King Solomon's Mines is an 1885 popular novel[1] by the English Victorian adventure writer and fabulistSir H. Rider Haggard. It tells of an expedition through an unexplored region of Africa by a group of adventurers led by Allan Quatermain, searching for the missing brother of one of the party. It is one of the first English adventure novels set in Africa and is considered to be the genesis of the lost worldliterary genre. It is the first of fourteen novels and four short stories by Haggard about Allan Quatermain. Haggard dedicated this book to his childhood idol Sir Humphry Davy.
The book was first published in September 1885 amid considerable fanfare, with billboards and posters around London announcing "The Most Amazing Book Ever Written". It became an immediate best seller.[2] By the late 19th century, explorers were uncovering ancient civilisations and their remains around the world, such as Egypt's Valley of the Kings and the empire of Assyria. Inner Africa remained largely unexplored and King Solomon's Mines, one of the first novels of African adventure published in English, captured the public's imagination.[2]
The "King Solomon" of the book's title is the legendary Biblical king renowned both for his wisdom and for his wealth. A number of sites have been suggested as the location of his mines, including the workings at the Timna valley near Eilat. Research published in September 2013 has shown that this site was in use during the 10th century BC as a copper mine possibly by the Edomites,[3][4] who, the Bible reports, were rivals of and frequently at war with King Solomon.[5][6][7] The Bible does refer to King Solomon having sent out, in partnership with his Phoenician allies, trading expeditions along the Red Sea, which brought exotic wares and animals from Africa to Jerusalem. Muslim traders in Sofala told Portuguese travellers in the sixteenth and seventeenth centuries that the region's gold mines belonged to King Solomon and that he built the now-ruined Great Zimbabwe.[8]
Haggard knew Africa well, having travelled deep within the continent during the Anglo-Zulu War and the First Boer War, where he had been impressed by South Africa's vast mineral wealth and by the ruins of ancient lost cities, such as Great Zimbabwe, being uncovered. His original Allan Quatermain character was based in large part on Frederick Selous, the British white hunter and explorer of Africa.[9][10] Selous's real-life experiences provided Haggard with the background and inspiration for this and many later stories.
Haggard also owed a considerable debt to Joseph Thomson, the Scottish explorer whose book Through Masai Land was published in 1885.[11] Thomson claimed he had terrified warriors in Kenya by taking out his false teeth and claiming to be a magician, just as Captain Good does in King Solomon's Mines. Contemporary James Runciman wrote an article entitled King Plagiarism and His Court,[12] interpreted as accusing Haggard of plagiarism for this.[13][14] Thomson was so outraged at Haggard's alleged plagiarism that he published a novel of his own, Ulu: an African Romance, which, however, failed to sell.
Plot summary
The way to Kukuanaland"To those who enter the hall of the dead, evil comes"; Walter Paget
Allan Quatermain, an adventurer and white hunter based in the African city of Durban,[N 1] is approached by aristocrat Sir Henry Curtis and his friend Captain Good, seeking his help finding Sir Henry's brother, who was last seen travelling north into the unexplored interior on a quest for the fabled King Solomon's Mines. Quatermain has a map purporting to lead to the mines, but had never taken it seriously. He agrees to lead an expedition in return for a share of the treasure, or a stipend for his son if he is killed along the way. He has little hope they will return alive, but reasons that he has already outlived most people in his profession, so dying in this manner at least ensures his son will be provided for. They also take along a native, Umbopa, who seems more regal and well-spoken than most porters of his class, but who is anxious to join the party.
Travelling by oxcart, they reach the edge of a desert, but not before a hunt in which a wounded elephant claims the life of a servant. They continue on foot across the desert, almost dying of thirst before finding the oasis shown halfway across on the map. Reaching a mountain range called Suliman Berg, they climb a peak (one of "Sheba's Breasts"), enter a cave and find the frozen corpse of José Silvestre,[N 2] the 16th-century Portuguese explorer who drew the map in his own blood. That night, another servant dies from the cold, and they leave his body next to Silvestra's. They cross the mountains into Kukuanaland, a raised valley, lush and green. The inhabitants have a well-organised army and society and speak an ancient dialect of IsiZulu. Kukuanaland's capital is Loo, the destination of a road from ancient times. The city is dominated by a central royal kraal.
A party of Kukuana warriors are about to kill them when Captain Good nervously fidgets with his false teeth, making the Kukuanas recoil in fear. Thereafter, to protect themselves, they style themselves "white men from the stars"—sorcerer-gods—and are required to give regular proof of their divinity, considerably straining both their nerves and their ingenuity.
They are brought before King Twala, a ruthless and violent leader. He came to power years before by murdering his brother, the previous king, and driving his brother's wife and infant son, Ignosi, out into the desert to die. Twala's rule is unchallenged. Gagool, an impossibly ancient hag, is his chief advisor. She roots out any potential opposition by ordering regular witch hunts and murdering without trial all those identified as traitors. When she singles out Umbopa for this fate, it takes all of Quatermain's skill to save his life.
Gagool, it appears, has already sensed what Umbopa later reveals: he is Ignosi, the rightful king of the Kukuanas. A rebellion breaks out, the Englishmen gaining support for Ignosi by taking advantage of their foreknowledge of a lunar eclipse to claim that they will black out the moon as proof of Ignosi's claim.[N 3] The Englishmen join Ignosi's army in a furious battle. Although outnumbered, the rebels overthrow Twala, and Sir Henry lops off his head in a duel.
The Englishmen also capture Gagool, who reluctantly leads them to King Solomon's Mines. She shows them a treasure room inside a mountain, carved deep within the living rock and full of gold, diamonds, and ivory. She then sneaks out while they are admiring the hoard and triggers a secret mechanism that closes the mine's stone door. However, a scuffle with Foulata— a Kukuana woman who became attached to Good after nursing him through his injuries sustained in the battle—causes Gagool to be crushed under the door, though not before fatally stabbing Foulata. Their scant store of food and water dwindling, the trapped men prepare to die also. After some despairing days sealed in the dark chamber, they find an escape route, bringing with them a few pocketfuls of diamonds from the trove, enough to make them rich.
The Englishmen bid farewell to a sorrowful Ignosi and return to the desert, assuring him that they value his friendship but must return to be with their own people, Ignosi in return promising them that they will be venerated and honoured among his people forever. Taking a different route, they find Sir Henry's brother stranded in an oasis by a broken leg, unable to go forward or back. They all return to Durban and, eventually, back to England, wealthy enough to live out their lives in comfort.
Literary significance and criticism
Haggard wrote the novel as a result of a five-shilling wager with his brother, who said that he could not write a novel half as good as Robert Louis Stevenson's Treasure Island (1883).[16][17] He wrote it in a short time, somewhere between six[16] and sixteen[15] weeks between January and 21 April 1885. However, the book was a complete novelty and was rejected by one publisher after another. After six months, King Solomon's Mines was published, and the book became the year's best seller, with printers struggling to print copies fast enough.[17]
Andrew Lang, reviewing King Solomon's Mines for the Saturday Review, praised the book. Lang described the book as a "peculiarly thrilling and vigorous tale of adventure" and added "we have only praise for the very remarkable and uncommon powers of invention and gift of "vision" which Mr. Haggard displays".[18]
As in Treasure Island, the narrator of King Solomon's Mines tells his tale in the first person, in an easy conversational style. Almost entirely missing (except in the speech of the Kukuanas) is the ornate language usually associated with novels of this era. Haggard's use of the first-person subjective perspective also contrasts with the omniscient third-person viewpoint then in vogue among influential writers such as Anthony Trollope, Thomas Hardy, and George Eliot.
The book has scholarly value for the colonialist attitudes that Haggard expresses,[20] and for the way that he portrays the relationships between the white and African characters. Haggard portrays some African characters, such as Twala and Gagool, as barbarians but their barbarity has more to do with their roles as antagonists in the story than with their African heritage. He also presents the other side of the coin, showing some black Africans (such as Ignosi) as heroes and heroines, and shows respect for their culture. The book expresses much less prejudice than some of the later books in this genre. Indeed, Quatermain stated that he refused to use the word "nigger" and that many Africans are more worthy of the title of "gentleman" than the Europeans who settle or adventure in the country.[21] Haggard even included an interracial romance between a Kukuana woman, Foulata, and the white Englishman Captain Good. The narrator tries to discourage the relationship, dreading the uproar that such a marriage would cause back home; however, he has no objection to the lady, whom he considers very beautiful and noble. Haggard eventually kills off Foulata, who dies in Good's arms.
Kukuanaland is said in the book to be forty leagues north of the Lukanga river, in modern-day Zambia, which would place it in the extreme southeast of the present Democratic Republic of Congo. The culture of the Kukuanas shares many attributes with the Zulus, such as the Zulu language being spoken and the kraal system being used.
Sir Henry Rider Haggard was an English writer of adventure fiction romances set in exotic locations, predominantly Africa, and a pioneer of the lost world literary genre. He was also involved in land reform throughout the British Empire. His stories, situated at the lighter end of Victorian literature and including the eighteen Allan Quatermain stories beginning with King Solomon's Mines, continue to be popular and influential.
Allan Quatermain is the protagonist of H. Rider Haggard's 1885 novel King Solomon's Mines, its one sequel Allan Quatermain (1887), twelve prequel novels and four prequel short stories, totalling eighteen works. An English professional big game hunter and adventurer, in film and television he has been portrayed by Richard Chamberlain, Sean Connery, Cedric Hardwicke, Patrick Swayze and Stewart Granger among others.
Allan Quatermain and the Lost City of Gold is a 1986 American adventure comedy film directed by Gary Nelson and released in West Germany on December 18, 1986, and in the United States on January 30, 1987. It is loosely based on the 1887 novel Allan Quatermain by H. Rider Haggard. It is the sequel to the 1985 film King Solomon's Mines.
The lost world is a subgenre of the fantasy or science fiction genres that involves the discovery of an unknown Earth civilization. It began as a subgenre of the late-Victorian adventure romance and remains popular into the 21st century.
Opar is a fictional lost city in the Tarzan novels of Edgar Rice Burroughs and later the Khokarsa novels of Philip José Farmer and Christopher Paul Carey, as well as various derivative works in other media.
Sir Henry Curtis is a fictional character in a series of adventure novels by H. Rider Haggard. His Zulu name is Incubu, which means "Elephant". He is the constant companion and fellow traveller of Allan Quatermain.
Flight to Opar is a fantasy novel by American writer Philip José Farmer, first published in paperback by DAW Books in June 1976, and reprinted twice through 1983. The first British edition was published by Magnum in 1977; it was reprinted by Methuen in 1983. It was later gathered together with a preceding novel, Hadon of Ancient Opar, and a sequel, The Song of Kwasin, into the omnibus collection Gods of Opar: Tales of Lost Khokarsa (2012). The work has also been translated into French. It and the other books in the series purport to fill in some of the ancient prehistory of the lost city of Opar, created by Edgar Rice Burroughs as a setting for his Tarzan series.
Watusi is a 1959 American adventure film, It is the sequel to the 1950 film King Solomon's Mines. The film was directed by Kurt Neumann and starring George Montgomery, Taina Elg, David Farrar and Rex Ingram. It was produced by Al Zimbalist and Donald Zimbalist. The screenplay was by James Clavell loosely based on the 1885 novel King Solomon's Mines by H. Rider Haggard.
King Solomon's Mines is a 1937 British adventure film directed by Robert Stevenson and starring Paul Robeson, Cedric Hardwicke, Anna Lee, John Loder and Roland Young. A film adaptation of the 1885 novel of the same name by Henry Rider Haggard, the film was produced by the Gaumont British Picture Corporation at Lime Grove Studios in Shepherd's Bush. Sets were designed by art director Alfred Junge. Of all the novel's adaptations, this film is considered to be the most faithful to the book.
King Solomon's Mines is a 1950 Technicolor adventure film, and the second film adaptation of the 1885 novel of the same name by Henry Rider Haggard. It stars Deborah Kerr, Stewart Granger and Richard Carlson. It was adapted by Helen Deutsch, directed by Compton Bennett and Andrew Marton and released by Metro-Goldwyn-Mayer.
King Solomon's Mines is a 2004 American two-part television miniseries, the fifth film adaptation of the 1885 novel of the same name by Henry Rider Haggard. Starring Patrick Swayze as Allan Quatermain and Alison Doody as Elizabeth Maitland, the film was produced by Hallmark Entertainment, and originally aired June 6, 2004, on Hallmark Channel.
King Solomon's Mines is a 1985 action adventure film, and a film adaptation of the 1885 novel of the same name by H. Rider Haggard. It stars Richard Chamberlain, Sharon Stone, Herbert Lom, and John Rhys-Davies. It was produced by Cannon Films. It was adapted by Gene Quintano and James R. Silke and directed by J. Lee Thompson. This version of the story was a light, comedic take, deliberately referring to, and parodying, the Indiana Jones film series. It was filmed outside Harare in Zimbabwe. The film was made and released exactly 100 years after the release of the novel on which the film is based.
Allan Quatermain and the Temple of Skulls is a 2008 American adventure film directed by Mark Atkins and starring Sean Cameron Michael, Christopher Adamson, Sanaa Lathane, Daniel Bonjour, and Wittly Jourdan. It was created by The Asylum. The film follows the adventures of explorer Allan Quatermain, and was filmed entirely on location in South Africa. It was released directly to DVD.
Khokarsa is a fictional empire in ancient Africa that serves as the primary setting for Philip José Farmer's prehistoric fantasy novels Hadon of Ancient Opar, Flight to Opar, and The Song of Kwasin.
Conan and the Treasure of Python is a fantasy novel by American writer John Maddox Roberts, featuring Robert E. Howard's sword and sorcery hero Conan the Barbarian. It was first published in trade paperback by Tor Books in November 1993; a regular paperback edition followed from the same publisher in August 1994.
King Solomon's Treasure is a 1979 British-Canadian low-budget film based on the novels King Solomon's Mines (1885) and Allan Quatermain (1887) by H. Rider Haggard. It stars John Colicos as Allan Quatermain, as well as David McCallum, Britt Ekland, and Patrick Macnee who replaced Terry-Thomas.
The Ancient Allan is a novel by H. Rider Haggard. It is the fourteenth of the eighteen overall stories Haggard wrote about the hunter Allan Quatermain, and the tenth novel in the series.
Heu-Heu; or, The Monster is a novel by H. Rider Haggard. Allan Quatermain tells the story of a monster in Rhodesia. Heu-Heu is the twelfth of the fourteen novels in the Quatermain series and the sixteenth of the eighteen overall stories.
Allan Quatermain is an 1887 novel by H. Rider Haggard. It is the sequel to Haggard's 1885 novel King Solomon's Mines. Allan Quatermain is the second novel and fourth overall story in the eighteen-part series of the same name, though chronologically it is the final entry.
↑ Carroll, Scott T. (1988). "Solomonic Legend: The Muslims and the Great Zimbabwe". International Journal of African Historical Studies. 21 (2): 233–247. doi:10.2307/219935. JSTOR219935.
1 2 Dennis Butts, 'Introduction' in King Solomon's Mines ed. by Dennis Butts (New York: Oxford University Press, 2006), pp. vii–xviii
1 2 Liukkonen, Petri. "Henry Rider Haggard". Books and Writers (kirjasto.sci.fi). Finland: Kuusankoski Public Library. Archived from the original on 5 December 2006. Retrieved 29 December 2006.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
