"Mushroom" | |
---|---|
Song by Can | |
from the album Tago Mago | |
Released | 1971 |
Studio | Inner Space Studio, Cologne |
Genre | Krautrock |
Length | 4:08 |
Label | United Artists |
Songwriter(s) | Can |
Producer(s) | Can |
"Mushroom" is a song by the German krautrock band Can, from their 1971 album Tago Mago . It's the shortest song on the album, lasting for 4 minutes and 8 seconds. A video was made for the track which has been shown on MTV. [1]
The song has a hypnotic and repetitive structure, where vocalist Damo Suzuki, up-close to his microphone, chants "When I saw mushroom head / I was born, I was dead" and "When I saw skies are red / I was born, I was dead" during the verses. For the chorus, he yells "I'm gonna give my despair".
Rob Young, Can's biographer, described Damo's lyricism on the "Mushroom" as his "seldom cut to the existential", referencing red skies, the mushroom shape of the title, "overtones of nuclear unease". [2] This idea is reinforced by the sound of a bomb explosion that abruptly ends the song. According to Michael Karoli, the explosion was created using firecrackers and "slowing them down to around one-sixteenth their normal speed". [3]
It has also been suggested that the lyrics refer to psilocybin mushrooms, which can give users psychedelic visions of rebirth. [4] [ unreliable source? ]
On Can vocalist Damo Suzuki's 1998 solo album V.E.R.N.I.S.S.A.G.E, a new version of this song is performed along with "Halleluhwah", another song originally from Tago Mago. His band at the time featured Can's Jaki Liebezeit on drums.
The Serbian and former Yugoslav space rock band Igra Staklenih Perli covered the song on their eponymous debut album in 1979.
The song was covered by the band The Jesus and Mary Chain. A version recorded live in Nuremberg in 1986 was first released on the double-7"-single version of "April Skies." It was later re-issued on the CD version of Barbed Wire Kisses , and then on the 2011 expanded version of Darklands.
The Flaming Lips' song "Take Meta Mars" from In a Priest Driven Ambulance is closely modeled on "Mushroom."
The Swedish band Komeda covered the song in their 1998 single "It's Alright, Baby."
Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). They featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been hailed as pioneers of the German krautrock scene.
Irmin Schmidt is a German keyboardist and composer, best known as a founding member of the band Can.
Jaki Liebezeit was a German drummer, best known as a founding member of experimental rock band Can. He was called "one of the few drummers to convincingly meld the funky and the cerebral".
Michael Karoli was a German guitarist, violinist and composer. He was a founding member of the influential krautrock band Can.
Kenji Suzuki, known as Damo Suzuki (ダモ鈴木), was a Japanese musician best known as the vocalist for the German Krautrock group Can between 1970 and 1973. Born in 1950 in Kobe, Japan, he moved to Europe in the late 1960s where he was spotted busking in Munich, West Germany, by Can bassist Holger Czukay and drummer Jaki Liebezeit. Can had just split with their vocalist Malcolm Mooney, and asked Suzuki to sing over tracks from their 1970 compilation album Soundtracks. Afterwards, he became their full time singer, appearing on the three influential albums Tago Mago (1971), Ege Bamyası (1972) and Future Days (1973).
Monster Movie is the debut studio album by German rock band Can, released in August 1969 by Music Factory and Liberty Records.
Tago Mago is the second studio album by the German krautrock band Can, originally released as a double LP in August 1971 on United Artists Records. It was the band's first full studio album to feature vocalist Damo Suzuki after the departure of Malcolm Mooney the year prior, though Suzuki had been featured on most tracks on the 1970 compilation album Soundtracks. Recorded at Schloss Nörvenich, a medieval castle near Cologne, the album features long-form experimental tracks blending rock and jazz improvisation, funk rhythms, and musique concrète tape editing techniques.
Ege Bamyası is the third studio album by German krautrock band Can, released on 29 November 1972 by United Artists Records. The album contains the single "Spoon", which charted in the Top 10 in Germany after being used as the theme song to the German television mini-series Das Messer. The success of the single allowed Can to establish their own studio, Inner Space, in Weilerswist, North Rhine-Westphalia, where they recorded the rest of the album.
Soundtracks is a 1970 compilation album by the German krautrock group Can, containing music written for various films. The album marks the departure of the band's original vocalist Malcolm Mooney, who sings on two tracks, and his replacement by Damo Suzuki. "Don't Turn the Light On, Leave Me Alone" features Suzuki's first recorded performance with the band. Stylistically, the record also documents the group's transition to the more meditative and experimental mode of the studio albums that followed.
Future Days is the fourth studio album by the German experimental rock group Can, released on 1 August 1973 by United Artists. It was the group's final album to feature vocalist Damo Suzuki, who subsequently left the band, and explores a more atmospheric sound than their previous releases.
Soon Over Babaluma is the fifth studio album by the rock music group Can. This is the band's first album following the departure of Damo Suzuki in 1973. The vocals are provided by guitarist Michael Karoli and keyboardist Irmin Schmidt. It is also their last album that was created using a two-track tape recorder.
Landed is the sixth studio album by the German krautrock band Can.
Flow Motion is the seventh studio album by German rock band Can. It was released in October 1976 and features the UK hit single "I Want More".
Delay 1968 is a compilation album by the German experimental rock band Can released in 1981. It comprises previously unreleased work recorded for Can's rejected debut album, Prepared to Meet Thy Pnoom, recorded with the singer Malcolm Mooney.
"Halleluwah" is a song by the krautrock band Can, from their 1971 album Tago Mago. The track, which originally took up a whole side of long-playing vinyl record, lasts for 18 minutes and 28 seconds and is characteristic of the band's sound around 1971 in that it features a vast array of improvised guitars and keyboards, tape editing, and the rhythm section "pounding out a monster trance/funk beat". The drum beat for which the song is famous is repeated almost continuously by Jaki Liebezeit, with only minor variations, throughout the course of the 18-minute jam. In one line of the song, Damo Suzuki's lyrics mention all the songs from side one of Tago Mago: "mushroom head, oh yeah, paper house."
Can Live Music is a double live album by the band Can, released in 1999 and recorded in the UK and West Germany between 1972 and 1977. It was originally included in the now out-of-print Can box set, Can Box.
"Mother Sky" is a song by the krautrock group Can, written by members Holger Czukay, Jaki Liebezeit, Michael Karoli, Irmin Schmidt, and Damo Suzuki. Lasting fourteen and a half minutes, it was recorded in July 1970 for the soundtrack of Jerzy Skolimowski's film Deep End and released in 1970 on Can's Soundtracks album. It opens in mid guitar solo before settling down into a familiar Can groove as singer Damo Suzuki mulls the relative merits of madness and "Mother Sky".
The Lost Tapes is a compilation album of studio outtakes and live recordings by the German experimental rock band Can, which was originally released as an LP in 2012 by Spoon Records in conjunction with Mute Records. The compilation was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, and edited by Jono Podmore.
All Gates Open: The Story of Can is a book about the German experimental rock band Can, written by British writer and editor Rob Young and Can founding member Irmin Schmidt. It was published in May 2018 in the United Kingdom by Faber and Faber in two editions, a trade edition in hardback, and a handbound and autographed limited edition.
Live in Paris 1973 is a live double-album by German krautrock band Can, recorded at a performance of the band at L'Olympia in Paris, France. It was released on vinyl and CD by Spoon Records on 23 February 2024, two weeks after the death of Can member Damo Suzuki on 9 February 2024.
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