the Modern Language Association Conference in January 2021. [20] Elkins was an early advocate for incorporating AI in literary studies with co-authored essays in The Journal of Cultural Analytics in September 2020 [21] and Narrative in January 2021. [22] More recently she focused on how AI redefines writing, [23] creativity, [24] authorship, [25] translations of literature, [26] eXplainable AI, [27] and the future of the academic field. [28] Her collaborative position paper addressing the risks and benefits of open-source AI was selected for oral presentation at ICML in July 2024. [29]
Elkins traditional scholarship includes essays on Plato, [30] Virginia Woolf, [31] Franz Kafka, [32] Marcel Proust, [33] and William Wordsworth. [34] In 2001 she won the A. Owen Aldridge Prize [35] in Comparative Literature for an essay on Charles Baudelaire. [35] She edited Philosophical Approaches to Proust’s In Search of Lost Time, which brings together essays by leading international Proust scholars, with Oxford University Press in 2022. [36]
Elkins is one of the leading women speaking widely on interdisciplinary AI. As early as 2019, she publicly advocated integrating AI into traditional humanities curriculum with a keynote address at the Ohio State University. [37] She gave the Meredith-Donovan lecture at Mount Saint Mary’s University in 2023, [38] featured AI Working Group lecture at Wofford College, [39] and presentation at the Stories that Win Symposium at Washington University in 2024. [40] Elkins gives keynotes on the intersection of AI, Digital Humanities, education, and the future of work. Most recently, in the summer-fall of 2024, these included keynotes at Carleton College's Day of Digital Humanities, [41] Lafayette College AI Literacy Across the Curriculum, [42] and Austin College's A.J. Carlson Lecture. [43]
Elkins has been a co-panelist on interdisciplinary AI conversations with thought leaders from diverse fields. She discussed language, epistemology and the ethics of AI with Ned Block, Francesca Rossi, and Dennis Yi Tenen [44] in October 2022. [45] Elkins debated AI generative art with co-panelist Boris Eldagsen (winner [46] of Sony World Photography Award 2023) and Shane Balkowitsch on Al Jazeera in April 2023. [47] She presented her perspectives on emotions at the intersection of AI and literature with experts Rosalind Picard, Joseph LeDoux, and Mabel Berezin. [48] She discussed what gets lost in machine translation on the podcast Merging Minds. [49]
She is the AI industry expert for Bloomberg's new AI Strategy Course [50] launched 2024. She serves as CAIO [51] of HumanCentricLabs [52] emphasizing humane applications of AI in the workplace.
Kenyon College awarded Elkins the senior trustee teaching award In 2014. [53] In March 2024 she was named a Principle Investigator for NIST's US AI Safety Institute [54] representing the Modern Language Association. [55] She was awarded a Notre Dame-IBM Tech Ethics Lab [56] award in April 2024 to research the ethics and performance of SOTA LLM models to predict criminal recidivism. [57] Elkins has been a member of Meta's Open Innovation AI Research Community [58] since 2023 and will present at the 2024 Conference at Meta's London Office in October [59]
Humanities are academic disciplines that study aspects of human society and culture, including certain fundamental questions asked by humans. During the Renaissance, the term 'humanities' referred to the study of classical literature and language, as opposed to the study of religion or 'divinity.' The study of the humanities was a key part of the secular curriculum in universities at the time. Today, the humanities are more frequently defined as any fields of study outside of natural sciences, social sciences, formal sciences, and applied sciences. They use methods that are primarily critical, speculative, or interpretative and have a significant historical element—as distinguished from the mainly empirical approaches of science.
Kenyon College is a private liberal arts college in Gambier, Ohio, United States. It was founded in 1824 by Episcopal Bishop Philander Chase. It is the oldest private institution of higher education in the state of Ohio and enrolls approximately 1,800 undergraduate students. Students choose from over 50 majors, minors, and concentrations, including self-designed majors.
Medical humanities is an interdisciplinary field of medicine which includes the humanities, social science and the arts and their application to medical education and practice.
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Nancy Katherine Hayles is an American postmodern literary critic, most notable for her contribution to the fields of literature and science, electronic literature, and American literature. She is the James B. Duke Distinguished Professor Emerita of Literature, Literature, Trinity College of Arts & Sciences at Duke University.
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Kate Crawford is a researcher, writer, composer, producer and academic, who studies the social and political implications of artificial intelligence. She is based in New York and works as a principal researcher at Microsoft Research, the co-founder and former director of research at the AI Now Institute at NYU, a visiting professor at the MIT Center for Civic Media, a senior fellow at the Information Law Institute at NYU, and an associate professor in the Journalism and Media Research Centre at the University of New South Wales. She is also a member of the WEF's Global Agenda Council on Data-Driven Development.
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Deena Larsen is an American new media and hypertext fiction author involved in the creative electronic writing community since the 1980s. Her work has been published in online journals such as the Iowa Review Web, Cauldron and Net, frAme, inFLECT, and Blue Moon Review. Since May 2007, the Deena Larsen Collection of early electronic literature has been housed at the Maryland Institute for Technology in the Humanities.
Genevieve Bell is the Vice-Chancellor of the Australian National University and an Australian cultural anthropologist. She is best known for her work at the intersection of cultural practice research and technological development, and for being an industry pioneer of the user experience field. Bell was the inaugural director of the Autonomy, Agency and Assurance Innovation Institute (3Ai), which was co-founded by the Australian National University (ANU) and CSIRO’s Data61, and a Distinguished Professor of the ANU College of Engineering, Computing and Cybernetics. From 2021 to December 2023, she was the inaugural Director of the new ANU School of Cybernetics. She also holds the university's Florence Violet McKenzie Chair, and is the first SRI International Engelbart Distinguished Fellow. Bell is also a Senior Fellow and Vice President at Intel. She is widely published, and holds 13 patents.
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María Mencía is a Spanish-born media artist and researcher working as a Senior Lecturer at Kingston University in London, United Kingdom. Her artistic work is widely recognized in the field of electronic literature, and her scholarship on digital textuality has been widely published. She holds a Ph.D. in Digital Poetics and Digital Art at the Chelsea College of Arts of the University of the Arts London and studied English Philology at the Complutense University of Madrid.
Dene (Rudyne)Grigar is a digital artist and scholar based in Vancouver, Washington. She was the president of the Electronic Literature Organization from 2013 to 2019. In 2016, Grigar received the International Digital Media and Arts Association's Lifetime Achievement Award.
Kathy Pham is a Vietnamese American computer scientist and product management executive. She has held roles in leadership, engineering, product management, and data science at Google, IBM, the Georgia Tech Research Institute, Harris Healthcare, and served as a founding product and engineering member of the United States Digital Service (USDS) in the Executive Office of the President of the United States at The White House. Pham was the Deputy Chief Technology Officer for Product and Engineering at the Federal Trade Commission, and the inaugural Executive Director of the National AI Advisory Committee.
Jessica Pressman is a scholar who studies electronic literature including digital poetry, media studies, and experimental literature. She creates works that examine how technologies affect reading practices that are displayed through several media forms.
Caitlin Fisher is a Canadian media artist, poet, writer, futurist and Professor of Cinema and Media Arts at York University in Toronto where she also directs the Immersive Storytelling Lab and the Augmented Reality Lab. Fisher is also a Co-founder of York’s Future Cinema Lab, former Fulbright and Canada Research Chair, and an international award-winning digital storyteller. Creator of some of the world’s first AR poetry and long-from VR narratives. Pioneer of research-creation who defended Canada's first born-digital dissertation. Member of the early AR artist collective Manifest AR. Fisher is also known for the 2001 hypermedia novel These Waves of Girls, and for her work creating content and software for augmented reality. "Her work is poetic and exploratory, currently combining the development of authoring software with evocative literary constructs."
Elizabeth Swanstrom is an American researcher in literature, media theory and the digital humanities. She is associate professor of English at the University of Utah and co-editor of the journal Science Fiction Studies. She is the author of Animal, Vegetable, Digital, a Co-Editor of Science Fiction studies, and a Co-Editor of the Electronic Book Review. She holds a Ph.D. in Comparative Literature from the University of California, Santa Barbara in June 2008, an M.P.W. in Professional Writing from the University of Southern California, and a B.A. in Classics from New College of Florida. Her areas of study include science fiction, fantasy, the history of science and technology, and the digital humanities. She was a postdoctoral research fellow at Umeå University's HUMlab in northern Sweden, and the Florence Levy Kay Fellow in the Digital Humanities in the English Department at Brandeis University in Massachusetts.
Rita Raley is an American researcher who focuses on digital literature. Her research interests include new media, electronic literature, digital humanities, contemporary arts, activism and social practices, tactical media, global English, discourse on globalization, and language and information politics.
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