Sacrilege | ||||
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Remix album by | ||||
Released | 20 May 1997 | |||
Genre | ||||
Length | 103:09 | |||
Label | Spoon Records | |||
Producer | Can | |||
Can chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Rolling Stone Album Guide | [2] |
Uncut | [3] |
Sacrilege is a triple remix album by the krautrock band Can, released in 1997. The album was proposed by the head of the Mute Records, Daniel Miller, who remixed also participated in the project remixing a drum-and-bass version of "Oh Yeah". Sacrilege features compositions Can composed throughout their career in the 1960s-70s and remixed by "both old friends of the group and admirers from a younger generation". [4]
The remix of "Spoon" by Sonic Youth was sampled by Tyler, The Creator for the song "Foreword" on his 4th album, Flower Boy . [5]
Michael Karoli, the guitarist of Can, liked the remix version of their work, saying "they have done the band great justice. He stood there after dinner and listened to the tapes, and danced the whole way through." [6]
Brian Eno, who remixed "PNOOM", said he was disappointed with his own effort. The remix was created with substantial use of loops, which "destroyed the delicate balance you always kept between the mechanical and the human". [4]
The review included in The New Rolling Stone Album Guide called the record an "excuse for Can's disciples to show respect for their forefathers. The have some fun with the source material, but they don't exactly improve on it." [2] Sean Cooper, writing for AllMusic, highlighted Carl Craig's "Future Days", and Air Liquide's "Flow Motion". [1]
Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). They featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been hailed as pioneers of the German krautrock scene.
Holger Schüring, known professionally as Holger Czukay, was a German musician best known as a co-founder of the krautrock group Can. Described as "successfully bridg[ing] the gap between pop and the avant-garde", Czukay was also notable for having created early important examples of ambient music, for having explored "world music" well before the term was coined, and for having been a pioneer of sampling.
Michael Karoli was a German guitarist, violinist and composer. He was a founding member of the influential krautrock band Can.
Tago Mago is the second studio album by the German krautrock band Can, originally released as a double LP in August 1971 on United Artists Records. It was the band's first full studio album to feature vocalist Damo Suzuki after the departure of Malcolm Mooney the year prior, though Suzuki had been featured on most tracks on the 1970 compilation album Soundtracks. Recorded at Schloss Nörvenich, a medieval castle near Cologne, the album features long-form experimental tracks blending rock and jazz improvisation, funk rhythms, and musique concrète tape editing techniques.
Ege Bamyası is the third studio album by German krautrock band Can, released on 29 November 1972 by United Artists Records. The album contains the single "Spoon", which charted in the Top 10 in Germany after being used as the theme song to the German television mini-series Das Messer. The success of the single allowed Can to establish their own studio, Inner Space, in Weilerswist, North Rhine-Westphalia, where they recorded the rest of the album.
Landed is the sixth studio album by the German krautrock band Can.
Flow Motion is the seventh studio album by German rock band Can. It was released in October 1976 and features the UK hit single "I Want More".
Rite Time is the eleventh and final studio album by the German krautrock band Can, released in later Summer 1989 by Mercury Records. The album features the vocals of the band's original singer, Malcolm Mooney, who had left the group in 1970 after their debut album Monster Movie. Upon the album's initial release, "In the Distance Lies the Future" only appeared on the CD version, but it was included on the 2014 vinyl reissue.
Delay 1968 is a compilation album by the German experimental rock band Can released in 1981. It comprises previously unreleased work recorded for Can's rejected debut album, Prepared to Meet Thy Pnoom, recorded with the singer Malcolm Mooney.
This is a discography of the krautrock band Can.
"Spoon" is a song by krautrock group Can, recorded in 1971. It was originally released as a single with the song "Shikako Maru Ten" on the B-side. "Spoon" also appeared as the final track to the band's album Ege Bamyasi later that year.
"Yoo Doo Right" is the closing track on Can's 1969 debut album, Monster Movie, edited down from a six-hour improvisation to a twenty-minute song. "Yoo Doo Right" features a pounding, tribal drums, along with a "colossal, grinding riff, subjected to endless variation and intensification", while Malcolm Mooney chants excerpts from a love letter in a mantra-like manner.
"Mushroom" is a song by the German krautrock band Can, from their 1971 album Tago Mago. It's the shortest song on the album, lasting for 4 minutes and 8 seconds. A video was made for the track which has been shown on MTV.
Spoon Records is an independent record label founded and managed by the spouse of keyboard player Irmin Schmidt, Hildegard Schmidt, since 1979. The label, and its sister publishing operation Messer Music, are headquartered in the Luberon district of France, mostly releasing and reissuing music made by the krautrock band Can and its members. Hildegard and Irmin Schmidt's daughter Sandra Podmore has been directors of Spoon Records since 2008.
Unlimited Edition is a compilation album by the band Can. Released in 1976 as a double album, it was an expanded version of the 1974 LP Limited Edition on United Artists Records which, as the name suggests, was a limited release of 15,000 copies. The album collects unreleased music across the band's history, from 1968 to 1975, and both of the band's major singers are featured. The cover photos were taken among the Elgin Marbles in the Duveen Gallery of the British Museum.
The Lost Tapes is a compilation album of studio outtakes and live recordings by the German experimental rock band Can, which was originally released as an LP in 2012 by Spoon Records in conjunction with Mute Records. The compilation was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, and edited by Jono Podmore.
Schloss Nörvenich is a schloss in Nörvenich near Cologne, Germany.
Kamasutra: Vollendung der Liebe is the soundtrack to the West German documentary film of the same name (1969), written by Innerspace Productions, an early name for the krautrock band Can, and officially released in 2009 by "Crippled Dick Hot Wax!". Initially, the film's producers commissioned only Irmin Schmidt to work on the soundtrack, finished with the contribution from Innerspace Productions.
Agilok & Blubbo is the soundtrack album featured in the 1969 German film of the same name. The songs on this album are the earliest recordings of the German experimental rock band The Inner Space, who would soon become known under the name Can. Years after the film had fallen into obscurity, its soundtrack was eventually licensed from Hans Wewerka's archives and released in Spain in 2009.
All Gates Open: The Story of Can is a book about the German experimental rock band Can, written by British writer and editor Rob Young and Can founding member Irmin Schmidt. It was published in May 2018 in the United Kingdom by Faber and Faber in two editions, a trade edition in hardback, and a handbound and autographed limited edition.