The Soul Cages is the third full-length studio album by English musician Sting. Released on 21 January 1991,[14] it became Sting's second No. 1 album in the United Kingdom.[15]
On 15 January 2021, an expanded version of The Soul Cages was released to celebrate its 30th anniversary. Along with the original nine tracks, this new edition includes 13 bonus tracks that consist of remixes, extended mixes, and a pair of songs sung in Spanish and Italian incarnations.[18]
Concept
The Soul Cages is a concept album focused on the death of Sting's father.[19] Sting had developed a writer's block shortly after his father's death in 1987; the episode lasted several years, until he was able to overcome his affliction by dealing with the death of his father through music.[20] Most of the songs have motifs related to sailing or the seas; Sting wrote in his autobiography, Broken Music, that his father had always regretted not becoming a sailor. There are also references to Newcastle, the part of England where Sting grew up.[19]
"I lived next to a shipyard when I was young and it was a very powerful image of this huge ship towering above the house. Tapping into that was a godsend – I began with that and the album just flowed." – Sting[20]
Given his experience of writer’s block, Sting did not have any finished songs or arrangements upon entering the studio, unlike previous albums. After two weeks of rehearsing his existing song ideas with his line-up of musicians – Dominic Miller on guitar, Kenny Kirkland on keyboards and Manu Katché on drums – together they moulded these ideas into proper songs in the studio, either through arranging them or recording jams that could be edited into a song.[21] They spent six weeks doing the basic tracks at Studio Guillaume Tell in Paris, before hiring the Le Voyageur II mobile studio for overdubs and vocals in Villa Salviati in Migliarino, Italy.[21][22]
In an interview with Charlie Rose aired on 10 December 2010, Sting mentioned that he was working on a "mood piece", a musical project and book in collaboration with Pulitzer winner Brian Yorkey. The work would be based on an album he released many years ago concerning the loss of his father, growing up in Newcastle and witnessing the passing of the shipbuilding industry there. He admitted being scared of the prospect of pulling it all together but expressed confidence in it working out. This project has since been confirmed as the musical The Last Ship.[23]
Release
At the time this album appeared, the music industry was primarily using CD longboxes for packaging.[24] The original shipments of the album were packaged in a longbox containing a multi-panel Digipak. Between 200,000 and 300,000 copies of the album were distributed in this package, which according to an executive for A&M Records roughly cost the company "an additional $50,000 - $75,000."[25]
From 1 February 1991 onwards, A&M Records instead placed the album in packaging developed by AGI Inc. known as the Digitrak, a form of packaging similar to the Digipak that protected the contents of the album with shrink wrap on the exterior and two plastic tracks within the paperboard panels. This format had been reviewed by the National Recycling Coalition through a study on alternative packaging for the music industry. AGI was unable to distribute the album in this packaging any earlier than 1 February due to logistical issues in manufacturing a sufficient number of plastic tracks for the Digitrak. As Sting's tour was started to begin that month, A&M Records decided against delaying the album entirely and settling on longbox packaging for the initial shipment of records. Certain music retail chains, including Music Plus, had originally planned on not carrying the album if it had been exclusively packaged in a jewel case.[25]
Studio Brussel promoted the album in Belgium by featuring all ten of the album's tracks on its radio programs over a five-day period and also airing an interview with Sting.[26] The cover painting was created by the Scottish artist Steven Campbell.[27]
Until the release of Symphonicities in July 2010, The Soul Cages was the only studio album by Sting not to feature a photograph of himself on the front cover, although he does appear on the back cover of both albums.
↑ Browne, David (1 February 1991). "The Soul Cages". Entertainment Weekly. Meredith Corporation. Archived from the original on 29 November 2014. Retrieved 4 May 2020.
↑ Australian Recording Industry Association. "Sting – The Soul Cages". Australian-Charts.com. Hung Medien. Archived from the original on 12 November 2012. Retrieved 4 May 2020.
↑ "Album Search: Sting". Offizielle Deutsche Charts (in German). GfK Entertainment. Archived from the original on 29 November 2014. Retrieved 1 May 2013.
↑ "スティング-リリースミュージック"[Sting Release – The Soul Cages]. Oricon.co.jp (in Japanese). Oricon Style. Archived from the original on 29 April 2014. Retrieved 1 May 2013.
↑ Recording Industry Association of New Zealand. "Sting – The Soul Cages". Charts.org.nz. Hung Medien. Retrieved 4 May 2020.
↑ Swiss Music Charts. "Sting – The Soul Cages". HitParade.ch (in German). Hung Medien. Archived from the original on 2 December 2012. Retrieved 4 May 2020.
↑ Stansield, David (22 February 1992). "PolyGram Leader in '91 Sales Survey"(PDF). Music & Media. Vol.9, no.9. p.7. Retrieved 8 April 2020– via American Radio History.
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