L-O-V-E | ||||
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Studio album by | ||||
Released | 1965 | |||
Recorded | June 3, December 1–3, 1964 | |||
Studio |
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Genre | Jazz | |||
Length | 29:40 | |||
Label | Capitol 2195 | |||
Producer | Lee Gillette | |||
Nat King Cole chronology | ||||
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Singles from L-O-V-E | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
L-O-V-E is the final studio album by the American singer Nat King Cole. It was arranged by Ralph Carmichael. [2] L-O-V-E was Cole's last album, and was released shortly before his death in February 1965. The songs "The Girl from Ipanema", "My Kind of Girl" and "More (Theme From Mondo Cane )" were recorded December 1–3, 1964, shortly after Cole's diagnosis with lung cancer, and were the last recordings he made. [3] The album peaked at #4 on the Billboard Albums chart in the spring of 1965.
The initial Billboard magazine review from January 30, 1965 commented that it was "One of the finest Nat Cole albums to date! He's in great form as he breathes new life into some fine standard material...The title tune is a Cole classic!". [4]
Source: [5]
Source: [5]
Nathaniel Adams Coles, known professionally by his stage name Nat King Cole, was an American singer, jazz pianist, and actor. Cole's career as a jazz and pop vocalist started in the late 1930s and spanned almost three decades where he found success and recorded over 100 songs that became hits on the pop charts.
Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.
"Garota de Ipanema", "The Girl from Ipanema", is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.
Gordon Hill Jenkins was an American arranger, composer, and pianist who was influential in popular music in the 1940s and 1950s. Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, Harry Nilsson, Peggy Lee and Ella Fitzgerald.
"The Christmas Song" is a classic Christmas song written in 1945 by Robert Wells and Mel Tormé.
Cycles is a studio album by American singer Frank Sinatra, released in 1968.
John Elbert Collins was an American jazz guitarist who was a member of the Nat King Cole trio.
"Unforgettable" is a popular song written by Irving Gordon. The song's original working title was "Uncomparable,” however, the music publishing company asked Gordon to change it to "Unforgettable.” The song was published in 1951.
Ralph Carmichael was an American composer and arranger of both secular pop music and contemporary Christian music. He is regarded as one of the pioneers of contemporary Christian music.
Love Songs brings together tracks from throughout Nat "King" Cole's recording career with Capitol records. The swing pianist turned ballad vocalist had a prolific chart run in the 1950s. Six of his UK hits are featured here.
"L-O-V-E" is a song written by Bert Kaempfert and Milt Gabler, recorded by Nat King Cole for his 1965 studio album L-O-V-E.
This article contains a list of albums by Nat King Cole and compilations of his recordings, together with a list of his chart singles.
Wild Is Love is a 1960 concept album by the American singer and pianist Nat King Cole, arranged by Nelson Riddle. The album chronicles a narrator's attempts to pick up various women before he finds love at the conclusion of the album. The album formed the basis for an unsuccessful musical, I'm With You, that starred Cole and was intended as a potential Broadway vehicle for him. A television special also called Wild Is Love resulted from the album, and was shown in Canada in late 1961. The television special was not shown in the United States until 1964 due to the brief presence of physical contact between the African American Cole and a performer of Canadian European descent, Larry Kert, that was seen as offensive by commercial sponsors.
Those Lazy-Hazy-Crazy Days of Summer is a 1963 album by Nat King Cole, arranged by Ralph Carmichael. The album reached #14 on Billboard's LP chart.
The Magic of Christmas is a 1960 album by Nat King Cole, arranged and conducted by Ralph Carmichael.
The Nat King Cole Story is a 1961 album by Nat King Cole. The album was a retrospective of Cole's recording career, designed to present many of his earlier hits in new recordings featuring stereo sound. Cole is accompanied on the re-recordings by many of the notable arrangers and bands that had appeared with him on the original records.
I Don't Want to Be Hurt Anymore is a 1964 studio album by Nat King Cole, arranged by Ralph Carmichael. The album reached #18 on Billboards Top LP chart. I Don't Want to Be Hurt Anymore b/w People was released on Capitol 5155 in 1964, charting on the Billboard Hot 100 at #22 and #100, respectively. I Don't Want to See Tomorrow b/w L-O-V-E peaked at #34 on the Billboard Hot 100 on August 19, 1964 on Capitol 5261. The B-side peaked at #81 on the Billboard Hot 100 on August 26, 1964.
The Complete Pacific Jazz Joe Pass Quartet Sessions is a compilation album by American jazz guitarist Joe Pass, released on Mosaic Records in 2001. It includes pieces Pass recorded on Pacific Jazz Records in 1963 and 1964.
Unforgettable – A Musical Tribute to Nat King Cole is a soundtrack album released in the UK in 1983 by the CBS Records division of Columbia in conjunction with the broadcast of American pop singer Johnny Mathis's BBC television concert special of the same name that featured Cole's daughter Natalie. The front of the original album jacket credits the concert performers as "Johnny Mathis and Natalie Cole", whereas the CD booklet reads, "Johnny Mathis with special guest Natalie Cole".
In the Name of Love is a 1964 studio album by Peggy Lee arranged by Billy May, Dave Grusin, and Lalo Schifrin. The small group tracks of the album are under the musical direction of pianist Lou Levy. Released September, 1964, the album spent six weeks in the Billboard charts, and peaked at No. 97. From this album, Lee's version of the song In The Name Of Love made an appearance in Billboard's "Bubbling Under The Hot 100" chart in the No. 132 position.