| Landed | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 12 September 1975 | |||
| Recorded | February–April 1975 | |||
| Studio | Inner Space Studio, Weilerswist, near Cologne | |||
| Genre | Krautrock | |||
| Length | 40:18 | |||
| Label | Hörzu, Virgin | |||
| Producer | Can | |||
| Can chronology | ||||
| ||||
| Audio sample | ||||
Hunters and Collectors | ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Encyclopedia of Popular Music | [2] |
| Pitchfork | 6.1/10 [3] |
| The Rolling Stone Album Guide | [4] |
| Tom Hull – on the Web | B+ (  ) [5] |
Landed is the sixth studio album by the German krautrock band Can.
Landed was recorded in 1975 at Inner Space Studios in Weilerswist, near Cologne. Holger Czukay engineered the recording and mixed side B at Inner Space. He teamed with Toby Robinson to mix side A at Studio Dierks in Stommeln. René Tinner assisted with the mix for both sides. The album was produced by the band themselves and included the single "Hunters and Collectors" (backed by "Vernal Equinox"), which was issued on Virgin that same year.
Dominique Leone reviewed the album for Pitchfork in 2005. [6]
Musician Barry Adamson included the album in a list of his 13 favorite albums. [7]
Australian rock band Hunters & Collectors took their name from the song of the same title. [8]
| No. | Title | Lyrics | Music | Length |
|---|---|---|---|---|
| 1. | "Full Moon on the Highway" | Czukay, Karoli, Liebezeit, Schmidt, Peter Gilmour | Czukay, Karoli, Liebezeit, Schmidt | 3:32 |
| 2. | "Half Past One" | Czukay, Karoli, Liebezeit, Schmidt, Peter Gilmour | Czukay, Karoli, Liebezeit, Schmidt | 4:39 |
| 3. | "Hunters and Collectors" | Czukay, Karoli, Liebezeit, Schmidt | Czukay, Karoli, Liebezeit, Schmidt | 4:19 |
| 4. | "Vernal Equinox" | none | Czukay, Karoli, Liebezeit, Schmidt | 8:48 |
| No. | Title | Lyrics | Music | Length |
|---|---|---|---|---|
| 5. | "Red Hot Indians" | Czukay, Karoli, Liebezeit, Schmidt | Czukay, Karoli, Liebezeit, Schmidt | 5:38 |
| 6. | "Unfinished" | none | Czukay, Karoli, Liebezeit, Schmidt | 13:21 |
| Total length: | 40:18 | |||
Can
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Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene.
Holger Schüring, known professionally as Holger Czukay, was a German musician best known as a co-founder of the krautrock group Can. Described as "successfully bridg[ing] the gap between pop and the avant-garde", Czukay was also notable for having created early important examples of ambient music, for having explored "world music" well before the term was coined, and for having been a pioneer of sampling.
Kenji Suzuki, known as Damo Suzuki (ダモ鈴木), was a Japanese musician best known as the vocalist for the German Krautrock group Can between 1971 and 1973. Born in 1950 in Kobe, Japan, he moved to Europe in the late 1960s where he was spotted busking in Munich, Germany, by Can bassist Holger Czukay and drummer Jaki Liebezeit. Can had just split with their vocalist Malcolm Mooney, and asked Suzuki to sing over tracks from their 1970 compilation album Soundtracks. Afterwards, he became their full time singer, appearing on the three hugely influential albums Tago Mago (1971), Ege Bamyası (1972) and Future Days (1973).
Monster Movie is the debut studio album by German rock band Can, released in August 1969 by Music Factory and Liberty Records.
Tago Mago is the second studio album by the German krautrock band Can, originally released as a double LP in August 1971 on the United Artists label. It was the band's first studio album to feature Damo Suzuki after the 1970 departure of previous vocalist Malcolm Mooney. Recorded in a rented castle near Cologne, the album features long-form experimental tracks blending rock improvisation, funk rhythms, and musique concrète techniques.
Ege Bamyası is the third studio album by German krautrock band Can, originally released as an LP in 1972 by United Artists. The album contains the single "Spoon", which charted in the Top 10 in Germany owing its use as the theme of German TV thriller mini-series Das Messer. The success of the single allowed Can to move to a better studio in Weilerswist, where they recorded the rest of the album.
Soundtracks is a compilation album by the Krautrock group Can. It was first released in 1970 and consists of tracks written for various films. The album marks the departure of the band's original vocalist Malcolm Mooney, who sings on two tracks, to be replaced by new member Damo Suzuki. Stylistically, the record also documents the transition from the rock-inspired jams of their earliest recordings to the more meditative and experimental mode of the studio albums that followed.
Future Days is the fourth studio album by the German experimental rock group Can, released in 1973. It was the last Can album to feature Japanese vocalist Damo Suzuki, and sees the band exploring a more atmospheric sound than their previous releases.
Dieter Dierks is a German record producer, sound engineer, music publisher, studio owner and musician. He became well known as producer of the rock band Scorpions who were signed to him between 1975 and 1988. Before that time, he had already successfully established Hamburg-based band Atlantis in the US. Between 1969 and 1975, numerous albums of the "Krautrock" era were produced at Dierks Studio. From 1975 onwards, more and more international artists started booking his state-of-the art sound and TV studios.
Flux + Mutability is the second collaboration between David Sylvian and Holger Czukay. It was released in September 1989. The music consists of two instrumental tracks improvised by the participants.
Soon Over Babaluma is the fifth studio album by the rock music group Can. This is the band's first album following the departure of Damo Suzuki in 1973. The vocals are provided by guitarist Michael Karoli and keyboardist Irmin Schmidt. It is also their last album that was created using a two-track tape recorder.
Flow Motion is the seventh studio album by German rock band Can. It was released in October 1976 and features the UK hit single "I Want More".
Out of Reach is the ninth studio album by the German krautrock band Can, released as an LP in 1978 on Harvest Records. It is their tenth official studio album, discounting compilations such as Unlimited Edition.
Can Live Music is a double live album by the band Can, released in 1999 and recorded in the UK and West Germany between 1972 and 1977. It was originally included in the now out-of-print Can box set, Can Box.
Objection Overruled is the ninth studio album by German heavy metal band Accept, released in 1993. It is the first to feature Udo Dirkschneider on lead vocals since 1986's Russian Roulette. It was recorded at Dierks-Studios in Stommeln after pre-production at Roxx Studios.
Can, also known as Inner Space, is the tenth studio album by experimental rock band Can, released in 1979. Former bassist Holger Czukay's involvement with this album was limited to tape editing. It was Can's last album before the reunion album Rite Time, ten years later, and was released after the band's break-up.
Unlimited Edition is a compilation album by the band Can. Released in 1976 as a double album, it was an expanded version of the 1974 LP Limited Edition on United Artists Records which, as the name suggests, was a limited release of 15,000 copies. The album collects unreleased music from throughout the band's history from 1968 until 1976, and both the band's major singers are featured. The cover photos were taken among the Elgin Marbles in the Duveen Gallery of the British Museum.
Canaxis 5 is the only studio album by the Technical Space Composer's Crew, released in 1969 by Music Factory. On later issues, the artist credit was changed to Holger Czukay and Rolf Dammers. The album was remixed for Spoon Records releases and again for the Revisited Rec. release.
The Lost Tapes is a compilation album of studio outtakes and live recordings by the German experimental rock band Can, which was originally released as an LP in 2012 by Spoon Records in conjunction with Mute Records. The compilation was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, and edited by Jono Podmore.
The Jaws of Life is the third studio album by Australian rock band Hunters & Collectors; it was released on 6 August 1984. It was co-produced by Konrad Plank and the band in Weilerswist, Germany. The album peaked at No. 89 on the Australian Kent Music Report Albums Chart and No. 37 on the New Zealand Albums Chart. The only Australian single from the album, "The Slab" /"Carry Me", was released as a Double A sided single, in August but failed to chart on the Australian or New Zealand singles charts.
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