"Kisses on the Wind" | ||||
---|---|---|---|---|
Single by Neneh Cherry | ||||
from the album Raw Like Sushi | ||||
B-side | "Buffalo Blues" | |||
Released | 31 July 1989 [1] | |||
Studio | Matrix (London, England) | |||
Length | 3:57 | |||
Label |
| |||
Songwriter(s) |
| |||
Producer(s) |
| |||
Neneh Cherry singles chronology | ||||
| ||||
Music video | ||||
"Kisses on the Wind" on YouTube |
"Kisses on the Wind" is the third single released from Swedish singer-songwriter Neneh Cherry's debut album, Raw Like Sushi (1989). Like many songs on the album, "Kisses on the Wind" refers to Cherry's schooldays; the song is about a girl who matures before the other girls do, and as a result, she is the first to draw boys' attentions. [2] It peaked within the top 10 in Finland, New Zealand, and Switzerland and just reached the top 20 in the United Kingdom, peaking at number 20. In the United States, it peaked at number eight on the Billboard Hot 100.
"Kisses on the Wind" is one of many songs containing the sample "What we're gonna do right here is go back, way back, back into time" from the intro of the 1972 single "Troglodyte" by the Jimmy Castor Bunch.
Angus Taylor for BBC wrote in a retrospective review, that the "Cuban-tinged" song's autobiographical words "give an intriguing insight into a young girl who wanted to be remembered for more than just her incredible looks." [3] Upon the release, Bill Coleman from Billboard described it as a "Latin- tinged pop narrative complete with Cherry's spunk, humor, and knack for telling it like it really is." [4] A reviewer from Music & Media felt it's a good choice as the follow-up to "Manchild", and "probably the most commercial track" from her debut album. [5]
David Giles from Music Week complimented it as "precocious", adding that the song isn't as strong as her previous two singles, "but should still follow them into the top 10." He noted that "Kisses on the Wind" "begins with an outburst in Spanish and locks into a naked, sparse groove like a soul number with the bottom removed." [6] Lesley Chow from The Quietus declared it as "a paean to a girl whose breeziness enchants the young neighbourhood boys. Her presence is reflected in the salsa rhythm, Spanish dialogue and the flowing feel of the whole song. The melody keeps billowing upwards (More like a woman, she walks like one) and is thus subtly suggestive of the female shape." [7]
Non-US 7-inch and cassette single [8] [9]
European and Australian 12-inch single; European maxi-CD single [10] [11] [12]
UK 12-inch remix single and CD single [13] [14]
US and Canadian 12-inch single [15] [16]
| US and Canadian 7-inch single [17] [18]
US and Canadian cassette single [19] [20]
Japanese maxi-CD single [21]
|
Chart (1989) | Peak position |
---|---|
Australia (ARIA) [22] | 63 |
Belgium (Ultratop 50 Flanders) [23] | 23 |
Canada Top Singles ( RPM ) [24] | 17 |
Canada Dance/Urban ( RPM ) [25] | 5 |
Canada Retail Singles (RPM) [26] | 14 |
Europe (Eurochart Hot 100) [27] | 33 |
Finland (Suomen virallinen lista) [28] | 4 |
Ireland (IRMA) [29] | 13 |
Netherlands (Dutch Top 40) [30] | 14 |
Netherlands (Single Top 100) [31] | 14 |
New Zealand (Recorded Music NZ) [32] | 8 |
Switzerland (Schweizer Hitparade) [33] | 9 |
UK Singles (OCC) [34] | 20 |
US Billboard Hot 100 [35] | 8 |
US Dance Club Songs ( Billboard ) [36] | 19 |
US Dance Singles Sales ( Billboard ) [37] | 9 |
West Germany (Official German Charts) [38] | 23 |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United States | 1989 |
| Virgin | |
Europe | 31 July 1989 |
|
| [23] |
Japan | 21 February 1990 | CD | [39] |
"Perfect" is the debut single by the English folk and soft rock band Fairground Attraction, written by Mark E. Nevin. Released on 21 March 1988 by RCA, the single reached number one in the United Kingdom on 8 May 1988, where it stayed for one week. It also reached number one in Australia, Ireland, and South Africa. In the United States, the song peaked at number 80 on the Billboard Hot 100. "Perfect" won the award for British Single of the Year at the Brit Awards 1989 and was nominated for the Ivor Novello 'Best Song Musically and Lyrically' award.
"Forever Your Girl" is a song by American singer Paula Abdul from her debut studio album, Forever Your Girl (1988). The song was written and produced by Oliver Leiber, with additional production by Keith "K.C." Cohen. Virgin Records released it as the album's fourth single on February 20, 1989.
"What I Am" is a song written by Edie Brickell and Kenny Withrow and recorded by Edie Brickell & New Bohemians for their debut album, Shooting Rubberbands at the Stars (1988). The song is highlighted by a guitar solo that notably features an envelope filter. It peaked at number seven on the US Billboard Hot 100, topped the Canadian RPM 100 Singles chart, and became a top-20 hit in Australia and New Zealand. "What I Am" was ranked number 23 on VH1's list of the "100 Greatest One-Hit Wonders of the 80s".
"Breakfast in Bed" is a soul–R&B song written by Muscle Shoals songwriters Eddie Hinton and Donnie Fritts for Dusty Springfield. It takes a knowing spin on the line "You Don't Have to Say You Love Me", the title of a song that had previously been a number one hit for her in the UK. After being released on her 1969 album Dusty in Memphis, it was recorded and popularized the same year by Baby Washington. Harry J produced three reggae versions in 1972, by Lorna Bennett, Scotty, and Bongo Herman.
"Cold Hearted" is a song by American singer Paula Abdul, released in June 1989 as the fifth single from her debut album, Forever Your Girl (1988). It was written and co-produced by Elliot Wolff and reached number one on the US Billboard Hot 100, becoming the album's third song to top the US chart.
"Circle in the Sand" is a song recorded by American singer Belinda Carlisle for her second studio album, Heaven on Earth (1987). It was written by Rick Nowels, who also produced it, and Ellen Shipley. "Circle in the Sand" was the third single released from Heaven on Earth in May 1988. It reached number seven, becoming Carlisle's fourth and last top-10 hit in the United States. It also charted at number five in Canada, ending the year as the country's 69th-most-successful single.
"Rooms on Fire" is a song by American singer and songwriter Stevie Nicks from her fourth solo studio album The Other Side of the Mirror (1989). Written by Nicks and Rick Nowels, and produced by Rupert Hine, the song was released on April 24, 1989, by the Modern label, as the lead single from The Other Side of the Mirror. The 12-inch single was released in a limited-edition poster sleeve in certain territories.
"Real Love" is a song by American singer Jody Watley from her second studio album, Larger Than Life (1989). The single reached the number-one spot on the US Billboard Hot Black Singles and Dance Club Play charts. On the US Billboard Hot 100, "Real Love" peaked at number two for two weeks in May 1989. The song was also nominated for a Soul Train Music Award for Best Female Single.
"So Alive" is a song by British alternative rock band Love and Rockets, released in 1989 as the second single from their self-titled fourth album. The song reached No. 1 in Canada and charted within the top 30 in the United States, Australia, and New Zealand. In the US, it topped the Billboard Modern Rock Tracks chart for five weeks and was ranked No. 1 on that listing's year-end chart for 1989. The song's music video was directed by Howard Greenhalgh and produced by Pamela James.
"The Promise of a New Day" is the opening track and second single from American artist Paula Abdul's second studio album, Spellbound (1991). The song was written by Paula Abdul, Peter Lord and V. Jeffrey Smith. It became Abdul's sixth and final number-one hit on the US Billboard Hot 100.
"It Ain't Over 'til It's Over" is a song written, produced, and performed by American musician Lenny Kravitz for his second studio album, Mama Said (1991). Released as the album's second single in June 1991 by Virgin, the song is a mid-tempo ballad musically inspired by Motown, Philly soul, and Earth, Wind & Fire. The horn line at the end is performed by the Phenix Horns from Earth, Wind & Fire. "That song just came out one day, and I knew it had a classic vibe. And I still love that song very much today," Kravitz said in an interview for VivaMusic.com in 2000. The line is based on a Yogiism, or quotation from Yogi Berra: "It ain't over 'til it's over."
"Buffalo Stance" is a song by Swedish singer-songwriter Neneh Cherry, released in November 1988 by Circa and Virgin as the first single from the singer's debut album, Raw Like Sushi (1989). The song peaked at No. 3 on both the UK Singles Chart and the US Billboard Hot 100, and it reached No. 1 in the Netherlands and in Cherry's native Sweden. An early version of the song appeared as the B-side on the 1986 Stock, Aitken, and Waterman-produced single "Looking Good Diving" by duo Morgan-McVey, which was made up of Jamie Morgan and Cherry's future husband Cameron McVey. The song, titled "Looking Good Diving with the Wild Bunch", was sung by Cherry.
"Don't Wanna Fall in Love" is a song by Canadian singer-songwriter Jane Child. Released in January 1990 as the second single from her self-titled debut album, the single went to number two for three consecutive weeks on the Billboard Hot 100 from April 14 to April 28, 1990. In addition, a new jack swing remix of the song was produced by Teddy Riley and reached number six on the Billboard Hot Black Singles chart and number eleven on the Billboard Dance Club Play chart.
"I Get Weak" is a song by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Diane Warren and produced by Rick Nowels, the song was released as the second single from Heaven on Earth in January 1988. "I Get Weak" reached number two on the US Billboard Hot 100, number four on Canada's RPM 100 Singles chart, and number 10 on the UK Singles Chart. The track features background vocals by Carnie Wilson of Wilson Phillips.
"Rush Hour" is a song by American musician Jane Wiedlin, taken from her second album, Fur (1988). It was backed by the album track "End of Love". The UK 12-inch single of "Rush Hour" includes an extended remix by Rusty Garner and an instrumental version.
"Living in a Box" is a song by the British band of the same name, released on 23 March 1987 as their first single from their self-titled debut album. It was the group's biggest hit single along with "Room in Your Heart" (1989), reaching No. 5 on the UK Singles Chart. "Living in a Box" became the group's only top-40 hit in the United States, peaking at No. 17 on the Billboard Hot 100. The song was later covered by Bobby Womack; his version reached No. 70 in the UK.
"The Lover in Me" is a song by Scottish singer Sheena Easton for her ninth studio album of the same name (1988). Released as the album's lead single on 11 October 1988, the song became Easton's first top-20 hit in the United Kingdom after a seven-year hiatus. The song was also Easton's final top-10 single on the US Billboard Hot 100.
"The War Song" is a song by British band Culture Club, featuring background vocals from Clare Torry. It was released as the lead single from the band's third album, Waking Up with the House on Fire (1984), in September 1984. The song became the group's seventh top-five hit on the UK Singles Chart. In the United States, the single peaked at number 17 on the Billboard Hot 100. Elsewhere, it reached the top 10 in several countries, including Australia, Canada, and Ireland, peaking at number one in the latter country.
"Manchild" is a song by Swedish singer-songwriter Neneh Cherry, released in May 1989 by Virgin and Circa as the second single from her debut album, Raw Like Sushi (1989). It was the first song Cherry wrote; she composed it on a Casio keyboard using an auto-chord setting and ended up with seven chords in the verse alone. Neneh's stepfather Don Cherry commented on this positively, comparing it to a jazz song structure. Nellee Hooper created the beat for the song and wrote the rap with Robert Del Naja. Cherry then gave the track to her future husband, Cameron McVey, who helped to shape the song with the parts and "made it make sense".
"Pop Singer" is a song by American singer-songwriter John Mellencamp, released in April 1989 from Mellencamp's tenth studio album, Big Daddy (1989). Mellencamp wrote the song himself, in response to how the music industry was attempting to hide his "real" image, which included adopting one of his previous stage names, Johnny Cougar. The single was moderately successful worldwide, reaching number one in Canada and New Zealand, number eight in Australia, and number 15 on the US Billboard Hot 100.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)