Soundtracks | ||||
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Compilation album by | ||||
Released | September 1970 | |||
Recorded | November 1969 – August 1970 | |||
Studio | Schloss Nörvenich (Nörvenich, West Germany) | |||
Genre | Krautrock | |||
Length | 35:09 | |||
Label | Liberty, United Artists | |||
Producer | Can | |||
Can chronology | ||||
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Singles from Soundtracks | ||||
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Soundtracks is a 1970 compilation album by the German krautrock group Can, containing music written for various films. The album marks the departure of the band's original vocalist Malcolm Mooney, who sings on two tracks, and his replacement by Damo Suzuki. "Don't Turn the Light On, Leave Me Alone" features Suzuki's first recorded performance with the band. [1] Stylistically, the record also documents the group's transition to the more meditative and experimental mode of the studio albums that followed.
The back cover of the album states:
"CAN SOUNDTRACKS" is the second album of THE CAN but not album no. two ... Album no. two [ Tago Mago ] will be released in the beginning of 1971. [2]
"She Brings the Rain", written for the 1969 film A Big Grey-Blue Bird by Thomas Schamoni , was later featured in Wim Wenders' 1994 film Lisbon Story , Oskar Roehler's 2000 film Die Unberührbare and Tran Anh Hung's 2010 film Norwegian Wood .
Review scores | |
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Source | Rating |
AllMusic | [3] |
Pitchfork | 7.6/10 [4] |
The Rolling Stone Album Guide | [5] |
Stylus Magazine | B [6] |
In a retrospective review in Stylus Magazine , Nick Southall called Soundtracks "a strange beast of a record" that "appear[s] directionless", but has some "absolutely sublime moments". [6] Dominique Leone wrote in her retrospective review for Pitchfork that while many of the tracks on Soundtracks lack the "artistic reach" Can achieved on Monster Movie and other albums, they are not "throwaways". [4] Leone called "Mother Sky" the album's highlight, adding that it "has an intensity matching anything on the debut". [4] In another retrospective review of Soundtracks, for AllMusic, Jason Ankeny remarked: "The dichotomy between the two singers is readily apparent: Suzuki's odd, strangulated vocals fit far more comfortably into the group's increasingly intricate and subtle sound, allowing for greater variation than Mooney's stream-of-consciousness discourse." [3]
In March 2005, Q magazine placed "Mother Sky" at number 48 in its list of the "100 Greatest Guitar Tracks". [7]
No. | Title | Writer(s) | Length |
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1. | "Deadlock" (from the film Deadlock , 1970, dir. Roland Klick ) | Czukay, Karoli, Liebezeit, Schmidt, Suzuki | 3:27 |
2. | "Tango Whiskyman" (from the film Deadlock) | Czukay, Karoli, Liebezeit, Schmidt, Suzuki | 4:04 |
3. | "Deadlock (Titelmusik)" (from the film Deadlock) | Czukay, Karoli, Liebezeit, Schmidt, Suzuki | 1:40 |
4. | "Don't Turn the Light On, Leave Me Alone" (from the film Cream – Schwabing Report, 1970, dir. Leon Capetanos) | Czukay, Karoli, Liebezeit, Schmidt, Suzuki | 3:42 |
5. | "Soul Desert" (from the film The Brutes , 1970, dir. Roger Fritz ) | Czukay, Karoli, Liebezeit, Schmidt, Mooney | 3:48 |
No. | Title | Writer(s) | Length |
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1. | "Mother Sky" (from the film Deep End , 1971, dir. Jerzy Skolimowski ) | Czukay, Karoli, Liebezeit, Schmidt, Suzuki | 14:31 |
2. | "She Brings the Rain" (from the film A Big Grey-Blue Bird , 1969, dir. Thomas Schamoni ) | Czukay, Karoli, Liebezeit, Schmidt, Mooney | 4:04 |
Total length: | 35:16 |
Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). They featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been hailed as pioneers of the German krautrock scene.
Michael Karoli was a German guitarist, violinist, and sound-mixer. He was a founding member of the krautrock band Can.
Kenji Suzuki, known as Damo Suzuki (ダモ鈴木), was a Japanese musician best known as the vocalist for the German Krautrock group Can between 1970 and 1973. Born in 1950 in Kobe, Japan, he moved to Europe in the late 1960s where he was spotted busking in Munich, West Germany, by Can bassist Holger Czukay and drummer Jaki Liebezeit. Can had just split with their vocalist Malcolm Mooney, and asked Suzuki to sing over tracks from their 1970 compilation album Soundtracks. Afterwards, he became their full time singer, appearing on the three influential albums Tago Mago (1971), Ege Bamyası (1972) and Future Days (1973).
Malcolm "Desse" Mooney is an American singer, poet, and artist, best known as the original vocalist for German krautrock band Can.
Monster Movie is the debut studio album by German rock band Can, released in August 1969 by Music Factory and Liberty Records.
Tago Mago is the second studio album by the German krautrock band Can, originally released as a double LP in August 1971 on United Artists Records. It was the band's first full studio album to feature vocalist Damo Suzuki after the departure of Malcolm Mooney the year prior, though Suzuki had been featured on most tracks on the 1970 compilation album Soundtracks. It was recorded at the Can Studio in the Schloss Nörvenich, a medieval castle near Cologne.
Ege Bamyası is the third studio album by German krautrock band Can, released on 29 November 1972 by United Artists Records. The album contains the single "Spoon", which charted in the Top 10 in Germany after being used as the theme song to the German television mini-series Das Messer (1971). The success of the single allowed Can to establish their own studio, Inner Space Studio, in Weilerswist, where they recorded the rest of the album. In 2004, Spoon Records remastered Ege Bamyası and reissued it as a hybrid Super Audio CD.
Future Days is the fourth studio album by the German experimental rock group Can, released on 1 August 1973 by United Artists. It was the group's final album to feature vocalist Damo Suzuki, who subsequently left the band, and explores a more atmospheric sound than their previous releases.
Flux + Mutability is the second collaboration between David Sylvian and Holger Czukay. It was released in September 1989. The music consists of two instrumental tracks improvised by the participants.
Soon Over Babaluma is the fifth studio album by the rock music group Can. This is the band's first album following the departure of Damo Suzuki in 1973. The vocals are provided by guitarist Michael Karoli and keyboardist Irmin Schmidt. It is also their last album that was created using a two-track tape recorder.
Landed is the sixth studio album by the German krautrock band Can.
Rite Time is the eleventh and final studio album by the German krautrock band Can, released in later Summer 1989 by Mercury Records. The album features the vocals of the band's original singer, Malcolm Mooney, who had left the group in 1970 after their debut album Monster Movie. Upon the album's initial release, "In the Distance Lies the Future" only appeared on the CD version, but it was included on the 2014 vinyl reissue.
Delay 1968 is a compilation album by the German experimental rock band Can released in 1981. It comprises previously unreleased work recorded for Can's rejected debut album, Prepared to Meet Thy Pnoom, recorded with the singer Malcolm Mooney.
"Moonshake" is a song by the krautrock band Can, on their 1973 album Future Days. Unusually for this album, known for its ambient, lengthy tracks, the song is short and has a pop structure, and was released as a single.
Can Live Music is a double live album by the band Can, released in 1999 and recorded in the UK and West Germany between 1972 and 1977. It was originally included in the now out-of-print Can box set, Can Box.
Anthology, also called Anthology - 25 Years and Anthology 1968-1993, is a compilation double album by Krautrock artists Can which was released in 1994. Several of the songs are presented in edited form. The first CD has the same track listing as Can's previous compilation, Cannibalism.
"Mother Sky" is a song by the krautrock group Can, written by members Holger Czukay, Jaki Liebezeit, Michael Karoli, Irmin Schmidt, and Damo Suzuki. Lasting fourteen and a half minutes, it was recorded in July 1970 for the soundtrack of Jerzy Skolimowski's film Deep End and released in 1970 on Can's Soundtracks album. It opens in mid guitar solo before settling down into a familiar Can groove as singer Damo Suzuki mulls the relative merits of madness and "Mother Sky".
The Peel Sessions is a compilation album by the German experimental rock band Can. Released in November 1995, it contains songs from four sessions recorded for John Peel's Radio 1 show. The sessions took place in February 1973, January 1974, October 1974, and May 1975. The songs are mostly unreleased improvisations. Different recordings of "Geheim" and "Mighty Girl" were released on Landed and Out of Reach respectively.
Unlimited Edition is a compilation album by the krautrock band Can, released by Harvest Records in 1976 as a double album. Beforehand, United Artists Records released Limited Edition LP in 1974, which was a limited release of 15,000 copies. Unlimited Edition is a re-release of Limited Edition, adding tracks 14–19 tracks.
The Lost Tapes is a compilation album of studio outtakes and live recordings by the German experimental rock band Can, which was originally released as an LP in 2012 by Spoon Records in conjunction with Mute Records. The compilation was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, and edited by Jono Podmore.
'Don't Turn the Light on, Leave Me Alone' was Damo's first recording with CAN ever.