Earth, Wind & Fire is an American musical group. Their style and sound span various music genres such as jazz, R&B, soul, funk, disco, pop, Latin, and Afro-pop. They are among the best-selling music artists of all time, with sales of over 90 million records worldwide.
"Every Breath You Take" is a song by British rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks, and the Canadian RPM chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the top 10 in numerous other countries.
June Deniece Williams is an American singer. She has been described as "one of the great soul voices" by the BBC. She is best known for the songs "Free", "Silly", "It's Gonna Take a Miracle" and two Billboard Hot 100 No.1 singles "Let's Hear It for the Boy" and "Too Much, Too Little, Too Late". Williams has won four Grammys with twelve nominations altogether. She is also known for recording “Without Us”, the theme song of Family Ties.
The Emotions are an American soul/R&B vocal group from Chicago. The group started out in gospel music but transitioned into R&B and disco music. The Emotions were named by VH1 as one of the 18 most influential girl groups of all time.
Maurice White was an American musician, best known as the founder, leader, main songwriter and chief producer of the band Earth, Wind & Fire, also serving as the band's co-lead singer with Philip Bailey.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"What's It Gonna Be?!" is a song by American rapper Busta Rhymes featuring American singer Janet Jackson. It was released as the fourth and last single from Rhymes' third studio album Extinction Level Event: The Final World Front on March 9, 1999, by Flipmode Entertainment and Elektra Records. The song was written by Rhymes, Antoinette Roberson and its producer Darrell "Delite" Allamby. The song was a commercial and critical success, reaching number three on the Billboard Hot 100 and the top ten of various countries. It also hit number one on the Billboard Hot Rap Tracks and Hot R&B/Hip-Hop Singles & Tracks charts, and was nominated for a Grammy Award for Best Rap Performance by a Duo or Group at the 2000 Grammy Awards.
"Let Me Love You" is a song by American singer Mario, released as a single on October 4, 2004, from his second studio album, Turning Point (2004). The song was written by Ne-Yo, Kameron Houff, and Scott Storch, while the production was handled by Storch. The song garnered Mario a Grammy Award nomination for Best Male R&B Vocal Performance in 2006 and became a top-10 hit worldwide, reaching number one in the United States, Canada, Germany, the Netherlands, and New Zealand.
... Nothing Like the Sun is the second solo studio album by English musician Sting. The album was originally released on 5 October 1987 on A&M (worldwide) as a double LP and single CD. The album explores the genres of pop rock, soft rock, jazz, reggae, world, acoustic rock, dance-rock, and funk rock. The songs were recorded in March–August 1987 during sessions that took place at Air Studios, in Montserrat, assisted by record producers Hugh Padgham, Bryan Loren, and Neil Dorfsman. It features a number of high-profile guest guitarists, including former Police member Andy Summers, Eric Clapton, Mark Knopfler, and Hiram Bullock, and is generally regarded as the culmination of the smoother, more adult-oriented sound of Sting's early work.
Gerald Maxwell Rivera, known mononymously as Maxwell, is an American singer, songwriter, and record producer. He rose to prominence following the release of his debut studio album Maxwell's Urban Hang Suite (1996), which received widespread acclaim and spawned the hit singles "Ascension " and "Sumthin' Sumthin'". Gaining mainstream success, his recordings have since been cited by music critics for helping popularize the "neo soul" movement during the 1990s.
"Englishman in New York" is a song by English singer-songwriter Sting, from his second studio album ...Nothing Like the Sun, released in October 1987. Branford Marsalis played soprano saxophone on the track, while the drums were played by Manu Katché and the percussion by Mino Cinélu.
Brenda Russell is an American singer-songwriter, producer, and keyboardist. Russell has a diverse musical range which encompasses R&B, pop, soul, dance, and jazz. She has received five Grammy nominations.
"Let's Get Blown" is a song by American rapper Snoop Dogg featuring musician Pharrell Williams. It was released on December 13, 2004, as the second single released from the former's seventh studio album R&G : The Masterpiece (2004). It was produced by The Neptunes and features additional vocals from American singer Keyshia Cole.
"Stand by Your Man" is a song recorded by American country music artist Tammy Wynette, co-written by Wynette and Billy Sherrill. It was released on September 20, 1968, as the first single and title track from the album Stand by Your Man. It proved to be the most successful record of Wynette's career, and is one of the most familiar songs in country music. The song was placed at number one on CMT's list of the Top 100 Country Music Songs.
Mercury Falling is the fifth studio album by English musician Sting. It was released on 26 February 1996 through A&M Records and was produced by Sting alongside longtime producer Hugh Padgham. The album features many tracks which see elements of soul and country music integrated to a greater extent than on past releases. Supporting musicians on the album include frequent collaborators Dominic Miller on guitar, Kenny Kirkland on keyboards, Vinnie Colaiuta on drums, and Branford Marsalis on tenor and soprano saxophone.
The Very Best of... Sting & The Police is a compilation album issued by A&M Records on 17 November 1997, containing a mix of Police songs and Sting's solo works. It originally featured one new track, a remix of the 1978 song "Roxanne" by rap artist Sean "Puffy" Combs. The album was reissued in 1998 by PolyGram International with "Russians" removed and three added tracks: "Seven Days", "Fragile", and "De Do Do Do, De Da Da Da".
"I'm So Happy I Can't Stop Crying" is a song written and recorded by English rock singer Sting, which featured on his fifth album, Mercury Falling (1996). The song was also released as a single, and reached No. 94 in the US. Sting also recorded the song as a duet with American country music artist Toby Keith for Keith's 1997 album Dream Walkin'; this version reached No. 2 in the US Hot Country Songs charts and No. 84 in the US Billboard Hot 100 charts, giving Sting his only country hit.
The discography of British singer Sting. Born Gordon Sumner in 1951, he was a member of the jazz group Last Exit, who released a cassette album in 1975. With the Police, Sting sold over 100 million records and singles. As a solo performer, he has released 15 albums between 1985 and 2021, most of which have sold millions of copies worldwide.
"Brand New Day" is a song by British musician Sting, the title track of his sixth studio album (1999). The song features Stevie Wonder on harmonica. It was released as a single on 13 September 1999, peaking at number 13 in the United Kingdom and reaching the top 40 on two Canadian charts. In the United States, it peaked at number three on the Billboard Bubbling Under Hot 100 and won a Grammy Award for Best Male Pop Vocal Performance in 2000.
"You Still Touch Me" is a song by the English musician Sting, released as the second single from his fifth studio album Mercury Falling. Featuring a distinct soul influence, the song reached number 27 in Sting's native UK, becoming the second of three singles from the album to reach the top 40.
