Show People is a 1928 American synchronized sound comedy film directed by King Vidor. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin, Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn. Vidor also appears in a cameo as himself, as does Davies.
Fred "Snowflake" Toones was an American actor and comedian. He appeared in over 200 films in his career spanning 23 years.
West of Zanzibar is a 1928 American synchronized sound film directed by Tod Browning. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The screenplay concerns a vengeful stage magician named Phroso who becomes paralyzed in a brawl with a rival. The supporting cast includes Mary Nolan and Warner Baxter. The screenplay was written by Elliott J. Clawson, based on the 1926 play Kongo by Charles de Vonde and Kilbourn Gordon. Walter Huston starred in the stage play and later played Phroso again in the 1932 sound film remake of the same story which was also called Kongo.
The Trail of '98 is a 1928 American synchronized sound action-adventure/drama film featuring Harry Carey and Dolores del Río about the Klondike Gold Rush. While the film has no audible dialog, it was released with a synchronized musical score, with sound effects using both the sound-on-disc and sound-on-film process. The film was originally released by MGM in a short-lived widescreen process called "Fantom Screen". The film is based on the 1910 novel of the same name, written by Robert W. Service.
Beggars of Life is an American part-talkie sound film that was directed by William Wellman. Although the film featured sequences with audible dialogue, the majority of the film had a synchronized musical score with sound effects. The film was released on both sound-on-disc and sound-on-film formats. Currently circulating are mute prints from the sound-on-disc version. The majority of the sound discs are believed to be lost.
The Battle of the Sexes is a 1928 American synchronized sound comedy film directed by D. W. Griffith. While the film has no audible dialog, it was released with a synchronized musical score, singing and sound effects using both the sound-on-disc and sound-on-film process. The film starred Jean Hersholt, Phyllis Haver, Belle Bennett, Don Alvarado, and Sally O'Neil. It was released by United Artists. The film was a remake by Griffith of an earlier film he directed in 1914, which starred Lillian Gish. Both films are based on the novel The Single Standard by Daniel Carson Goodman; the story was adapted for this production by Gerrit J. Lloyd.
Lady of the Pavements is a 1929 American sound part-talkie romantic drama film directed by D. W. Griffith and starring Lupe Vélez, William Boyd, and Jetta Goudal. The screenplay was written by Sam Taylor, with contributions from an uncredited Gerrit Lloyd. While the film has a few talking sequences, the majority of the film features a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Good Time Charley is a 1927 American synchronized sound drama film produced and distributed by Warner Bros. and directed by Michael Curtiz. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. It was considered to be a lost film. However, as of January 2021, the film is listed as extant at the Library of Congress.
Tenderloin is a 1928 American sound part-talkie crime film directed by Michael Curtiz, and starring Dolores Costello. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects, along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. It was produced and released by Warner Bros. Tenderloin is considered a lost film, with no prints currently known to exist.
The Road to Ruin is a 1928 American silent black-and-white exploitation film directed by Norton S. Parker and starring Helen Foster. Due to the popularity of the film, a sound version was made late in 1928. While the sound version of the film has no audible dialog, it featured a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film is about a teenage girl, Sally Canfield, whose life is led astray by sex and drugs, and ruined by an abortion. The film was remade as a talkie in 1934.
Two Lovers is a 1928 American synchronized sound historical drama film directed by Fred Niblo. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film stars Vilma Bánky, Ronald Colman, and Noah Beery. Based on the novel Leatherface: A Tale of Old Flanders by Baroness Emma Orczy, it was produced by Samuel Goldwyn.
Beau Sabreur is a 1928 American silent romantic adventure film directed by John Waters and starring Gary Cooper and Evelyn Brent. Due to the public apathy towards silent films, a sound version was also prepared. While the sound version has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. Based on the 1926 novel Beau Sabreur by P. C. Wren, who also wrote the 1924 novel Beau Geste. Produced by Paramount Famous Lasky Corporation and distributed by Paramount Pictures, only a trailer exists of this film today. The released feature version is a lost film.
The Cossacks is a 1928 American silent drama film produced and distributed by Metro-Goldwyn-Mayer (MGM) and directed by George Hill and Clarence Brown. Due to the public apathy towards silent films, a sound version was also prepared. While the sound version has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film stars John Gilbert and Renée Adorée and is based on the 1863 novel The Cossacks by Leo Tolstoy.
The Red Dance is a 1928 American synchronized sound film directed by Raoul Walsh and starring Dolores del Río and Charles Farrell that was inspired in the novel by Henry Leyford Gates.While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film movietone process.
Outcast is a 1928 American synchronized sound drama film produced and distributed by First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
The Loves of Carmen is a 1927 American silent romantic drama film directed by Raoul Walsh. The film, based on the novella Carmen by Prosper Mérimée, stars Dolores del Río in the title role, and Don Alvarado as Jose. Due to the public apathy towards silent films, a sound version was also prepared in 1928. While the sound version has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Warming Up is a 1928 synchronized sound American baseball film starring Richard Dix and Jean Arthur, directed by Fred C. Newmeyer, and released by Paramount Pictures. The film is significant historically as Paramount's first sound film. Whilst the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Western Electric Sound System sound-on-film process. The film's soundtrack was dubbed onto the sound-on-disc format for those theatres that lacked equipment needed to be the sound-on-film process.
A Man's Man is a lost 1929 synchronized sound film produced and distributed by Metro-Goldwyn-Mayer and directed by James Cruze. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film starred William Haines and Josephine Dunn. It was based on a Broadway play, A Man's Man by Patrick Kearney. Greta Garbo and John Gilbert notably appear in a cameo. The film is believed to be lost, although the Vitaphone type sound discs exist and are currently held at the UCLA Film and Television Archive.
Captain Swagger is a 1928 American synchronized sound crime drama film directed by Edward H. Griffith and stars Rod La Rocque. While the film has no audible dialog, it was released with a synchronized musical score with sound effects utilizing the RCA Photophone sound-on-film sound system. The film was released with both the sound-on-disc and sound-on-film formats. The film was produced and distributed by the Pathé Exchange company.
The Whip is a 1928 American synchronized sound drama film directed by Charles Brabin and starring Dorothy Mackaill. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was based on a 1912 play The Whip by Cecil Raleigh and Henry Hamilton and distributed by First National. This sound film was released with a synchronized Vitaphone soundtrack of music and sound effects. It is set in the horse racing world of England.
