Related Research Articles
Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene.
Death of a Ladies' Man is the fifth studio album by Leonard Cohen, produced and co-written by Phil Spector. The album was in some ways a departure from Cohen's typical minimalist style by using Spector's Wall of Sound recording method, which included ornate arrangements and multiple tracks of instrument overdubs. The album was originally released in the US by Warner Bros., and on CD and the rest of the world by Cohen's long-time label, Columbia Records.
Michael Reese Roper is an American singer-songwriter, best known as lead singer for the Denver, Colorado-based Christian ska punk band Five Iron Frenzy, as well as fronting the rock bands Brave Saint Saturn and Roper.
Monster Movie is the debut studio album by German rock band Can, released in August 1969 by Music Factory and Liberty Records.
Tago Mago is the second studio album by the German krautrock band Can, originally released as a double LP in August 1971 on the United Artists label. It was the band's first album to feature Damo Suzuki after the 1970 departure of previous vocalist Malcolm Mooney. Recorded in a rented castle near Cologne, the album features long-form experimental tracks blending rock improvisation, funk rhythms and musique concrète techniques.
Ege Bamyası is the third studio album by German krautrock band Can, originally released as an LP in 1972 by United Artists. The album contains the single "Spoon", which charted in the Top 10 in Germany, largely because of its use as the theme of a German TV thriller mini-series called Das Messer. The success of the single allowed Can to move to a better studio, in which they recorded Ege Bamyası.
Flow Motion is the seventh studio album by German rock band Can. It was released in October 1976 and features the UK hit single "I Want More".
Rite Time is the eleventh and final studio album by the German rock band Can. Though Can had not yet split up, it is considered a reunion album because of the time elapsed since the band's previous album, Can, was released in 1979. The album consists of sessions recorded in the South of France in late 1986, edited extensively by the band over the course of subsequent years. Rite Time features the vocals of the band's original singer, Malcolm Mooney, who had left the group in 1970 after their debut album Monster Movie. Upon the album's initial release, "In the Distance Lies the Future" only appeared on the CD version, but it was included on the 2014 vinyl reissue.
Delay 1968, or just Delay, is an archival compilation album by German experimental rock band Can during its work with singer Malcolm Mooney comprising previously unissued early recordings of the band's rejected debut album, Prepared to Meet Thy PNOOM. The song "Thief" had previously been released officially on the United Artists compilation album Electric Rock in 1970; it was later covered live by Radiohead.
Alive & Amplified is The Mooney Suzuki's third studio album, and their second under Columbia Records. Released on August 24, 2004, it came two years after their third album, Electric Sweat. It was recorded in various locations, including Paramount Studios, Ameraycan Studios, and Decoy Studios, all located in Los Angeles, California. Of its content, the band said it is "dense, kaleidoscopic, and that you could spend hours uncovering little nuggets of goodness." Many of the songs assume sexual innuendos, such as "Primitive Condition", "Alive & Amplified", "Shake That Bush Again", "Loose 'n' Juicy", "Messin' in the Dressin' Room", and "Naked Lady". Of the song "New York Girls", Sammy James, Jr. said "I love the song California Girls, and the women of New York didn't get a fair shake in California Girls, and he thought the New York Girls needed their fair shake, so we gave that to them."
Can Live Music is a double live album by the band Can, released in 1999 and recorded in the UK and West Germany between 1972 and 1977. It was originally included in the now out-of-print Can box set, Can Box.
Sacrilege is a double remix album by the band Can, released in 1997. It features remixes of many of the band's best-known songs from the 1960s and 1970s, remixed by contemporary recording artists.
Sack Full of Silver is the fourth full-length album by Thin White Rope. It is the band's debut on major label RCA Records. Composed whilst on tour in Europe, the album was noted for its "visceral" instrumental performances, Guy Kyser's gravelly vocals and his personal, abstract lyricism. Despite selling less than its predecessors, the album went on to receive critical acclaim from the mainstream press and is regarded as one of the most underrated albums in the band's discography.
The One That Got Away is the sixth and last full-length album by Thin White Rope. The double CD is a recording of the band's last show and was recorded live on 28 June 1992, at Democrazy in Gent, Belgium. It comprises the entire show, except for "The Ruby Sea" and "Moonhead", which were released as a 7" vinyl single, and Thing, which has never been released in any format to date.
Hi... We're the Miracles is the first album by The Miracles, Motown's first group, released on Motown's Tamla subsidiary label in the summer of 1961. It was the first album released by the Motown Record Corporation. The album features several songs that played an important role in defining The Motown Sound and establishing songwriters Smokey Robinson and Berry Gordy.
Warm Slime is the tenth studio album by American psychedelic rock band Thee Oh Sees, released on May 11, 2010. The album is the fourth to be released under the name Thee Oh Sees, and is the band's tenth studio album, overall.
The Lost Tapes is a compilation album of studio outtakes and live recordings by the German experimental rock band Can, which was originally released as an LP in 2012 by Spoon Records in conjunction with Mute Records. The compilation was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, and edited by Jono Podmore.
"Death of Samantha" is a song written by Yoko Ono and first released on her 1973 album Approximately Infinite Universe. It was also released as a single, backed by "Yang Yang". It has also been covered by a number of artists, including Boy George, Hermine Demoriane and Porcupine Tree.
Kamasutra: Vollendung der Liebe is a 1969 film score by Innerspace Productions, an early name for the band Can. It was recorded as the soundtrack for the West German film of the same name and was released some 40 years later in 2009. The musical styles heard on the album demonstrate a temporary departure from the Krautrock sound the band was producing around that time, experimenting with styles such as South Asian music and blues rock, more in keeping with Indian setting of the film. Among their first recordings, this score, together with the band's previous soundtrack album Agilok & Blubbo, are seldom discussed by the band members. Neither have material on the band's 1970 compilation Soundtracks which consists of songs previously only heard on film soundtracks.
All Gates Open: The Story of Can is a book about the German experimental rock band Can, written by British writer and editor Rob Young and Can founding member Irmin Schmidt. It was published in May 2018 in the United Kingdom by Faber and Faber in two editions, a trade edition in hardback, and a handbound and autographed limited edition.
References
- ↑ Can – Sacrilege at Discogs.
- ↑ Hands, Steve (August 2005). Can Archived December 15, 2006, at the Wayback Machine . UK: MusicOMH.
