Kim Wilde | ||||
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Studio album by | ||||
Released | 29 June 1981 | |||
Recorded | 1980–1981 | |||
Studio | The Lodge and RAK Studios (London, UK) | |||
Genre | New wave | |||
Length | 37:09 | |||
Label | Rak | |||
Producer | Ricky Wilde | |||
Kim Wilde chronology | ||||
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Singles from Kim Wilde | ||||
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Kim Wilde is the debut studio album by English singer Kim Wilde, released on 29 June 1981 by Rak Records. Fronted by the top 10 singles "Kids in America" and "Chequered Love" and greeted with a generally positive response from critics, the album launched Wilde into stardom and remains one of her most popular recordings.
The songs on the album were all written by Kim's father, the successful 1950s rock and roll singer Marty Wilde, and her younger brother Ricky Wilde. The symphonic rock band the Enid served as the backing band. [1] According to Enid leader Robert John Godfrey, the Enid got along well with Wilde but were paid "a pittance" because the album was recorded in their studio. [2]
Production duties were fulfilled by Ricky Wilde. The cover portraits were taken by renowned British photographer Gered Mankowitz.
Musically, the album is mainly new wave and rock-oriented, but it also features a reggae track ("Everything We Know"), and a brass section appears on "2-6-5-8-0".
Lyrically, Marty Wilde included love songs and also a song ("Water on Glass") about tinnitus (a medical condition that causes ringing in the ears), a song about the deterioration of inner cities ("Our Town") and a song about a theory that sound is alive ("Tuning in Tuning On").
Review scores | |
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Source | Rating |
AllMusic | [3] |
Record Collector | [4] |
Record Mirror | [5] |
Smash Hits | 6½/10 [6] |
Sounds | [7] |
Kim Wilde received generally positive reviews from contemporary critics. Commending the mix of up-tempo and slower tracks as well as Wilde's versatility, Australian publication The Chronicle found "Water on Glass" to be "reminiscent of some of the early 60s rock" and highlighted "Our Town" as "one of the best tracks", comparing the subject matter to Simon & Garfunkel's "My Little Town". [8] Donald Robertson of Roadrunner called the three singles "masterpieces" and concluded that the "pure pop" album was "fun to listen to when you're having fun". [9] Eric Chappe called the album an "immediately striking disc", citing the "'60s girl group mannerisms" and "Spector-esque drum sound" of "Water on Glass" while drawing comparisons to both Dusty Springfield and Debbie Harry. [10]
Writing for The Globe and Mail , Alan Niester again compared Wilde to Dusty Springfield and Debbie Harry, but called "2-6-5-8-0" and "You'll Never Be So Wrong" "extremely promising", describing the latter as "a moody and captivating ballad that stands head and shoulders above all the Blondie and Pat Benatar simulations." [11] David Hepworth of Smash Hits sarcastically suggested "this is the best Blondie album for a couple of years" but expressed hope that the singer would assert herself more in the future. [6] High Fidelity 's Mitchell Cohen found Wilde's voice alternately "plaintive" and "shrill" but described the album as "entertaining" and "a lot of fun", again drawing comparisons to the music of the 1960s. [12] Record Mirror critic Mike Nicholls praised Wilde's voice and individuality despite comparing the reggae-influenced "Everything We Know" to "The Tide Is High" by Blondie, released the previous year. Calling "Tuning in Tuning On" a "clever closer", Nicholls suggested that the track provided "requisite experimentation" and could indicate a new synth-driven direction for the singer; [5] a prescient prediction with regards to the sound of her subsequent albums.
Kim Wilde entered the UK Albums Chart at No. 10, moving into the top 3 the next week; [13] the album was certified gold by the BPI for sales exceeding 100,000 copies. [14] During promotion, Kim's band consisted of Ricky Wilde, James Stevenson and later boyfriend Calvin Hayes, who also appeared on the sleeve of the album. Kim later commented that, at that time in the industry, it was passé for a female to attempt to launch a serious career in pop music on her own, and that the backing band had been shown on the sleeve to give credibility to the album. Still, she was accused of trying to copy the allure of US band Blondie. The album was released in North America on 6 April 1982, reaching No. 86 in the US [15] and No. 42 in Canada. [16]
All songs written by Ricky Wilde and Marty Wilde, except where noted.
Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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Finland (Musiikkituottajat) [25] | Gold | 42,006 [25] |
Germany (BVMI) [26] | Gold | 250,000^ |
United Kingdom (BPI) [14] | Gold | 100,000^ |
Summaries | ||
Europe as of September 1981 | — | 500,000 [27] |
^ Shipments figures based on certification alone. |
Kim Wilde is an English pop singer. She first gained success in 1981 with her debut single "Kids in America", which peaked at No. 2 in the UK. In 1983, she received the Brit Award for Best British Female solo artist. In 1986, she had a UK No. 2 hit with a reworked version of the Supremes' song "You Keep Me Hangin' On", which also topped the US Billboard Hot 100 in 1987. Between 1981 and 1996, she had 25 singles that charted within the Top 50 of the UK Singles Chart. Her other hits include "Chequered Love" (1981), "You Came" (1988), and "Never Trust a Stranger" (1988). In 2003, she collaborated with Nena on the song "Anyplace, Anywhere, Anytime", which topped the Dutch and Austrian charts.
No Exit is the seventh studio album by American rock band Blondie, released on February 15, 1999, by Beyond Music. It was the band's first album in 17 years and features the UK number-one single "Maria". As of March 2006, the album had sold two million copies worldwide.
Marty Wilde, is a British singer and songwriter. He was among the first generation of British pop stars to emulate American rock and roll, scoring several 1950s and 1960s hit singles including "Endless Sleep", "Sea of Love" and "Bad Boy". During the late 1960s to early 1980s, Wilde continued to record and, with Ronnie Scott, co-wrote hit singles for others including the Casuals' "Jesamine" and Status Quo's "Ice in the Sun". He is the father of pop singer Kim Wilde and co-wrote many of her hit singles including "Kids in America" with his son Ricky. He continues to perform and record.
Plastic Letters is the second studio album by American rock band Blondie, released in February 1978 by Chrysalis Records. An earlier version with a rearranged track listing was released in Japan in late December 1977.
Eat to the Beat is the fourth studio album by American rock band Blondie, released on September 28, 1979, by Chrysalis Records. The album was certified Platinum in the United States, where it spent a year on the Billboard 200. Peaking at No. 17, it was one of Billboard's top 10 albums of 1980. It also reached No. 1 on the UK Albums Chart in October 1979 and has been certified Platinum by the British Phonographic Industry (BPI) and the Recording Industry Association of America (RIAA).
Autoamerican is the fifth studio album by American rock band Blondie. It was released in November 1980 and reached No. 3 in the UK charts, No. 7 in the US, and No. 8 in Australia. The album spawned two singles, "The Tide Is High" and "Rapture". "The Tide Is High" hit number one in several countries, including the US and the UK. "Rapture" became the first rap song ever to reach number one on the singles chart in the US. It also reached number five in the UK and number four in Australia.
The Singles Collection 1981–1993 is a greatest hits album by English singer Kim Wilde, released on 6 September 1993 by MCA Records.
The Very Best of Kim Wilde is a compilation album by British singer Kim Wilde. It was released in November 2001 and contained 15 Top 20 hits from the UK and German charts and was virtually identical to her 1993 hits collection. Also included was a new song, "Loved", which was released as a single in a number of countries - her first in six years, reaching the Top 10 in Belgium and Top 20 in Finland. Remixes of her two hits: "Kids in America" and "View from a Bridge" completed the collection - the former also released as a single in some territories. The Very Best of Kim Wilde was a hit in the Scandinavian Countries, where it made the Top 20.
"Kids in America" is a song recorded by English pop singer Kim Wilde. It was released in the United Kingdom as her debut single in January 1981, and in the United States in spring 1982, later appearing on her self-titled debut studio album. Largely inspired by the synth-pop style of Orchestral Manoeuvres in the Dark (OMD) and Gary Numan, the song reached number two on the UK Singles Chart for two weeks and number one in Finland and South Africa, and charted in the top 10 of many European charts as well as Australia and New Zealand. In North America, it became the first top 40 hit, reaching the top 40 in Canada and the United States. It was certified gold in the United Kingdom, South Africa, Australia and Sweden; and has sold over three million copies worldwide. The song has been covered by many artists from different genres.
Select is the second studio album by English pop singer Kim Wilde, released on 10 May 1982 by RAK Records. The album was not released in North America, neither were the singles off the album.
Catch as Catch Can is the third studio album by Kim Wilde, released in autumn 1983. The album was not released in North America, neither were any of the singles.
Teases & Dares is the fourth studio album by the English pop singer Kim Wilde, released on 5 November 1984 by MCA Records. The song "Is It Over" is featured in the film Fletch (1985). All three singles were also released as picture discs, her only releases to ever be made into them.
Another Step is the fifth studio album by English pop singer Kim Wilde, released on 3 November 1986 by MCA Records. The album contained her comeback worldwide hit "You Keep Me Hangin' On", which reached No. 1 in the US, as well as the UK top 10 hit "Another Step " and "Say You Really Want Me".
Close is the sixth studio album by Kim Wilde, released in June 1988.
Love Moves is the seventh studio album by English pop singer Kim Wilde, released in May 1990 by MCA Records. The album was not released in North America.
Love Is is the eighth studio album by Kim Wilde, released in spring 1992. The album was not released in North America.
The Very Best of Kim Wilde is a compilation album by Kim Wilde. The album was released in November 1984, after she left the RAK Record label. It featured tracks taken from her first three albums, the non-album singles, "Child Come Away" and "Bitter is Better" and a B-side ("Boys").
Atomic: The Very Best of Blondie is a greatest hits album by American rock band Blondie, released on July 13, 1998, by Chrysalis Records, at the time when the band reunited and shortly before the beginning of their successful comeback tour.
Here Come the Aliens is the fourteenth studio album by English pop singer Kim Wilde, released on 16 March 2018 by Wildeflower Records. It is her first studio album since Wilde Winter Songbook (2013). It contains the singles "Pop Don't Stop", "Kandy Krush" and "Birthday", while a deluxe edition released in October housed the single "Amoureux des rêves". The album was produced by her long-time producer Ricky Wilde. In the United Kingdom, the album became her first charting album for 25 years, peaking at number 21.
Aliens Live is the first live album by English singer Kim Wilde, released on 16 August 2019. The album was recorded in 18 cities during the 2018 live tour.