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Saw Delight | ||||
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Studio album by | ||||
Released | March 1977 | |||
Recorded | January 1977 | |||
Genre | ||||
Length | 37:29 | |||
Label | Harvest, Virgin | |||
Producer | Can | |||
Can chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
(The New) Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Saw Delight is an album by the German rock band Can. [4] [5] It features two new band members who were ex-members of the band Traffic, Rosko Gee and Rebop Kwaku Baah, with Can's bassist Holger Czukay giving up the bass in favour of experimental effects.
It was made as a binaural recording. [6]
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
1. | "Don't Say No" | Peter Gilmour | Czukay, Karoli, Liebezeit, Schmidt, Gee, Baah | 6:36 |
2. | "Sunshine Day and Night" | none | Czukay, Karoli, Liebezeit, Schmidt, Gee | 5:52 |
3. | "Call Me" | Rosko Gee | Czukay, Karoli, Liebezeit, Schmidt, Gee | 5:51 |
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
4. | "Animal Waves" | none | Czukay, Karoli, Liebezeit, Schmidt, Gee, Baah | 15:29 |
5. | "Fly by Night" | Peter Gilmour | Czukay, Karoli, Liebezeit, Schmidt, Gee | 4:08 |
Traffic were an English rock band formed in Birmingham in April 1967 by Steve Winwood, Jim Capaldi, Chris Wood and Dave Mason. They began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards, sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music.
Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). They featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been hailed as pioneers of the German krautrock scene.
Holger Schüring, known professionally as Holger Czukay, was a German musician best known as a co-founder of the krautrock group Can. Described as "successfully bridg[ing] the gap between pop and the avant-garde", Czukay was also notable for having created early important examples of ambient music, for having explored "world music" well before the term was coined, and for having been a pioneer of sampling.
When the Eagle Flies is the seventh studio album by English rock band Traffic, released in 1974. The album featured Jim Capaldi, Steve Winwood and Chris Wood, with Rosko Gee on bass guitar. Percussionist Rebop Kwaku Baah was fired prior to the album's completion, but two tracks feature his playing. Winwood plays a broader variety of keyboard instruments than most previous Traffic albums, adding Moog to their repertoire. This was the last Traffic album for 20 years, when Winwood and Capaldi reunited for Far from Home in 1994.
Tago Mago is the second studio album by the German krautrock band Can, originally released as a double LP in August 1971 on United Artists Records. It was the band's first full studio album to feature vocalist Damo Suzuki after the departure of Malcolm Mooney the year prior, though Suzuki had been featured on most tracks on the 1970 compilation album Soundtracks. Recorded at Schloss Nörvenich, a medieval castle near Cologne, the album features long-form experimental tracks blending rock and jazz improvisation, funk rhythms, and musique concrète tape editing techniques.
Ege Bamyası is the third studio album by German krautrock band Can, released on 29 November 1972 by United Artists Records. The album contains the single "Spoon", which charted in the Top 10 in Germany after being used as the theme song to the German television mini-series Das Messer. The success of the single allowed Can to establish their own studio, Inner Space, in Weilerswist, North Rhine-Westphalia, where they recorded the rest of the album.
Anthony "Rebop" Kwaku Baah was a Ghanaian percussionist who worked with the 1970s rock groups Traffic and Can.
Mick Weaver is an English session musician, best known for his playing of the Hammond B3 organ, and as an exponent of the blues and funk.
Soon Over Babaluma is the fifth studio album by the rock music group Can. This is the band's first album following the departure of Damo Suzuki in 1973. The vocals are provided by guitarist Michael Karoli and keyboardist Irmin Schmidt. It is also their last album that was created using a two-track tape recorder.
Flow Motion is the seventh studio album by German rock band Can. It was released in October 1976 and features the UK hit single "I Want More".
Out of Reach is the ninth studio album by the German krautrock band Can, released as an LP in 1978 on Harvest Records. It is their tenth official studio album, discounting compilations such as Unlimited Edition.
Rosko Gee is a Jamaican bassist, who has played with the English band Traffic on their album When the Eagle Flies (1974); with Go featuring Stomu Yamashta, Steve Winwood, Michael Shrieve, Klaus Schulze and Al Di Meola; and with the German band Can, along with former Traffic percussionist Rebop Kwaku Baah, appearing on the albums Saw Delight, Out of Reach and Can. He toured with Can in 1977 and also provided vocals for some of the band's songs during this period.
On The Road is the second live album by English rock band Traffic, released in 1973. Recorded live in Germany, it features the Shoot Out at the Fantasy Factory band, with the Muscle Shoals Rhythm Section of keyboardist Barry Beckett, bassist David Hood, and drummer Roger Hawkins.
Can Live Music is a double live album by the band Can, released in 1999 and recorded in the UK and West Germany between 1972 and 1977. It was originally included in the now out-of-print Can box set, Can Box.
Can, also known as Inner Space, is the tenth studio album by experimental rock band Can, released in 1979. Former bassist Holger Czukay's involvement with this album was limited to tape editing. It was Can's last album before the reunion album Rite Time, ten years later, and was released after the band's break-up.
Joe Cocker is the third studio album by Joe Cocker, released in 1972 in Europe as Something to Say on Cube Records, and in the USA as Joe Cocker on A&M Records. It contains the hit single "High Time We Went", that was released in the summer of 1971. Joe Cocker signalled Cocker's change of direction into a more jazzy, blues style. The album reached no. 30 in the US album charts. However, although it received a positive response from the press, it made no impression on the British and European charts.
Anthology, also called Anthology - 25 Years and Anthology 1968-1993, is a compilation double album by Krautrock artists Can which was released in 1994. Several of the songs are presented in edited form. The first CD has the same track listing as Can's previous compilation, Cannibalism.
Short Cut Draw Blood is the third studio album by the British musician Jim Capaldi, released by Island Records in 1975. It marked a major turning point in Capaldi's career: it was his first album recorded after the breakup of Traffic, and more importantly it was his commercial breakthrough. While Capaldi's first two solo albums had been moderately successful in the United States, Short Cut Draw Blood entered the charts in several other countries for the first time. This was particularly evident in his native United Kingdom; the single "It's All Up to You" at number 27, released a year before the album, became his first top 40 hit there, only to be overshadowed the following year by his cover of "Love Hurts", which went all the way to number 4.
The Lost Tapes is a compilation album of studio outtakes and live recordings by the German experimental rock band Can, which was originally released as an LP in 2012 by Spoon Records in conjunction with Mute Records. The compilation was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, and edited by Jono Podmore.
Movies is the second album by Holger Czukay, released in 1979 through Electrola.
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