Out of Reach | ||||
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Studio album by | ||||
Released | July 1978 | |||
Recorded | October 1977 | |||
Genre | ||||
Length | 35:19 | |||
Label | Harvest | |||
Producer | Can | |||
Can chronology | ||||
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Out of Reach is the ninth studio album by the German krautrock band Can, released as an LP in 1978 on Harvest Records. [1] It is their tenth official studio album, discounting compilations such as Unlimited Edition .
Founding bassist and producer Holger Czukay left the band before the recording sessions for Out of Reach. [1] As a partial result of Czukay's departure, bassist Rosko Gee and percussionist Rebop Kwaku Baah are said to dominate the group's sound on this album. Drummer Jaki Liebezeit was losing interest in the band at the time, leaving most of the percussion duties to Baah. [1] Keyboardist Irmin Schmidt refused to play on "Give Me No 'Roses'", so Gee and Baah played the keyboards on that track. However, the album's guitar solos from Michael Karoli are a link to the older Can sound.
Rosko Gee performs vocals on "Pauper's Daughter and I" (quoting the "Jack and Jill" nursery rhyme) and "Give Me No 'Roses'", and wrote these two tracks. [1] Rebop Kwaku Baah sings on "Like Inobe God." The four other songs ("Serpentine", "November", "Seven Days Awake", and "One More Day") are instrumental. A simpler version of "November" was called "Mighty Girl" in the 1975 session for BBC's John Peel Show.
Out of Reach has variously been reissued as a double CD with Can's 1979 release Can (also known as Inner Space after the band's recording studio) [2] and on its own in several single CD versions, e.g. on MagMid (TKO Magnum Music) in the United Kingdom, [3] but was more difficult to find than other Can albums. [1] Being the only Can album that features no input from Holger Czukay (its followup Can had some editing by Czukay [4] ), it was disowned by the band for many years (hence its rather haphazard reissue history) and was not listed as part of their discography on their official website. [5] It was not issued either as part of Spoon Records' first CD reissues of most of their albums in 1989, nor in a remastered Super Audio CD edition in 2006, unlike all the other Can studio albums. [6]
It was finally officially re-issued by Spoon Records, in CD, vinyl and digital formats, on 18 August 2014. [7]
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Encyclopedia of Popular Music | [8] |
Pitchfork | 3.7/10 [9] |
The Rolling Stone Album Guide | [10] |
AllMusic's retrospective review of Out of Reach praised Gee's bass playing for creating a jazz sound, but also referred to "Pauper's Daughter and I" (which they erroneously referred to as "The Pauper's Daughter") and "Like Inobe God" as Can's two worst recordings. [1] In an overview of Can's career, journalist Andy Gill opined that Gee and Baah "seemed to impose too strict a sense of rhythm on Can's once free-flowing music, which was diluted with insipid reggae riffs." He called Out of Reach "a poor record". [11]
All songs written by Michael Karoli, Jaki Liebezeit, Irmin Schmidt, Rosko Gee, and Reebop Kwaku Baah, except where noted.
Total length - 35:19
According to the liner notes:
Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). They featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been hailed as pioneers of the German krautrock scene.
Holger Schüring, known professionally as Holger Czukay, was a German musician best known as a co-founder of the krautrock group Can. Described as "successfully bridg[ing] the gap between pop and the avant-garde", Czukay was also notable for having created early important examples of ambient music, for having explored "world music" well before the term was coined, and for having been a pioneer of sampling.
Irmin Schmidt is a German keyboardist and composer, best known as a founding member of the band Can.
Michael Karoli was a German guitarist, violinist and composer. He was a founding member of the influential krautrock band Can.
Tago Mago is the second studio album by the German krautrock band Can, originally released as a double LP in August 1971 on the United Artists label. It was the band's first full studio album to feature Damo Suzuki after the 1970 departure of previous vocalist Malcolm Mooney, though Suzuki had been featured on most tracks on the compilation album Soundtracks the prior year. Recorded at Schloss Nörvenich, a medieval castle near Cologne, the album features long-form experimental tracks blending rock and jazz improvisation, funk rhythms, and musique concrète tape editing techniques.
Ege Bamyası is the third studio album by German krautrock band Can, originally released as an LP in 1972 by United Artists. The album contains the single "Spoon", which charted in the Top 10 in Germany owing its use as the theme of German TV thriller mini-series Das Messer. The success of the single allowed Can to move to a better studio in Weilerswist, where they recorded the rest of the album.
Anthony "Rebop" Kwaku Baah was a Ghanaian percussionist who worked with the 1970s rock groups Traffic and Can.
Soon Over Babaluma is the fifth studio album by the rock music group Can. This is the band's first album following the departure of Damo Suzuki in 1973. The vocals are provided by guitarist Michael Karoli and keyboardist Irmin Schmidt. It is also their last album that was created using a two-track tape recorder.
Flow Motion is the seventh studio album by German rock band Can. It was released in October 1976 and features the UK hit single "I Want More".
Saw Delight is an album by the German rock band Can. It features two new band members who were ex-members of the band Traffic, Rosko Gee and Rebop Kwaku Baah, with Can's bassist Holger Czukay giving up the bass in favour of experimental effects.
Rite Time is the eleventh and final studio album by the German rock band Can. Though Can had not yet split up, it is considered a reunion album because of the time elapsed since the band's previous album, Can, was released in 1979. The album consists of sessions recorded in the South of France in late 1986, edited extensively by the band over the course of subsequent years. Rite Time features the vocals of the band's original singer, Malcolm Mooney, who had left the group in 1970 after their debut album Monster Movie. Upon the album's initial release, "In the Distance Lies the Future" only appeared on the CD version, but it was included on the 2014 vinyl reissue.
Rosko Gee is a Jamaican bassist, who has played with the English band Traffic on their album When the Eagle Flies (1974); with Go featuring Stomu Yamashta, Steve Winwood, Michael Shrieve, Klaus Schulze and Al Di Meola; and with the German band Can, along with former Traffic percussionist Rebop Kwaku Baah, appearing on the albums Saw Delight, Out of Reach and Can. He toured with Can in 1977 and also provided vocals for some of the band's songs during this period.
Delay 1968 is a compilation album by the German experimental rock band Can released in 1981. It comprises previously unreleased work recorded for Can's rejected debut album, Prepared to Meet Thy Pnoom, recorded with the singer Malcolm Mooney.
Can Live Music is a double live album by the band Can, released in 1999 and recorded in the UK and West Germany between 1972 and 1977. It was originally included in the now out-of-print Can box set, Can Box.
Can, also known as Inner Space, is the tenth studio album by experimental rock band Can, released in 1979. Former bassist Holger Czukay's involvement with this album was limited to tape editing. It was Can's last album before the reunion album Rite Time, ten years later, and was released after the band's break-up.
Anthology, also called Anthology - 25 Years and Anthology 1968-1993, is a compilation double album by Krautrock artists Can which was released in 1994. Several of the songs are presented in edited form. The first CD has the same track listing as Can's previous compilation, Cannibalism.
The Peel Sessions is a compilation album by the German experimental rock band Can. Released in November 1995, it contains songs from four sessions recorded for John Peel's Radio 1 show. The sessions took place in February 1973, January 1974, October 1974, and May 1975. The songs are mostly unreleased improvisations. "Geheim" is released as "Half Past One" on Landed and "Mighty Girl" as "November" on Out of Reach.
The Lost Tapes is a compilation album of studio outtakes and live recordings by the German experimental rock band Can, which was originally released as an LP in 2012 by Spoon Records in conjunction with Mute Records. The compilation was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, and edited by Jono Podmore.
Movies is the second album by Holger Czukay, released in 1979 through Electrola.
Live in Paris 1973 is a live double-album by German krautrock band Can, recorded at a performance of the band at L'Olympia in Paris, France. It was released on vinyl and CD by Spoon Records on 23 February 2024, two weeks after the death of Can member Damo Suzuki on 9 February 2024.